"Two tropes circulating in discussions of the types of architecture that were purpose-built for confinement are the carceral archipelago and the panopticon prison, both used in scholarship on disciplinary institutions in ways useful for our focus. They have not yet been used for discussions of Pacific War incarceration environments. For this volume, a wide arc of the Pacific geography interpreted through carceral sites conjures a network of isolated camps reminiscent of Aleksandr Solzenitsyn's description of the Soviet Gulag system under Stalin"--

An innovative account of prisoners of war and internment camps around the Pacific basin during the Second World War. In this comparative and global study, Anoma Pieris and Lynne Horiuchi offer an architectural and urban understanding of the Pacific War approached through spatial, physical and material analyses of incarceration camp environments.

In this book, Thomas J. Connelly draws on a number of key psychoanalytic concepts from the works of Jacques Lacan, Slavoj Žižek, Joan Copjec, Michel Chion, and Todd McGowan to identify and describe a genre of cinema characterized by spatial confinement. Examining classic films such as Alfred Hitchcock's Rope and Stanley Kubrick's The Shining, as well as current films such as Room, Green Room, and 10 Cloverfield Lane, Connelly shows that the source of enjoyment of confined spaces lies in the viewer's relationship to excess. Cinema of Confinement offers rich insights into the appeal of constricted filmic spaces at a time when one can easily traverse spatial boundaries within the virtual reality of cyberspace.

By investigating the sovereign claims of American power and the architectural spaces of secret prisons, Spaces of Disappearance reconstructs the network of black siteprisons developed in the early years of the so-called War on Terror. Jordan H. Carver compiles an original archive of architectural representations, redacted documents, and media reports to build a knowingly incomplete spatial history of post-9/11 extraordinary rendition. Framed by an introductory essay by architectural historian and theorist Felicity D. Scott that positions Carver's work withina longer history of military strategy andstate violence against "uncertain" warfare, this book skillfully presents the territorialand political logics of the top-secret CIA Detention and Interrogation Program. Spaces of Disappearance shows how architectures of con nement were designed to deny prisoners their human subjectivity and describes how the spectacle of government bureaucracyis used as a substitute for accountability.