Libraries were a new building type of Ottoman architecture by the beginning of the eighteenth century. However, they quickly gained a considerable place among the endowments of Ottoman elites and remained one of the most carefully approached architectural questions throughout the century. More than twenty purpose-designed libraries were built in Istanbul until the early nineteenth century. This dissertation investigates the social and cultural conditions that paved the way for this library movement, the dynamics that affected the variety of architectural formulas developed for these buildings, and the receptions of the trend in the elite circles. The Ottomans designed some of the libraries with allusions to the image of mosques and to that of the pilgrimage shrine, and thus created symbols of the highly venerable status they gave to the effort of learning, especially to religious studies. In several library buildings, they made identifiable quotations from other monuments. This variety in library architecture is interpreted here as a reflection of the rise of knowledge of architectural past as a subject of gentlemen's curiosity, akin to interests in history, geography and literature. The latter genres had remarkably large places in library collections compared to the public collections of earlier centuries that lacked their own buildings. The broad demand for the accessibility of books in a wide range of fields certainly formed a pillar of the library movement, but the rivalry emerged between the dignitaries to donate rich libraries as urban landmarks demonstrates the power of this investment as a social asset and a political gesture in the eighteenth century. These were predominantly manuscript libraries; manual reproduction of books and accessibility of rare items were quite important in this library regime.

Perfect gift for book lovers, writers and your book club Book lovers rejoice! In this love letter to all things bookish, Jane Mount brings literary people, places, and things to life through her signature and vibrant illustrations. Readers of Jane Mount's Bibliophile will delight in: Touring the world's most beautiful bookstores Testing their knowledge of the written word with quizzes Finding their next great read in lovingly curated stacks of books Sampling the most famous fictional meals Peeking inside the workspaces of their favorite authors A source of endless inspiration, literary facts and recommendations: Bibliophile is pure bookish joy and sure to enchant book clubbers, English majors, poetry devotees, aspiring writers, and any and all who identify as book lovers. If you have read or own: I’d Rather Be Reading: The Delights and Dilemmas of the Reading Life; The Written World: The Power of Stories to Shape People, History, and Civilization; or How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines; then you will want to read and own Jane Mount's Bibliophile.

Few periods in history are so fundamentally contradictory as the Baroque, the culture flourishing from the mid-sixteenth to the mid-eighteenth centuries in Europe. When we hear the term âBaroque,â the first images that come to mind are symmetrically designed gardens in French chateaux, scenic fountains in Italian squares, and the vibrant rhythms of a harpsichord. Behind this commitment to rule, harmony, and rigid structure, however, the Baroque also embodies a deep fascination with wonder, excess, irrationality, and rebellion against order. The Oxford Handbook of the Baroque delves into this contradiction to provide a sweeping survey of the Baroque not only as a style but also as a historical, cultural, and intellectual concept. With its thirty-eight chapters edited by leading expert John D. Lyons, the Handbook explores different manifestations of Baroque culture, from theatricality in architecture and urbanism to opera and dance, from the role of water to innovations in fashion, from mechanistic philosophy and literature to the tension between religion and science. These discussions present the Baroque as a broad cultural phenomenon that arose in response to the enormous changes emerging from the sixteenth century: the division between Catholics and Protestants, the formation of nation-states and the growth of absolutist monarchies, the colonization of lands outside Europe and the mutual impact of European and non-European cultures. Technological developments such as the telescope and the microscope and even greater access to high-quality mirrors altered mankindâs view of the universe and of human identity itself. By exploring the Baroque in relation to these larger social upheavals, this Handbook reveals a fresh and surprisingly modern image of the Baroque as a powerful response to an epoch of crisis.

A visual delight and an inspiration for every bibliophile with a growing home library, this dream-and-drool design book features some of the most jaw-dropping book collections of homeowners around the world. NAMED ONE OF JO’S FALL FAVORITES IN MAGNOLIA JOURNAL Interior designer Nina Freudenberger, New Yorker writer Sadie Stein, and Architectural Digest photographer Shade Degges give readers a peek at the private libraries and bookshelves of passionate readers all over the world, including Larry McMurtry, Silvia Whitman of Shakespeare and Co., Gay and Nan Talese, and Emma Straub. Throughout, gorgeous photographs of rooms with rare collections, floor-to-ceiling shelves, and stacks upon stacks of books inspire readers to live better with their own collections. Praise for Bibliostyle “Featuring enviable private libraries and packed floor-to-ceiling shelves, this beautiful volume makes a compelling case for books as décor.”—New York “Freudenberger spotlights the splendid, enviable personal libraries of literary figures whose owners obviously care about their book collections and have actually read them, too.”—The Boston Globe “This is a coffee table book that makes you think as well as admire and desire.”—Sydney Herald “Offers a look into the fabulous homes of book lovers the world over, showcasing how their interior design is built around the tomes they love most.”—CN “The photographs of rooms with rare collections, floor-to-ceiling shelves, and stacks upon stacks of books will inspire readers to live better with their own collections.”—Publishers Weekly “Nina Freudenberger teams with Sadie Stein of The New Yorker and photographer Shade Degges of Architectural Digest to showcase beautiful photographs of the private libraries of book lovers from all over the world.”—BookRiot

Luxuriate in the pages of THE ANTIQUARIAN STICKER BOOK: BIBLIOPHILIA, a compendium of over 1,000 gorgeous stickers for lovers of the sensational series and new fans alike, curated and composed by artist and designer Tae Won Yu. The highly anticipated sequel to the most beautiful sticker book ever created has arrived with even more stunning sticker ephemera! Create a collage or adorn your junk journal with evocative imagery, letter forms, or literary quotes to add another dimension to your project. Peel and decorate or browse and feast on the beauty of this lush sticker book unlike any other. A treasure trove of authentic historical prints from the ornate Victorian era can live on its own, be used on stationery and wrapping, or create an amazing collage. Featuring beautiful, odd, and inspiring stickers from the past for the modern-day crafter, scrapbooker, art and book lover, or for anyone who just loves stickers, The Antiquarian Sticker Book: Bibliophilia has something for everyone.

The collected essays explore late antique and Byzantine Constantinople in matters sacred, political, cultural, and commercial.