The book is an interdisciplinary study on the relationship between Muslims and their mosques in Indonesia and Malaysia. It presents selected historic mosques that demonstrate local interpretations and sociocultural assimilation, as well as a geographical syncretism, of Islam in local societies. The book unveils the contestations, synchronizations, assimilations, and integrations of local and foreign elements into the contextual architecture and sociologically institutionalized system that is the mosque: the Islamic place of worship. The author excavates the mosque’s historical origins and traces the iconic elements, features, and designs from their earliest historical settings and contexts. He then identifies, analyzes, and theorizes the outcomes of the interaction between Islam and local traditions through Malaysian and Indonesian case studies. The book proposes that Islam, at its philosophical level, can be culturally acceptable anywhere because it contains universal virtues of humanity for equality, fraternity, and social justice. The book unfolds how a dialectical contestation and acculturation of Dutch colonialism, Middle Eastern elements of culture, and local customs and traditions, might then come into dialogue, peacefully. Finally, the book considers the relationship between Malay and Indonesian architecture within their respective political cultures, shedding light on Islam and its practice within rich multicultural contexts. Relevant to students and researchers in Islamic studies, architecture, and Southeast Asian studies more broadly, the book uncovers the issues, constraints, and opportunities relating to the meaning of mosques for Muslims in Malaysia and Indonesia.

Papers presented at the 2nd International Conference on Islamic Heritage Architecture and Art are contained in this volume. The conference attracted important research highlighting the significance of Islamic heritage architecture and art to the world and its influence across different regions. The papers deal with the design of many types of buildings in Islamic countries, including not only the better known public buildings like mosques, mausolea, citadels and forts, but also houses and gardens, engineering works such as bridges and dams, irrigation systems and many others which have also had a profound impact on society. Traditional architecture and urban environment in most Islamic countries is now being eroded by overemphasis on a global type of architecture and city planning. As a consequence, many regions are losing their identity. The included studies review these developments in the light of what classical Islamic urban design and architecture has to offer modern society. Research contained in this book provides an analysis of the materials employed and the types of structural elements used, particularly those unique to Islamic architecture. Associated topics covered include music, textiles and ceramics, which are essential parts of the architectural fabric. Also looked at are construction materials, including not only stone and brick but also more perishable materials like adobe, wood and reeds. The preservation of heritage features also requires the development of appropriate conservation techniques in response to the different materials used and the ways structural forms work, including under extreme conditions, such as earthquakes. Academics, researchers, practitioners and government employees actively involved in the topic of Islamic heritage architecture and art will find this publication of interest.

Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.

This book traces the history of urban design in tropical South East Asia with a view to offering solutions to contemporary architectural and urban problems. The book examines how pre-colonial forms and patterns from South East Asian traditional cities, overlaid by centuries of change, recall present notions of ecological and organic urbanism. These may look disorganised, yet they reflect and suggest certain common patterns that inform eco-urban design paradigms for the development of future cities. Taking a thematic approach, the book examines how such historical findings, debates and discussions can assist designers and policy makers to interpret and then instil identities in urban design across the Asian region. The book weaves a discourse across planning, urban design, architecture and ornamentation dimensions to reconstruct forgotten forms that align with the climate of place and resynchronise with the natural world, unearthing an ecologically benign urbanism that can inform the future. Written in an accessible style, this book will be an invaluable reference for researchers and students within the fields of cultural geography, urban studies and architecture.

The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.