In this book, the author analyzes myths from around the world to argue for the existence of a dying and rising god archetype. In the process, he draws out interpretive implications of the myths for not only myth studies per se, but also studies in religion, literature, and psychology.

International apologists present a compelling and inspiring case for how to draw on the resurrection for everyday Christian living.

Confronts the "legendary Jesus" case, showing how the Synoptic Gospels are the most historically probable representation of the actual Jesus of history.

Hercules, Zeus, Thor, Gilgamesh--these are the figures that leap to mind when we think of myth. But to David Leeming, myths are more than stories of deities and fantastic beings from non-Christian cultures. Myth is at once the most particular and the most universal feature of civilization, representing common concerns that each society voices in its own idiom. Whether an Egyptian story of creation or the big-bang theory of modern physics, myth is metaphor, mirroring our deepest sense of ourselves in relation to existence itself. Now, in The World of Myth, Leeming provides a sweeping anthology of myths, ranging from ancient Egypt and Greece to the Polynesian islands and modern science. We read stories of great floods from the ancient Babylonians, Hebrews, Chinese, and Mayans; tales of apocalypse from India, the Norse, Christianity, and modern science; myths of the mother goddess from Native American Hopi culture and James Lovelock's Gaia. Leeming has culled myths from Aztec, Greek, African, Australian Aboriginal, Japanese, Moslem, Hittite, Celtic, Chinese, and Persian cultures, offering one of the most wide-ranging collections of what he calls the collective dreams of humanity. More important, he has organized these myths according to a number of themes, comparing and contrasting how various societies have addressed similar concerns, or have told similar stories. In the section on dying gods, for example, both Odin and Jesus sacrifice themselves to renew the world, each dying on a tree. Such traditions, he proposes, may have their roots in societies of the distant past, which would ritually sacrifice their kings to renew the tribe. In The World of Myth, David Leeming takes us on a journey "not through a maze of falsehood but through a marvellous world of metaphor," metaphor for "the story of the relationship between the known and the unknown, both around us and within us." Fantastic, tragic, bizarre, sometimes funny, the myths he presents speak of the most fundamental human experience, a part of what Joseph Campbell called "the wonderful song of the soul's high adventure."

Uncover the truth about atheism in the book Oliver Sacks calls, "a revelation. . . I don’t think anyone can match the (devastating!) clarity, intensity, and honesty which Dan Barker brings to the journey—faith to reason, childhood to growing up, fantasy to reality, intoxication to sobriety." ADVANCE PRAISE FOR GODLESS “Valuable in the human story are the reflections of intelligent and ethical people who listen to the voice of reason and who allow it to vanquish bigotry and superstition. This book is a classic example.” —CHRISTOPHER HITCHENS author of God is Not Great “The most eloquent witness of internal delusion that I know—a triumphantly smiling refugee from the zany, surreal world of American fundamentalist Protestantism—is Dan Barker.” —RICHARD DAWKINS author of The God Delusion “Godless was a revelation to me. I don’t think anyone can match the (devastating!) clarity, intensity, and honesty which Dan Barker brings to the journey—faith to reason, childhood to growing up, fantasy to reality, intoxication to sobriety.” —OLIVER SACKS authors of Musicophilia In Godless, Barker recounts his journey from evangelical preacher to atheist activist, and along the way explains precisely why it is not only okay to be an atheist, it is something in which to be proud.” —MICHAEL SHERMER publisher of Skeptic Magazine “Godless is a fascinating memoir and a handbook for debunking theism. But most of all, it is a moving testimonial to one man’s emotional and intellectual rigor in acclaiming critical thinking.” —ROBERT SAPOLSKY author of Why Zebras Don’t Get Ulcers

The fifth volume of The History of Evil covers the twentieth century from 1900 through 1950. The period saw the maturation of intellectual movements such as Pragmatism and Phenomenology, and the full emergence of several new academic disciplines; all these provided novel intellectual tools that were used to shed light on a human capacity for evil that was becoming increasingly hard to ignore. An underlying theme of this volume is the effort to reconstruct an understanding of human nature after confidence in its intrinsic goodness and moral character had been shaken by world events. The chapters in this volume cover globally relevant topics such as education, propaganda, power, oppression, and genocide, and include perspectives on evil drawn from across the world. Theological and atheistic responses to evil are also examined in the volume. This outstanding treatment of approaches to evil at a determinative period of modernity will appeal to those with interests in the intellectual history of the era, as well as to those with interests in the political, philosophical and theological movements that matured within it.

Pagan Resurrection Myths and the Resurrection of Jesus, based on a postmodern critique of the dark side of the Enlightenment, argues effectively that the human imagination-and particularly the religious imagination-has been diminished by some of the fallacies of the previous 300 years of intellectual history and unjustified hostility toward religion. This is particularly true in regard to the Christian belief in the resurrection of Jesus. For many followers of Enlightenment values, the resurrection of Jesus is foolishness and "nothing but" another myth. This "nothing but" fallacy is shattered by the book's thesis. McKenzie argues against the trivialization of Christian belief on the part of many extreme liberal Christians (Protestant and Roman Catholic); it is notable because it is argumentative without belligerence, and sympathetic to different views without falling prey to the easy relativism so common among religious people today. The resurrection of Jesus was "forth-told" not only by the prophets. It is not the pagan myths that explain the resurrection of Jesus; the resurrection of Jesus validates the core of pagan myths, the resurrection archetype, and universal human experience of the resurrection theme. This interpretation, it is suggested, will help in the rehabilitation of the Christian imagination.