A masterful mix of art, sex, and politics behind the Iron Curtain, by America’s greatest dramatist In an unnamed Eastern European capital, four writers gather in what was once an archbishop’s palace. There is Adrian, a successful American author struggling with questions about a novel he has set in the city, and Marcus, a once-imprisoned radical who has become a darling of the current regime. Finally, there is Sigmund, perhaps the country’s greatest living writer, who refuses to compromise his artistic integrity to appease the regime. Between them all is Maya, a poet and actress who has been a mistress and muse to each man. The ornately decorated ceiling above them may or may not be bugged, and the group carefully watches their words as they discuss the play’s central dilemma – should Sigmund stay and resist the oppressive state, or should he defect and pursue his art in freedom? Their conversation poses crucial questions about mass surveillance, morality, and the authenticity of art, and remains as relevant today as it was during the height of the Cold War.

Jacket description/back: These two plays, first produced in the United States in the 1970s, have recently been revived here and abroad to great critical and popular acclaim. Both had triumphant runs on London's West End in 1986-87, and the Huntington Theatre Company gave The American Clock a rousing Boston premiere in the fall of 1988, at the same time -- remarkably enough -- that "The Archibishop's Ceiling" was playing to packed houses in a landmark production in Budepest.

The third volume of Miller's plays reissued with a new jacket in the Methuen Drama World Classics series to coincide with the publication of the sixth and final volume of his plays. Plays: 3 contains three of Miller's great stage plays from the late seventies and early eighties. The American Clock is a study of the effects of The Great Depression on American society and the values which helped it survive. The Archbishop's Ceiling, set in a former Archbishop's palace in an Eastern European capital, examines the relationship between four writers, and the erosion of personal integrity in East and West. With the threat of the secret police having bugged the room, the play provides a thrilling study of the effects of surveillance and political pressure on an individual's actions. Produced by the RSC at the Barbican in 1986, it was described as a 'gripping, thrilling play . . . the best of the RSC's current excellent season' (Sunday Times). A revised version of Two-way Mirror, a double bill for a man and a woman, consisting of two short plays - Elegy for a Lady and Some Kind of Love Story - completes the volume. The volume is introduced by the author and features an afterword by Christopher Bigsby.

A bold, vibrant panorama of the Great Depression by “the moral voice of the American stage” (The New York Times) Capturing a cross-section of American life in the throes of the Great Depression, The American Clock presents what Miller called “a mural for theatre,” based loosely on Stud’s Terkel’s oral history, Hard Times. It is the story of a single family, Moe and Rose Baum and their son Lee, who lost everything in the crash of ’29. When Lee leaves Brooklyn and travels west in search of work, he comes face to face with the true scope of the Depression’s devastation and encounters a tapestry of interlocked stories unfolding across a nation in crisis. In a series of vignettes, a vast ensemble of characters sets the Baums’ struggles in relief: a shoeshine man, a corporate tycoon, a dispossessed farmer, a struggling prostitute, a young songwriter, and a communist comic-strip artist, among many disparate American identities. All the while, the clock ticks towards a new era in history, and time is running out for the Baums and the America they know.

Unrivalled in its coverage of recent work and writers, The Methuen Drama Guide to Contemporary American Playwrights surveys and analyses the breadth, vitality and development of theatrical work to emerge from America over the last fifty years. This authoritative guide leads you through the work of 25 major contemporary American playwrights, discussing more than 140 plays in detail. Written by a team of 25 eminent international scholars, each chapter provides: · a biographical introduction to the playwright's work; · a survey and concise analysis of the writer's most important plays; · a discussion of their style, dramaturgical concerns and critical reception; · a bibliography of published plays and a select list of critical works. Among the many Tony, Obie and Pulitzer prize-winning playwrights included are Sam Shepard, Tony Kushner, Suzan-Lori Parks, August Wilson, Paula Vogel and Neil LaBute. The abundance of work analysed enables fresh, illuminating conclusions to be drawn about the development of contemporary American playwriting.

Adopting a unique historical approach to its subject and with a particular focus on the institutions involved in the creation, dissemination, and reception of literature, this handbook surveys the way in which the Cold War shaped literature and literary production, and how literature affected the course of the Cold War. To do so, in addition to more 'traditional' sources it uses institutions like MFA programs, university literature departments, book-review sections of newspapers, publishing houses, non-governmental cultural agencies, libraries, and literary magazines as a way to understand works of the period differently. Broad in both their geographical range and the range of writers they cover, the book's essays examine works of mainstream American literary fiction from writers such as Roth, Updike and Faulkner, as well as moving beyond the U.S. and the U.K. to detail how writers and readers from countries including, but not limited to, Taiwan, Japan, Uganda, South Africa, India, Cuba, the USSR, and the Czech Republic engaged with and contributed to Anglo-American literary texts and institutions.

From Drop Caps to Deluxes, Penguin Creative Director Paul Buckley presents a visual overview of the innovative covers that have put Penguin Classics at the forefront of the book design world Winner of the 2016 AIGA + Design Observer 50 Books | 50 Covers competition Since the launch of Penguin Classics in 1946, innovative cover design has been one of its defining aspects. Today, Penguin Classics remains at the leading edge of the book-design world. In this curated tour featuring illuminating commentary by artists and writers, including Malika Favre, Mike Mignola, James Franco, Jessica Hische, Jillian Tamaki and many more, Penguin creative director Paul Buckley showcases more than a decade of stunning cover designs and the stories behind them. For lovers of classic literature, book design, and all things Penguin, Classic Penguin has you covered. Paul Buckley is creative director for Penguin Classics and oversees a large staff of exceptionally talented designers and art directors working on the jackets and covers of sixteen imprints within the Penguin Random House publishing group. Over the past two decades, his iconic design and singular art direction have been showcased on thousands of covers and jackets, winning him many awards and frequent invitations to speak in the United States and abroad. In 2010, he edited and introduced Penguin 75. Matt Vee is a designer and illustrator who attended School of Visual Arts and Pratt Institute. He has received two Gold Scholastic Art Awards and created logos for worldwide brands. His work has appeared in The Washington Post, The Huffington Post, Slate, Print magazine, Paste magazine, and UnderConsideration’s Brand New. Audrey Niffenegger is a visual artist and writer. In addition to the bestselling novels The Time Traveler’s Wife and Her Fearful Symmetry, she is the author of three illustrated novels and the editor of Ghostly. Elda Rotor is vice president and publisher for Penguin Classics. She has created and edited several series, including Penguin Civic Classics, Penguin Threads, Couture Classics, Penguin Horror, and Penguin Drop Caps.