What do archaeological excavations in Annapolis, Maryland, reveal about daily life in the city's history? Considering artifacts such as ceramics, spirit bundles, printer's type, and landscapes, this engaging, generously illustrated, and original study illuminates the lives of the city's residents--walking, seeing, reading, talking, eating, and living together in freedom and in oppression for more than three hundred years. Interpreting the results of one of the most innovative projects in American archaeology, The Archaeology of Liberty in an American Capital speaks powerfully to the struggle for liberty among African Americans and the poor.

What do archaeological excavations in Annapolis, Maryland, reveal about daily life in the city's history? Considering artifacts such as ceramics, spirit bundles, printer's type, and landscapes, this engaging, generously illustrated, and original study illuminates the lives of the city's residents—walking, seeing, reading, talking, eating, and living together in freedom and in oppression for more than three hundred years. Interpreting the results of one of the most innovative projects in American archaeology, The Archaeology of Liberty in an American Capital speaks powerfully to the struggle for liberty among African Americans and the poor.

"The Archaeology of Liberty in an American Capital is the work of a mature scholar reporting on one of the most important, large-scale, and long-range projects in contemporary American archaeology."—Randall McGuire, author of The Archaeology of Inequality "Many would argue the Mark Leone is the most distinguished practitioner of historical archaeology in the United States, and one of the most prominent in the world."—Thomas C. Patterson, coeditor of Making Alternative Histories

In the 250 years before the Civil War, the Great Dismal Swamp of Virginia and North Carolina was a brutal landscape—2,000 square miles of undeveloped and unforgiving wetlands, peat bogs, impenetrable foliage, and dangerous creatures. It was also a protective refuge for marginalized communities, including Native Americans, African-American maroons, free African Americans, and outcast Europeans. Here they created their own way of life, free of the exploitation and alienation they had escaped. In the first thorough examination of this vital site, Daniel Sayers examines the area’s archaeological record, exposing and unraveling the complex social and economic systems developed by these defiant communities that thrived on the periphery. He develops an analytical framework based on the complex interplay between alienation, diasporic exile, uneven geographical development, and modes of production to argue that colonialism and slavery inevitably created sustained critiques of American capitalism.

“It is rare to read an archaeological book that has the capacity to inspire, as this one has.”—Mark P. Leone, author of The Archaeology of Liberty in an American Capital “Archaeology as Political Action is a highly original work that will be important for archaeologists and others concerned with processes of social change in the world today and, more importantly, with making a difference.”—Thomas C. Patterson, coeditor of Foundations of Social Archaeology “This powerful statement by a leading archaeological thinker has profound implications for rigorous archaeological interpretation, community collaboration, and political intervention.”—Stephen W. Silliman, coeditor of Historical Archaeology

The capital city of a nation founded on the premise of liberty, nineteenth-century Washington, D.C., was both an entrepot of urban slavery and the target of abolitionist ferment. The growing slave trade and the enactment of Black codes placed the city's Black women within the rigid confines of a social hierarchy ordered by race and gender. At the Threshold of Liberty reveals how these women--enslaved, fugitive, and free--imagined new identities and lives beyond the oppressive restrictions intended to prevent them from ever experiencing liberty, self-respect, and power. Consulting newspapers, government documents, letters, abolitionist records, legislation, and memoirs, Tamika Y. Nunley traces how Black women navigated social and legal proscriptions to develop their own ideas about liberty as they escaped from slavery, initiated freedom suits, created entrepreneurial economies, pursued education, and participated in political work. In telling these stories, Nunley places Black women at the vanguard of the history of Washington, D.C., and the momentous transformations of nineteenth-century America.

This cutting-edge text offers an introduction to the emerging field of media archaeology and analyses the innovative theoretical and artistic methodology used to excavate current media through its past. Written with a steampunk attitude, What is Media Archaeology? examines the theoretical challenges of studying digital culture and memory and opens up the sedimented layers of contemporary media culture. The author contextualizes media archaeology in relation to other key media studies debates including software studies, German media theory, imaginary media research, new materialism and digital humanities. What is Media Archaeology? advances an innovative theoretical position while also presenting an engaging and accessible overview for students of media, film and cultural studies. It will be essential reading for anyone interested in the interdisciplinary ties between art, technology and media.