This book covers a wide range of mathematical concepts as they are applied to regularly repeating surface decoration for textiles and other decorated materials such as wallpapers and wrappings. Starting with basic principles of symmetry it moves on to cover more complex issues of graph theory, group theory and topology. All these concepts are extensively illustrated with over 1000 original illustrations. A complex area, previously best understood by mathematicians and crystallographers, is made accessible here to artists and designers.

Given its importance in analysing and influencing the world around us, an understanding of colour is a vital tool in any design process. Colour design provides a comprehensive review of the issues surrounding the use of colour, from the fundamental principles of what colour is to its important applications across a vast range of industries.Part one covers the main principles and theories of colour, focusing on the human visual system and the psychology of colour perception. Part two goes on to review colour measurement and description, including consideration of international standards, approval methods for textiles and lithographic printing, and colour communication issues. Forecasting colour trends and methods for design enhancement are then discussed in part three along with the history of colour theory, dyes and pigments, and an overview of dye and print techniques. Finally, part four considers the use of colour across a range of specific applications, from fashion, art and interiors, to food and website design.With its distinguished editor and international team of contributors, Colour design is an invaluable reference tool for all those researching or working with colour and design in any capacity. - Provides a comprehensive review of the issues surrounding the use of colour in textiles - Discusses the application of colour across a vast range of industries - Chapters cover the theories, measurement and description of colour, forecasting colour trends and methods for design enhancement

This book encompasses a wide range of mathematical concepts relating to regularly repeating surface decoration from basic principles of symmetry to more complex issues of graph theory, group theory and topology. It presents a comprehensive means of classifying and constructing patterns and tilings. The classification of designs is investigated and discussed forming a broad basis upon which designers may build their own ideas. A wide range of original illustrative material is included.In a complex area previously best understood by mathematicians and crystallographers, the author develops and applies mathematical thinking to the context of regularly repeating surface-pattern design in a manner accessible to artists and designers. Design construction is covered from first principles through to methods appropriate for adaptation to large-scale screen-printing production. The book extends mathematical thinking beyond symmetry group classification. New ideas are developed involving motif orientation and positioning, including reference to a crystal structure, leading on to the classification and construction of discrete patterns and isohedral tilings.Designed to broaden the scope of surface-pattern designers by increasing their knowledge in otherwise impenetrable theory of geometry this 'designer friendly' book serves as a manual for all types of surface design including textiles, wallpapers and wrapping paper. It is also of value to crystallographers, mathematicians and architects.

The textile industry can experience a vast array of problems. Modelling represents a group of techniques that have been widely used to explore the nature of these problems, it can highlight the mechanisms involved and lead to predictions of the textile behaviour. This book provides an overview of how textile modelling techniques can be used successfully within the textile industry for solving various problems.The first group of chapters reviews the different types of models and methods available for predicting textile structures and behaviour. Chapters include modelling of yarn, woven and nonwoven materials. The second group of chapters presents a selection of case studies, expressing the strengths and limitations and how various models are applied in specific applications. Case studies such as modelling colour properties for textiles and modelling, simulation and control of textile dyeing are discussed.With its distinguished editor and international range of contributors, Modelling and predicting textile behaviour is essential reading material for textile technologists, fibre scientists and textile engineers. It will also be beneficial for academics researching this important area. - Provides an overview of the different types of models and methods that can be used successfully within the textile industry - Reviews the structural hierarchy in textile materials fundamental to the modelling of textile fibrous structures - Assesses the strengths and weaknesses of different textile models and how specific models are applied in different situations

This book represents an invaluable and up-to-date international exchange of research, case studies and best practice to tackle the challenges of digital technology, computer-aided design, 3D modeling, prototyping machines and computational design. With contributions from leading experts in the field of industrial design and cultural heritage, it is split into three parts. The first part explores basic rules of design, design models and shape grammar, including the management of complex forms, and proves that innovative concepts may be derived from organic models using generative design. The second part then investigates responsive design, describing how to manage the changing morphologies of buildings through pre-programmed mechanisms of real-time response and feedback embedded in inhabitable spaces. Lastly, the third part focuses on digital heritage and its capability to increase the interaction and manipulation of object and concepts, ranging from augmented reality to modeling generative tools. The book gathers peer-reviewed papers presented at the eCAADe (Education and Research in Computer-Aided Architectural Design in Europe) Regional International Symposium, held in Milan, Italy, in 2015.

Symbol, Pattern and Symmetry: The Cultural Significance of Structure investigates how pattern and symbol has functioned in visual arts, exploring how connections and comparisons in geometrical pattern can be made across different cultures and how the significance of these designs has influenced craft throughout history. The book features illustrative examples of symbol and pattern from a wide range of historical and cultural contexts, from Byzantine, Persian and Assyrian design, to case studies of Japanese and Chinese patterns. Looking at each culture's specific craft style, Hann shows how the visual arts are underpinned with a strict geometric structure, and argues that understanding these underlying structures enables us to classify and compare data from across cultures and historical periods. Richly illustrated with both colour and black and white images, and with clear, original commentary, the book enables students, practitioners, teachers and researchers to explore the historical and cultural significance of symbol and pattern in craft and design, ultimately displaying how a geometrical dialogue in design can be established through history and culture.

The main focus of this unique book is an in-depth examination of the polygonal technique; the primary method used by master artists of the past in creating Islamic geometric patterns. The author details the design methodology responsible for this all-but-lost art form and presents evidence for its use from the historical record, both of which are vital contributions to the understanding of this ornamental tradition. Additionally, the author examines the historical development of Islamic geometric patterns, the significance of geometric design within the broader context of Islamic ornament as a whole, the formative role that geometry plays throughout the Islamic ornamental arts (including calligraphy, the floral idiom, dome decoration, geometric patterns, and more), and the underexamined question of pattern classification. Featuring over 600 beautiful color images, Islamic Geometric Patterns: Their Historical Development and Traditional Methods of Con struction is a valuable addition to the literature of Islamic art, architecture and geometric patterns. This book is ideal for students and scholars of geometry, the history of mathematics, and the history of Islamic art, architecture, and culture. In addition, artists, designers, craftspeople, and architects will all find this book an exceptionally informative and useful asset in their fields. Jay Bonner is an architectural ornamentalist and unaffiliated scholar of Islamic geometric design. He received his MDes from the Royal College of Art in London (1983). He has contributed ornamental designs for many international architectural projects, including the expansion of both the al-Masjid al-Haram (Grand Mosque) in Mecca, and the al-Masjid an Nawabi (Prophet’s Mosque) in Medina, as well the Tomb of Sheikh Hujwiri in Lahore, and the Ismaili Centre in London – to name but a few. He is committed to the revitalization of Islamic geometric design through the teaching of traditional methodological practices. To this end, in addition to publishing, Jay Bonner has lectured and taught design seminars at many universities and conferences in North America, Europe, North Africa and Asia.