The essays in this volume are contributions to feminist disability studies. The essays constitute an interdisciplinary dialogue regarding the meaning of feminist disability studies and the implications of its insights regarding identity, the body, and experience.

"Editors Randall Willhelm and Zackary Vernon have assembled the first book-length collection of scholarship on Ron Rash. Respected scholars in southern and Appalachian studies provide a disparate but related constellation of interdisciplinary considerations of Rash's fiction, nonfiction, and poetry."--Page [4] of cover.

Located in what was considered the "lost provinces," the small school that became Appalachian State University provided a much-needed education for the economically depressed population of western North Carolina. The regional university that today boasts over 17,000 registered students had its humble beginnings as Watauga Academy in 1899. Blanford Barnard "B.B." Dougherty and his brother Dauphin Disco "D.D." established the school for mountain children in the western North Carolina town of Boone. Dougherty, who remained president of the school for 56 years, envisioned an institution that would eventually serve not only the region but the state. Today, the school's reach extends well beyond North Carolina borders, attracting students and faculty from throughout the Southeast and the rest of the country. This book documents the visual history of Appalachian State, focusing on its varied transformations from a local academy and eventually into a top-ranked university.

Appalachia resides in the American imagination at the intersections of race and class in a very particular way, in the tension between deep historic investments in seeing the region as “pure white stock” and as deeply impoverished and backward. Meredith McCarroll’s Unwhite analyzes the fraught location of Appalachians within the southern and American imaginaries, building on studies of race in literary and cinematic characterizations of the American South. Not only do we know what “rednecks” and “white trash” are, McCarroll argues, we rely on the continued use of such categories in fashioning our broader sense of self and other. Further, we continue to depend upon the existence of the region of Appalachia as a cultural construct. As a consequence, Appalachia has long been represented in the collective cultural history as the lowest, the poorest, the most ignorant, and the most laughable community. McCarroll complicates this understanding by asserting that white privilege remains intact while Appalachia is othered through reliance on recognizable nonwhite cinematic stereotypes. Unwhite demonstrates how typical characterizations of Appalachian people serve as foils to set off and define the “whiteness” of the non-Appalachian southerners. In this dynamic, Appalachian characters become the racial other. Analyzing the representation of the people of Appalachia in films such as Deliverance, Cold Mountain, Medium Cool, Norma Rae, Cape Fear, The Killing Season, and Winter’s Bone through the critical lens of race and specifically whiteness, McCarroll offers a reshaping of the understanding of the relationship between racial and regional identities.

The Search for Mabila describes one of the most profound events in sixteenth-century North America, which was a ferocious battle between the Spanish army of Hernando de Soto and a larger force of Indian warriors under the leadership of a feared chieftain named Tascalusa.