Illuminates the impact of Jews and Turks on the life and work of influential reformer Andreas Osiander

Religion, war , famine, and death in Reformation Europe.

The Book of Revelation's legacy of visual imagery is evaluated here, from the 11th century to the end of World War 2 illuminated manuscripts, books, prints and drawings of apocalyptic phases are examined.

The Protestant Reformation of the 16th century has traditionally been viewed as marking the onset of modernity in Europe. It finally broke up the federal Christendom of the middle ages, under the leadership of the papacy and substituted for it a continent of autonomous and national states, independent of Rome. The Historical Dictionary of the Reformation and Counter-Reformation provides a comprehensive account of two chains of events_the Protestant Reformation and the Catholic Counter-Reformation_that have left an enduring imprint on Europe, America, and the world at large. This is done through a chronology, an introductory essay, a bibliography, and over 300 cross-referenced dictionary entries on persons, places, countries, institutions, doctrines, ideas, and events.

In this study, Irene Backus examines the fate of the Apocalypse at the hands of early Protestants in three centers of the Reformation: Geneva, Zurich, and Wittenberg. To do so, Backus systematically investigates sources and methods of the most important reformed and Lutheran commentaries of the Apocalypse from 1528-1584.

In the sixteenth and seventeenth centuries, German clockwork automata were collected, displayed, and given as gifts throughout the Holy Roman, Ottoman, and Mughal Empires. In Animating Empire, Jessica Keating recounts the lost history of six such objects and reveals the religious, social, and political meaning they held. The intricate gilt, silver, enameled, and bejeweled clockwork automata, almost exclusively crafted in the city of Augsburg, represented a variety of subjects in motion, from religious figures to animals. Their movements were driven by gears, wheels, and springs painstakingly assembled by clockmakers. Typically wound up and activated by someone in a position of power, these objects and the theological and political arguments they made were highly valued by German-speaking nobility. They were often given as gifts and as tribute payment, and they played remarkable roles in the Holy Roman Empire, particularly with regard to courtly notions about the important early modern issues of universal Christian monarchy, the Reformation, the Counter-Reformation, the encroachment of the Ottoman Empire, and global trade. Demonstrating how automata produced in the Holy Roman Empire spoke to a convergence of historical, religious, and political circumstances, Animating Empire is a fascinating analysis of the animation of inanimate matter in the early modern period. It will appeal especially to art historians and historians of early modern Europe. E-book editions have been made possible through support of the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation.