Mary Slusser's work on the history of the art and culture of Nepal is marked by a series of discoveries and critical reassessments that have advanced our comprehension of this extraordinarily rich culture and art in a revolutionary way. In The Antiquity of Nepalese Wood Carving, Dr. Slusser drastically revises our perception of the marvelous wooden sculpture of the Kathmandu Valley.--Previously considered to be no earlier than the thirteenth century, the earliest of these wooden masterpieces have now been clearly demonstrated to date from the sixth or seventh century, the time of the Licchavis, lords of Nepal from about 300 to 850. Slusser has used an important scientific tool, radiocarbon dating, to help realign -- and correct -- our overly conservative accepted perceptions of the antiquity of Nepalese wood sculpture. The book is bolstered by the meticulous and painstaking research and documentation that are among the hallmarks of Slusser's works. It is also enriched by her extraordinary photographic archive. Beautiful struts and architectural details that have long been missing from the sites where Slusser first saw them are shown once again in situ in this work, and new photographs, largely the work of Neil Greentree, reveal a wealth of previously unsuspected detail. Also included is an essay by Paul Jett that is both a brief explanation of the science of radiocarbon testing and a validation of the revised dating of Nepalese wood carving proposed in the study.--Mary Shepherd Slusser is the author of an authoritative history of the culture of the Kathmandu Valley, Nepal Mandala. --Paul Jett is director of conservation and scientific research at the Freer/Sackler Gallery, Smithsonian Institution.-

In the 1980s, enigmatic wood masks, similar to those worn by Siberian and Eskimo shamans, began to appear in Parisian galleries that specialized in exotic art. Only the customary red wax affixed to the objects indicated that their origin was in fact Nepal. Art loversfascinated by the masks expressions and the thickness of patinaenthusiastically began to collect them, though they were still shrouded in mystery. Now, in this beautifully photographed book, Bertrand Goy and Max Itzikovitz set out to uncover the history of the masks and to determine their function and place in Nepalese culture. The authors also investigate western Nepal's unsophisticated, anthropomorphic wood sculptures, which can be seen today in temples, on bridges, and on the outskirts of villages. No one knows if these are protective effigies or tribute to divinities from an antiquated religion. With an insightful text and striking imagery, this book attempts to pull back the veil on one of the worlds most cryptic art forms.

This comprehensive history of Nepal spans pre-historic times and the Licchavi Period to more recent developments, such as the Maoist insurgency and the rise of the republic. In addition to religious history and histories of selected regions (Mustang, Sherpa, Tarai, and others), it covers the nation's relations with its powerful neighbors and its cultural aspects, especially its rich history of arts, architecture, and crafts.

Kathmandu is the greatest city of the Himalayas—a unique survival of cultural practices that died out in India 1000 years ago. It is a carnival of sexual licence and hypocrisy, a jewel of world art, a hotbed of communist revolution, a paradigm of failed democracy, a case study in bungled Western intervention and an environmental catastrophe. Closed to the outside world until 1951 and trapped in a medieval time warp, Kathmandu’s rapid modernization is an extreme version of what is happening elsewhere in many traditional societies. The many layers of the city’s developments are reflected in the successive generations of its gods and goddesses, witches and ghosts, the comforts of caste, the ethos of aristocracy and kingship and, of late, the destabilizing spirits of consumer aspiration, individuality, egalitarianism, communism and democracy. Kathmandu follows the author’s story over a decade in the city and unravels the city’s history through successive reinventions of itself. Erudite, entertaining and accessible, this is the distinctive chronicle of a fascinating city.

Good,No Highlights,No Markup,all pages are intact, Slight Shelfwear,may have the corners slightly dented, may have slight color changes/slightly damaged spine.