Mary Slusser's work on the history of the art and culture of Nepal is marked by a series of discoveries and critical reassessments that have advanced our comprehension of this extraordinarily rich culture and art in a revolutionary way. In The Antiquity of Nepalese Wood Carving, Dr. Slusser drastically revises our perception of the marvelous wooden sculpture of the Kathmandu Valley.--Previously considered to be no earlier than the thirteenth century, the earliest of these wooden masterpieces have now been clearly demonstrated to date from the sixth or seventh century, the time of the Licchavis, lords of Nepal from about 300 to 850. Slusser has used an important scientific tool, radiocarbon dating, to help realign -- and correct -- our overly conservative accepted perceptions of the antiquity of Nepalese wood sculpture. The book is bolstered by the meticulous and painstaking research and documentation that are among the hallmarks of Slusser's works. It is also enriched by her extraordinary photographic archive. Beautiful struts and architectural details that have long been missing from the sites where Slusser first saw them are shown once again in situ in this work, and new photographs, largely the work of Neil Greentree, reveal a wealth of previously unsuspected detail. Also included is an essay by Paul Jett that is both a brief explanation of the science of radiocarbon testing and a validation of the revised dating of Nepalese wood carving proposed in the study.--Mary Shepherd Slusser is the author of an authoritative history of the culture of the Kathmandu Valley, Nepal Mandala. --Paul Jett is director of conservation and scientific research at the Freer/Sackler Gallery, Smithsonian Institution.-

"This book offers a brief survey of the history of Nepal recalling why, leaving aside the Kathmandu valley, the sum of knowledge on its material culture lacks the objective distance allowed by other non-European civilizations: the country, long closed to Western visitors, opened but recently, and documents prior to the 1960s are scarce." "Bertrand Goy's research into the archives leads us on the tracks of is statuary, while the ethnologist Gisele Krauskopff shares with us a line of thought supported by her field experience and her knowledge of Nepalese culture. The testimony of a photographer traveller who visited Nepal in the pioneering days completes this volume with Hugues Dubois' photographs of the masks and statuettes collected over the past twenty years by Max Itzikovitz." --Book Jacket.

This comprehensive history of Nepal spans pre-historic times and the Licchavi Period to more recent developments, such as the Maoist insurgency and the rise of the republic. In addition to religious history and histories of selected regions (Mustang, Sherpa, Tarai, and others), it covers the nation's relations with its powerful neighbors and its cultural aspects, especially its rich history of arts, architecture, and crafts.

Kathmandu is the greatest city of the Himalayas—a unique survival of cultural practices that died out in India 1000 years ago. It is a carnival of sexual licence and hypocrisy, a jewel of world art, a hotbed of communist revolution, a paradigm of failed democracy, a case study in bungled Western intervention and an environmental catastrophe. Closed to the outside world until 1951 and trapped in a medieval time warp, Kathmandu’s rapid modernization is an extreme version of what is happening elsewhere in many traditional societies. The many layers of the city’s developments are reflected in the successive generations of its gods and goddesses, witches and ghosts, the comforts of caste, the ethos of aristocracy and kingship and, of late, the destabilizing spirits of consumer aspiration, individuality, egalitarianism, communism and democracy. Kathmandu follows the author’s story over a decade in the city and unravels the city’s history through successive reinventions of itself. Erudite, entertaining and accessible, this is the distinctive chronicle of a fascinating city.

The volume investigates the visualization of both ritual and decorative aspects of auspiciousness and protection in the form of celestial characters in art and architecture. In doing so, it covers more than two and a half millennia and a broad geographical area, documenting a practice found in nearly every corner of the world. Its transcultural approach aims at gaining insights into cultural dynamics and consistent networks and defining new historical mindmaps; it examines reciprocal effects and aspects of interwovenness in art and architecture with a view to reconceptualizing their established realms. The collection opens a window on a phenomenon in the history of art and architecture that has never before been considered from this perspective. The book focuses on a transcultural iconography of aerial spirits, goddesses and gods in art history, pursuing a methodologically innovative approach in order to redefine and develop the practice of identification and classification of motifs as a means to understanding meaning, and attempting to challenge the categories defined by academic disciplines.

A magisterial history of the Himalaya: an epic story of peoples, cultures, and adventures among the world’s highest mountains. For centuries, the unique and astonishing geography of the Himalaya has attracted those in search of spiritual and literal elevation: pilgrims, adventurers, and mountaineers seeking to test themselves among the world’s most spectacular and challenging peaks. But far from being wild and barren, the Himalaya has been home to a diversity of indigenous and local cultures, a crucible of world religions, a crossroads for trade, and a meeting point and conflict zone for empires past and present. In this landmark work, nearly two decades in the making, Ed Douglas makes a thrilling case for the Himalaya’s importance in global history and offers a soaring account of life at the "roof of the world." Spanning millennia, from the earliest inhabitants to the present conflicts over Tibet and Everest, Himalaya explores history, culture, climate, geography, and politics. Douglas profiles the great kings of Kathmandu and Nepal; he describes the architects who built the towering white Stupas that distinguish Himalayan architecture; and he traces the flourishing evolution of Hinduism, Islam, and Buddhism that brought Himalayan spirituality to the world. He also depicts with great drama the story of how the East India Company grappled for dominance with China’s emperors, how India fought Mao’s Communists, and how mass tourism and ecological transformation are obscuring the bloody legacy of the Cold War. Himalaya is history written on the grandest yet also the most human scale—encompassing geology and genetics, botany and art, and bursting with stories of courage and resourcefulness.