Thornton takes a fresh look at important psychological and cultural issues in this novel, arguing that although it may be a classic text of literary modernism, it is a fundamentally antimodernist work. This comprehensive and thoughtful book provides readers with a new cultural critique and intellectual history of 'Portrait', which promises to become one of the major discussions of the novel.

This eBook features the unabridged text of ‘A Portrait of the Artist as a Young Man’ from the bestselling edition of ‘The Complete Works of James Joyce’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Joyce includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘A Portrait of the Artist as a Young Man’ * Beautifully illustrated with images related to Joyce’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

In Relations, AnnKatrin Jonsson develops a new understanding of ethics and subjectivity within high modernism. The author analyzes Joyce's Ulysses, Woolf's The Waves, and Barnes's Nightwood as narratives that depict a subject turning towards the other and the world, a movement that seriously questions the sovereignty of the subject as cogito, instead opening up for otherness, excess, and indeterminacy. The author points to convergences between a phenomenological manner of thinking found in modernist literature and the notion of an ethics and an ethical subjectivity, a subject who exists in an inescapable relation with the world. As the novels acknowledge otherness, there is a rebound effect on the narrative, its structure and style; otherness transforms the narrative itself. In this way, Ulysses, The Waves, and Nightwood indicate a desire to escape from a notion of the subject that contains and controls the world and the other. By indicating ways in which new conceptions of ethics are made possible within modernism, the author also shows that there are, within modernism, both literary and philosophical texts whose understanding and representation of subjectivity already express and establish crucial aspects of the discourse on 'ethics' and 'ethical subjectivity' that characterize recent continental philosophy and cultural theory.

A semi-autobiographical novel by James Joyce, first serialised in the magazine The Egoist from 1914 to 1915, and published first in book format in 1916. It tells the story of Stephen Dedalus's childhood and youth in Dublin; his quest for identity through art, and his gradual emancipation from the claims of family, religion and Ireland itself. It is also an oblique self-portrait of the young James Joyce and a universal testament to the artist's 'eternal imagination'.

A semi-autobiographical novel by James Joyce published in book form in 1916, depicting the early years in the life of Stephen Dedalus, a fictional alter ego of Joyce.

A semi-autobiographical novel by James Joyce, first serialised in the magazine The Egoist from 1914 to 1915, and published first in book format in 1916. It tells the story of Stephen Dedalus's childhood and youth in Dublin; his quest for identity through art, and his gradual emancipation from the claims of family, religion and Ireland itself. It is also an oblique self-portrait of the young James Joyce and a universal testament to the artist's 'eternal imagination'.