This book is a history of a medieval literary tradition that grew out of opposition to the mendicant fraternal orders. Penn R. Szittya argues that the widespread attacks on the friars in late medieval poetry, especially in Ricardian England, drew on an established tradition that originated in the polemical theology, eschatology, and Biblical exegesis of the friars' ecclesiastical enemies--secular clergy, theologians, polemicists, archbishops, canon lawyers, monks, and rival orders. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A case study in opposition to religious authority in the pre-modern period, Geltner treats a phenomenon known as antifraternalism from a fresh methodological and documentary perspective. He challenges many assumptions made about the early history of the mendicant orders, and the origins, scale, and scope of resistance to them.

Many of the leading figures of the Reformation and many of their most able opponents came from among the ranks of the Franciscan Order. This Order became the focus of attack in a pamphlet war waged against it in 1523 by converts to the Reformation. These criticisms were based on arguments by Luther in his Judgement on Monastic Vows, and the pamphlets provided an important channel for these views. Luther’s arguments were also reinforced by criticisms of the mendicant orders drawn from medieval polemical and satirical literature. The campaign of 1523 brought together both Reformation and pre-Reformation anticlerical themes. In this book Geoffrey Dipple looks at the perception of the Franciscan order in the 15th and 16th centuries, placing the attacks firmly in the context of late medieval inter-clerical rivalries. He looks particularly at the anticlerical polemics of one of the primary participants - Johann Eberlin von Günzburg - the most vocal of the Franciscan’s critics.

These essays examine the seven deadly sins as cultural constructions in the Middle Ages and beyond, focusing on the way concepts of the sins are used in medieval communities, the institution of the Church, and by secular artists and authors.

The study of medieval literature has experienced a revolution in the last two decades, which has reinvigorated many parts of the discipline and changed the shape of the subject in relation to the scholarship of the previous generation. 'New' texts (laws and penitentials, women's writing, drama records), innovative fields and objects of study (the history of the book, the study of space and the body, medieval masculinities), and original ways of studying them (the Sociology of the Text, performance studies) have emerged. This has brought fresh vigour and impetus to medieval studies, and impacted significantly on cognate periods and areas. The Oxford Handbook of Medieval Literature in English brings together the insights of these new fields and approaches with those of more familiar texts and methods of study, to provide a comprehensive overview of the state of medieval literature today. It also returns to first principles in posing fundamental questions about the nature, scope, and significance of the discipline, and the directions that it might take in the next decade. The Handbook contains 44 newly commissioned essays from both world-leading scholars and exciting new scholarly voices. Topics covered range from the canonical genres of Saints' lives, sermons, romance, lyric poetry, and heroic poetry; major themes including monstrosity and marginality, patronage and literary politics, manuscript studies and vernacularity are investigated; and there are close readings of key texts, such as Beowulf, Wulf and Eadwacer, and Ancrene Wisse and key authors from Ælfric to Geoffrey Chaucer, Langland, and the Gawain Poet.

This was the first full-scale history of medieval English literature for nearly a century. Thirty-three distinguished contributors offer a collaborative account of literature composed or transmitted in England, Wales, Ireland and Scotland between the Norman conquest and the death of Henry VIII in 1547. The volume has five sections: 'After the Norman Conquest'; 'Writing in the British Isles'; 'Institutional Productions'; 'After the Black Death' and 'Before the Reformation'. It provides information on a vast range of literary texts and the conditions of their production and reception, which will serve both specialists and general readers, and also contains a chronology, full bibliography and a detailed index. This book offers an extensive and vibrant account of the medieval literatures so drastically reconfigured in Tudor England. It will thus prove essential reading for scholars of the Renaissance as well as medievalists, and for historians as well as literary specialists.