This study examines expectations of imminent judgment that energized reform movements in Late Medieval and Reformation Europe. It probes the apocalyptic vision of the Lollards, followers of the Oxford professor John Wycliff (1384). The Lollards repudiated the medieval church and established conventicles despite officially sanctioned prosecution. While exploring the full spectrum of late medieval apocalypticism, this work focuses on the diverse range of Wycliffite literature, political and religious treatises, sermons, biblical commentaries, including trial records, to reveal a dynamic strain of apocalyptic discourse. It shows that sixteenth-century English apocalypticism was fed by vibrant, indigenous Wycliffite well springs. The rhetoric of Lollard apocalypticism is analyzed and its effect on carriers and audiences is investigated, illuminating the rise of evil in church and society as perceived by the Lollards and their radical reform program.

The last twenty-five years have seen an explosion of scholarly studies on lollardy, the late medieval religious phenomenon that has often been credited with inspiring the English Reformation. In A Companion to Lollardy, Patrick Hornbeck sums up what we know about lollardy and what have been its fortunes in the hands of its most recent chroniclers. This volume describes trends in the study of lollardy and explores the many individuals, practices, texts, and beliefs that have been called lollard. Joined by Mishtooni Bose and Fiona Somerset, Hornbeck assesses how scholars and polemicists, literary critics and ecclesiastics have defined lollardy and evaluated its significance, showing how lollardy has served as a window on religion, culture, and society in late medieval England.

Making Women Martyrs in Tudor England examines the portrayal of Protestant women martyrs in Tudor martyrology, focusing mainly on John Foxe's Book of Martyrs . Foxe's women martyrs often defy not just ecclesiastically and politically powerful men; they often defy their husbands by chastising them, disobeying them, and even leaving them altogether. While by marrying his female martyrs to Christ Foxe mitigates their subversion of patriarchy, under his pen his heroic women challenge the foundations of social and political order, offering an accessible model for resistance to antichristian rule.

Pastoral Care, the religious mission of the Church to minister to the laity and care for their spiritual welfare, has been a subject of growing interest in medieval studies. This volume breaks new ground with its broad chronological scope (from the early eleventh to the late fifteenth centuries), and its interdisciplinary breadth. New and established scholars from a range of disciplines, including history, literary studies, art history and musicology, bring their specialist perspectives to bear on textual and visual source materials. The varied contributions include discussions of politics, ecclesiology, book history, theology and patronage, forming a series of conversations that reveal both continuities and divergences across time and media, and exemplify the enriching effects of interdisciplinary work upon our understanding of this important topic.

The Bible is the single most influential text in Western culture, yet the history of biblical scholarship in early modern England has yet to be written. There have been many publications in the last quarter of a century on heterodoxy, particularly concentrating on the emergence of new sects in the mid-seventeenth century and the perceived onslaught on the clerical establishment by freethinkers and Deists in the late-seventeenth and early-eighteenth century. However, the study of orthodoxy has languished far behind. This volume of complementary essays will be the first to embrace orthodox and heterodox treatments of scripture, and in the process question, challenge and redefine what historians mean when they use these terms. The collection will dispel the myth that a critical engagement with sacred texts was the preserve of radical figures: anti-scripturists, Quakers, Deists and freethinkers. For while the work of these people was significant, it formed only part of a far broader debate incorporating figures from across the theological spectrum engaging in a shared discourse. To explore this discourse, scholars have been drawn together from across the fields of history, theology and literary criticism. Areas of investigation include the inspiration, textual integrity and historicity of scriptural texts, the relative authority of canon and apocrypha, prophecy, the comparative merits of texts in different ancient languages, developing tools of critical scholarship, utopian and moral interpretations of scripture and how scholars read the Bible. Through a study of the interrelated themes of orthodoxy and heterodoxy, print culture and the public sphere, and the theory and practice of textual interpretation, our understanding of the histories of religion, theology, scholarship and reading in seventeenth-century England will be enhanced.

Martyrs' Mirror examines the folklore of martyrdom among seventeenth-century New England Protestants, exploring how they imagined themselves within biblical and historical narratives of persecution. Memories of martyrdom, especially stories of the Protestants killed during the reign of Queen Mary in the mid-sixteenth century, were central to a model of holiness and political legitimacy. The colonists of early New England drew on this historical imagination in order to strengthen their authority in matters of religion during times of distress. By examining how the notions of persecution and martyrdom move in and out of the writing of the period, Adrian Chastain Weimer finds that the idea of the true church as a persecuted church infused colonial identity. Though contested, the martyrs formed a shared heritage, and fear of being labeled a persecutor, or even admiration for a cheerful sufferer, could serve to inspire religious tolerance. The sense of being persecuted also allowed colonists to avoid responsibility for aggression against Algonquian tribes. Surprisingly, those wishing to defend maltreated Christian Algonquians wrote their history as a continuation of the persecutions of the true church. This examination of the historical imagination of martyrdom contributes to our understanding of the meaning of suffering and holiness in English Protestant culture, of the significance of religious models to debates over political legitimacy, and of the cultural history of persecution and tolerance.

No volume about the spectacles and public performances of early modern England could pretend to treat comprehensively a body of materials so conspicuously vast. Rather than efforts to survey the territory, these essays are best understood in the original sense of the term as “essays”—as trials, attempts, experiments to open alternative ways of understanding that vast corpus of mystery plays, civic pageants, court masques and professional dramas that constitute its subject. The book crosses traditional period lines, including studies of Medieval as well as Renaissance entertainments. Once more, the essays are not organized according to a single critical or historical methodology. They employ an eclectic range of interpretive practices, reflecting the variety of interpretive approaches now current in the field. Contributors include: Tiffany J. Alkan, Robert W. Barrett, Jr., Sarah Beckwith, Tom Bishop, Peter Cockett, Richard K. Emmerson, Peter Holland, Nora Johnson, Richard C. McCoy, Lauren Shohet, and Robert E. Stillman.