If to love is a crime , then we are all guilty. But love is like a funny business and to marry without love is very dangerous. We need to pray before entering into any relationship. Ask God to direct you because for every woman, there is a man and for every man, there is a woman. May the spirit move you to discover and posses what is yours. Enjoy the reading and discover the treasure of this love story.

Ginny: I can’t believe I’m being so bad. Most women wouldn’t go near a truck stop glory hole, but I’m not most women. After all, I’m a female trucker who breaks barriers in a male-dominated industry. Even more, I like to enjoy myself on the road … anonymously, while on my knees. Jeremiah: As an aspiring politician, there are things I need to keep secret, and one of those is my penchant for truck stop rest areas. It’s not just the greasy cheeseburgers and Big Gulps that attract me. It’s the illicit fun that takes place in certain unmarked areas, and in spite of my political ambitions … I can’t resist the bodacious curvy girl who makes me feel good. This is a follow-up to Claiming His Cheerleader. In this story, Ginny and Jeremiah meet at a truck stop rest area, but somehow, their anonymous fun blossoms and flowers to become something much, much more. But will their spicy shenanigans destroy Jeremiah’s burgeoning political career? Read and find out! No cheating, no cliffhangers and always a HEA for my readers.

Hurt people hurt people. Say there was a novel in which Holden Caulfield was an alcoholic and Lolita was a photographer’s assistant and, somehow, they met in Bright Lights, Big City. He’s blinded by love. She by ambition. Diary of an Oxygen Thief is an honest, hilarious, and heartrending novel, but above all, a very realistic account of what we do to each other and what we allow to have done to us.

In this fascinating collection, Jacques Ranciere, one of the world's most important and influential living philosophers, explores the nature of consensus in contemporary politics. Consensus does not mean peace. Instead it refers to a map of operations of war, of a topography of the visible, of what is possible and what can be thought, in which war and peace live side-by-side. Lying at the heart of these consensual times are new forms of racism and ethnic cleansing, humanitarian wars and wars against terror. Consensus also implies using time in a way that sees in it a thousand devious turns. This is evident in the incessant diagnoses of the present and of amnesiac politics, in the farewells to the past, the commemorations, and the calls to remember. But all these twists and turns tend toward the same goal: to show that there is only one reality to which we are obliged to consent. What stands in the way of this undertaking is politics. These chronicles aim to re-open that space wherein politics once more becomes thinkable.

Written when the author was in his early and mid-twenties, Until the Sun Breaks Down is a contemporary American Kunstlerroman modeled on Dante's Divine Comedy. In three parts and one hundred chapters that mirror Dante's classic poem, Nicolello takes the reader through present-day American towns and cities: infernal, purgatorial, and paradisal aspects with nothing left off the table. In the third and final volume, structurally modeled on Dante's Paradiso, the national themes of interior and exterior decline reach a head before anything like peace is found for anyone. For that matter, the text takes on an Augustinian turn: the City of Man vs. the City of God, with William Fellows coming to the end of the line of temporal pleasures and escapes, and even disillusionment with San Francisco, or the furthest end of western civilization. It is here that the character Octavia begins to take on the role of Beatrice, guiding William to safe passage--but not before hallucinatory episodes in both the city and the town, or San Francisco and Jerusalem.

Izydora Dąmbska (1904-1982) was a Polish philosopher; a student of Kazimierz Twardowski, and his last assistant. Her output consists of almost 300 publications. The main domains of her research were semiotics, epistemology and broadly understood methodology as well as axiology and history of philosophy. Dąmbska’s approach to philosophical problems reflected tendencies that were characteristic of the Lvov-Warsaw School. She applied high methodological standards but has never limited the domain of analyzed problems in advance. The present volume includes twenty-eight translations of her representative papers. As one of her pupils rightly wrote: “Dąmbska’s works may help everyone [...] to think clearly. Her attitude of an unshaken philosopher may help anyone to hold oneself straight, and, if necessary, to get up after a fall”.

Despite the outpour of interpretations, from critics of all schools, on Shakespeare's dramatic works and other poetic works, A Lover's Complaint has been almost totally ignored by criticism. This collection of essays is designed to bring to the poem the attention it deserves for its beauty, its aesthetic, psychological and conceptual complexity, and its representation of its cultural moment. A series of readings of A Lover's Complaint, particularly engaging with issues of psychoanalysis and gender, the volume cumulatively builds a detailed picture of the poem, its reception, and its critical neglect. The essays in the volume, by leading Shakespeareans, open up this important text before scholars, and together generate the long-overdue critical conversation about the many intriguing facets of the poem.