Abbott and Costello were the most popular comedians of the 1940s, with burlesque-inspired routines that enthralled audiences on both radio and television. Oddly, their films have not received the same level of attention from critics and writers as those of other comedy teams. This book is a scene-by-scene, film-by-film guide to their movies, making a compelling case for their inclusion at the very top of comic artists. Featuring new research and some surprising revelations, the book introduces newcomers to the delights of this uproarious team and provides confirmed fans with the ultimate companion to their work. Also included is a foreword by John Landis, the celebrated director and Abbott and Costello devotee.

The president of the Abbott and Costello Fan Club and the personal archivist for the Abbott and Costello estates combine their resources to produce this comprehensive, one-of-a-kind volume. Giving in-depth coverage of each of their 36 feature films from start to finish, this is the only book that has the permission of Abbott and Costello estates to use rare personal materials, many of which have never before been seen by the public.

While Bud Abbott and Lou Costello are more famously known for their straight comedy routines, they did make a number of films in which horror played a crucial role. The first part of this critical reference examines the Abbott and Costello "Meet the Monsters" spoof films (Frankenstein, The Invisible Man, Dr. Jekyll and Mr. Hyde and The Mummy). The second sections deals with Abbott and Costello's films with horror elements that do not follow this formula: Hold That Ghost, The Time of Their Lives and Abbott and Costello Meet the Killer, Boris Karloff. The plot of each film is examined in detail with special attention paid to the comedians' styles of comedy, the effect of the horror scenes, and the place of the film in the Abbott and Costello canon. The reactions of critics (then and now) and the influences the films have had on the horror and comedy genres and on pop culture are also discussed. A lengthy introduction provides background on the lives of Bud Abbott and Lou Costello and the development of Universal Studios as the premier horror factory.

As two of the most popular entertainers of the mid-century film industry, comic greats Bud Abbott and Lou Costello offered an essential balm to the American public following the sorrows of the Great Depression and during the trauma of World War II. This is the first book to focus in detail on the immensely popular wartime films of Abbott and Costello, discussing the production, content, and reception of 18 films within the context of wartime events on the home front and abroad. The films covered include the service comedies Buck Privates, In the Navy, and Keep 'Em Flying; more mainstream comic relief films such as Pardon My Sarong and Who Done It?; and post-war experiments such as Little Giant and The Time of Their Lives. More than 120 stills and lobby cards from the author's personal collection illustrate the text, including many showing outtakes or deleted scenes.

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