A debut novel for fans of Sarah Perry and Kate Morton: when a young woman is tasked with safeguarding a natural history collection as it is spirited out of London during World War II, she discovers her new manor home is a place of secrets and terror instead of protection. In August 1939, thirty-year-old Hetty Cartwright arrives at Lockwood Manor to oversee a natural history museum collection whose contents have been taken out of London for safekeeping. She is unprepared for the scale of protecting her charges from party guests, wild animals, the elements, the tyrannical Major Lockwood, and Luftwaffe bombs. Most of all, she is unprepared for the beautiful and haunted Lucy Lockwood. For Lucy, who has spent much of her life cloistered at Lockwood, suffering from bad nerves, the arrival of the museum brings with it new freedoms. But it also resurfaces memories of her late mother and nightmares in which Lucy roams Lockwood, hunting for something she has lost. When the animals appear to move of their own accord and exhibits go missing, Hetty and Lucy begin to wonder what exactly it is that they might need protection from. And as the disasters mount, it is not only Hetty’s future employment that is in danger but her own sanity. There’s something, or someone, in the house. Someone stalking her through its darkened corridors . . .

'An immersive, intoxicating summer read with the long-lasting feel of a classic' - Molly Aitken, author of The Island Child 'A potent blend of art, beauty, awakening desire and mortality that seduces the reader' – Daily Mail Summer, 1973. Teenage Ruth and her four friends spend the scorching summer days in the river, recreating tableaus of the drowning Ophelia and other tragic heroines. But as autumn draws nearer, real tragedy has found them. Summer, 1997. Ruth returns to her childhood home with her husband and three children, including her eldest daughter seventeen-year-old Maeve. However when Stuart, an old family friend comes to stay, the uneasy relationship between mother and daughter is pushed to its limit. For Stuart's arrival is a reminder of a death in Ruth's past, while Maeve is feeling more alive than ever . . . As the heat of the summer burns, how long can the family go before long-held secrets threaten to burst their banks and drown them all? Set between two fateful summers, Jane Healey's The Ophelia Girls is a visceral, heady exploration of illicit desire, infatuation and the perils and power of being a young woman. 'A vivid, sensuous novel . . . I can't recommend it enough' - Anna Bailey, bestselling author of Tall Bones

'He is as funny as Bryson and as wise as Orwell' Observer It was the spirit of our finest hour, the backbone of our post-war greatness, and it promoted some of the boldest and most brilliant schemes this isle has ever produced: it was the Welfare State, and it made you and I. But now it's under threat, and we need to save it. In this timely and provocative book, Stuart Maconie tells Britain’s Welfare State story through his own history of growing up as a northern working class boy. What was so bad about properly funded hospitals, decent working conditions and affordable houses? And what was so wrong about student grants, free eye tests and council houses? And where did it all go so wrong? Stuart looks toward Britain’s future, making an emotional case for believing in more than profit and loss; and championing a just, fairer society.

Two women, a world apart. A secret waiting to be discovered...

When a one-night stand leads to a long-desired pregnancy, Susan will do anything to ensure her husband won't find out ... including the unthinkable. But when something horrendous is unleashed around the globe, her secret isn't the only thing that is no longer safe... 'An astute, well-researched and convincing novel of ideas' The Times 'If you could create a "perfect" baby through genetic engineering, would you? A disturbing and interesting thriller, perfect for book club discussions' Nina Pottell, Prima 'Provocative, pacy and scarily all-too-possible' Philippa East ––––––––––––An unthinkable decision A deadly mistake In an all-too-possible near future, when genetic engineering has become the norm for humans, not just crops, parents are prepared to take incalculable risks to ensure that their babies are perfect ... altering genes that may cause illness, and more... Susan has been trying for a baby for years, and when an impulsive one-night stand her dream come true, she'll do anything to keep her daughter and ensure her husband doesn't find out ... including the unthinkable. She believes her secret is safe. For now. But as governments embark on a perilous genetic arms race and children around the globe start experiencing a host of distressing symptoms – even taking their own lives – something truly horrendous is unleashed. Because those children have only one thing in common, and people are starting to ask questions... Bestselling author of The Waiting Rooms, Eve Smith returns with an authentic, startlingly thought-provoking, disturbing blockbuster of a thriller that provides a chilling glimpse of a future that's just one modification away... _____________ 'An effective thriller that will keep you hooked to the very end ... more than that, it's a nuanced, believable examination of how human genetic engineering might play out...' SFX Magazine 'A brilliantly chilling work of speculative fiction – a disturbing but all-too-possible vision of the near future, where each of us gets to play God. Superb!' Guy Morpuss 'Sharp, intelligent, frightening and original' NB Magazine 'An eerily prophetic near-future viewed through a compassionately anchoring lens ... As tempting and tantalising a read as the vision of the future it presents' SciFi Now 'This is what speculative fiction should be – plausible, pacy, and with a story that packs real emotional punch' Louise Mumford 'When a writer's work is compared to Michael Crichton's, there's reason to sit up and pay attention ... a cautionary tale that's full of thrills' LoveReading 'Eve Smith has done it again! A brilliant read' J.M. Hewitt 'One of the most exciting writers around ... master of the high-concept thriller' Chris McDonald Praise for The Waiting Rooms***** 'Combines the excitement of a medical thriller à la Michael Crichton with sensitive characterisation and social insight in a timely debut novel all the more remarkable for being conceived and written before the current pandemic' Guardian 'STUNNING and terrifying ... The Waiting Rooms wrenches your heart in every way possible' Miranda Dickinson 'Chillingly close to reality, this gripping thriller brims with authenticity ... a captivating, accomplished and timely debut from an author to watch' Adam Hamdy 'Engrossing and eye-opening, with heart-stopping plot twists ... a stunning medical thriller set in a terrifying possible future' Foreword Reviews For fans of Emily St John Mandel, Robin Cook, Tess Gerritsen and Louise Doughty

A debut novel for fans of Sarah Perry and Kate Morton: when a young woman is tasked with safeguarding a natural history collection as it is spirited out of London during World War II, she discovers her new manor home is a place of secrets and terror instead of protection. In August 1939, thirty-year-old Hetty Cartwright arrives at Lockwood Manor to oversee a natural history museum collection, whose contents have been taken out of London for safekeeping. She is unprepared for the scale of protecting her charges from party guests, wild animals, the elements, the tyrannical Major Lockwood and Luftwaffe bombs. Most of all, she is unprepared for the beautiful and haunted Lucy Lockwood. For Lucy, who has spent much of her life cloistered at Lockwood suffering from bad nerves, the arrival of the museum brings with it new freedoms. But it also resurfaces memories of her late mother, and nightmares in which Lucy roams Lockwood hunting for something she has lost. When the animals appear to move of their own accord, and exhibits go missing, they begin to wonder what exactly it is that they might need protection from. And as the disasters mount up, it is not only Hetty's future employment that is in danger, but her own sanity too. There's something, or someone, in the house. Someone stalking her through its darkened corridors . . .

During the dangerous days of World War II, Honey Deschamps is spending her days transcribing decrypted messages at Bletchley Park, when she starts to receive bizarrely coded packages. When everyone is keeping secrets, who can you trust? Bletchley Park, 1942: As World War II rages on, Honey Deschamps sits at her type-x machine, tediously transcribing decrypted signals from the German Army, doing her part to assist the British war effort. Halfway across the world, Hitler’s armies are marching into Leningrad, leaving a trail of destruction and pillaging the country’s most treasured artworks, including the famous Amber Room—the eighth wonder of the world. As reports begin filtering into Bletchley Park about the stolen loot, Honey receives a mysterious package, hand-delivered from a man that she has never seen before who claims that he works at the Park as well. The package is postmarked from Russia, and inside is a small piece of amber. It is just the first of several such packages, and when she examines them together she realizes that someone, relying on her abilities to unravel codes, is trying to tell her something. Honey can’t help but fear that the packages are a trap set by the authorities to test her loyalties—surely nothing so valuable could get through the mail during a time of war. And yet, something about the packages reminds her of stories that her brother used to tell her about her absent father, and when her brother is found brutally murdered on his way to visit Honey, she can’t help but assume that the events are connected. But at Bletchley Park, secrecy reigns supreme, and she has nowhere to turn for help . . .