"Anastasis: The Harrowing of Hades" is a full-colour Christian graphic novel that explores what happened to the Old Testament souls in Hades, the emotional build-up to the fateful crucifixion and the consequences of Christ's enigmatic descent into hell. You will find this book packed with Biblical references, writings from the Church fathers (Saint Cyril of Alexandria, Saint John Chrysostom, Saint Ephrem the Syrian and more!), and gripping storytelling. The hand-drawn illustrations pay homage to ancient Christian iconography and the resurrection narrative. While we don't have conclusive details on what took place over the three days Christ spent in the tomb, this book is an honest take on what might've transpired and what it means for us today.

The Description for this book, Anastasis: The Making of an Image, will be forthcoming.

Seeking to tell worship history in the same way it is usually experienced, Walking Where Jesus Walked is a document-rich snapshot of the church in Jerusalem in the late fourth century. / Here the reader journeys with a woman visiting Jerusalem as the highlight of a Holy Land pilgrimage in the last part of the fourth century. As she marvels at the new churches built at so many sites associated with Jesus Christ, she notes how remembrance shaped by Scripture and fitting to the time and place serves as the bedrock for this church s worship. Ruth helps today s reader hear the preaching which caused shouts of delight at the tomb of Christ, know the readings which lead the congregation to weep in the shadow of Calvary, and see the new buildings which sought to manifest God s glory at the places where Jesus had walked, died, and risen from the grave. / By pairing contemporary descriptions, artistic portrayals, and worship texts with various commentaries to guide readers, this first in a series of case studies of particular worshiping communities from around the world and throughout Christian liturgical history aims to allow a worshiper today to think concretely and contextually about some of the continually important issues for Christian worship.

Emerging Iconographies of Medieval Rome examines the development of Christian iconographies that had not yet established themselves as canonical images, but which were being tried out in various ways in early Christian Rome. This book focuses on four different iconographical forms that appeared in Rome during the eighth and ninth centuries: the Anastasis, the Transfiguration, the Maria Regina, and the Sickness of Hezekiah—all of which were labeled “Byzantine” by major mid-twentieth century scholars. The trend has been to readily accede to the pronouncements of those prominent authors, subjugating these rich images to a grand narrative that privileges the East and turns Rome into an artistic backwater. In this study, Annie Montgomery Labatt reacts against traditional scholarship which presents Rome as merely an adjunct of the East. It studies medieval images with formal and stylistic analyses in combination with use of the writings of the patristics and early medieval thinkers. The experimentation and innovation in the Christian iconographies of Rome in the eighth and ninth centuries provides an affirmation of the artistic vibrancy of Rome in the period before a divided East and West. Labatt revisits and revives a lost and forgotten Rome—not as a peripheral adjunct of the East, but as a center of creativity and artistic innovation.

This book explores several fascinating medieval Christian and Islamic artworks that represent and reimagine Jerusalem’s architecture as religious and political instruments to express power, entice visitors, console the devoted, offer spiritual guidance, and convey the city’s mythical history.