'Until now no book has ever attempted to compare and contrast contributions on analytic field theory and at the same time to explore its clinical and technical implications. This volume is intended for the first time to link together many of these writings and to provide an initial wide-ranging survey of the subject - for it is our contention that a theory of the field in various of its loci can also be inhabited by different theories. A particular aim of this book is to present not only theoretical discussions of field theory, but also contributions on clinical work and technique. For this reason we have given preference to articles with a substantial clinical component which exemplify specific underlying technical theory. In the Babel of psychoanalytic languages, clinical practice is in our view the most effective way of comparing psychoanalytic models.'

Creativity and the Erotic Dimensions of the Analytic Field centers on the mutually reinforcing relationship between erotic and creative energies. Erotic embodiment is given context within a contemporary model of clinical process based in analytic field theory and highlighting Winnicott. Dianne Elise uses clinical material to bring theory alive, giving clinicians an explicit picture of how they might utilize the ideas presented. In a fascinating return to Freud’s emphasis on libido and Eros, a creative mind is seen as located within a libidinal connection to the erotic body. The erotic is underscored as an important ingredient of the clinical situation—a lively spontaneity that partakes of the analyst’s as well as the patient’s creative self, vitalizing the field of clinical engagement. A full formulation of the analytic field must include awareness of the centrality of the erotic in the maternal matrix, in ongoing development, and in the clinical setting. The erotic-aesthetic dimension of the mind potentiates the creative interplay of the analytic process. Written in an engaging and accessible style, this original contribution makes complex theory available to psychoanalytic clinicians at all levels, and to a wide range of readers, while offering sophisticated theoretical and clinical innovations. Elise addresses the need to engage multiple aspects of erotic life while maintaining a reliable professional boundary.

The Intimate Room provides an original exploration of psychoanalytic thought, showing how contemporary psychoanalysis seeks to answer the challenges raised by today’s post-modern culture. Offering a deeply personal and insightful reading of Bion, this book acts as a stimulating guide to the development of the theory of the analytic field and both its technical and clinical implications. As such topics of discussion include: the concept of the internal setting the rhetoric of interpretation the 'subversive' notion of Nachträglichkeit the role played by characters in analytic discourse the bi-personal field as virtual reality new concepts of transference. Allowing the reader to engage with the inner space of analysis, The Intimate Room will be of interest to psychoanalysts, psychotherapists and all those with an interest in the field of psychoanalysis. It will also be a useful tool in psychoanalytic and psychotherapeutic work on a day-to-day basis.

First translation into English of work by Ferro - very distinguished Italian Analyst His work is very original, draws on Bion / The Barangers to develop his own conceptual system of clinical child analysis There are similarities between his work and popular US schools of analysis such as self-psychology, relational analysis, social cobnstruction and intersubjectivism

This book puts the focus on serving human listeners in the sound field synthesis although the approach can be also exploited in other applications such as underwater acoustics or ultrasonics. The author derives a fundamental formulation based on standard integral equations and the single-layer potential approach is identified as a useful tool in order to derive a general solution. He also proposes extensions to the single-layer potential approach which allow for a derivation of explicit solutions for circular, planar, and linear distributions of secondary sources. Based on above described formulation it is shown that the two established analytical approaches of Wave Field Synthesis and Near-field Compensated Higher Order Ambisonics constitute specific solutions to the general problem which are covered by the single-layer potential solution and its extensions.

The purpose of this book is to introduce a new notion of analytic space over a non-Archimedean field. Despite the total disconnectedness of the ground field, these analytic spaces have the usual topological properties of a complex analytic space, such as local compactness and local arcwise connectedness. This makes it possible to apply the usual notions of homotopy and singular homology. The book includes a homotopic characterization of the analytic spaces associated with certain classes of algebraic varieties and an interpretation of Bruhat-Tits buildings in terms of these analytic spaces. The author also studies the connection with the earlier notion of a rigid analytic space. Geometrical considerations are used to obtain some applications, and the analytic spaces are used to construct the foundations of a non-Archimedean spectral theory of bounded linear operators. This book requires a background at the level of basic graduate courses in algebra and topology, as well as some familiarity with algebraic geometry. It would be of interest to research mathematicians and graduate students working in algebraic geometry, number theory, and -adic analysis.

Constructions and the Analytic Field questions the relationship between psychoanalysis, history and literature. Does the analyst help the analysand construct a narrative, or is their task more of a historical reconstruction? In seeking to answer this question, Domenico Chianese examines Freud's writing, beginning with 'Constructions in Analysis' and ending in 'Moses and Monotheism', as well as the impressions of analytic method reflected in contemporary writers such as Thomas Mann, and historical writings from both sides of the Atlantic. Drawing on vivid and persuasive clinical examples, he argues that psychoanalysis creates a 'scenic space' between analysand and analyst, a theatrical space wherein the cast of the patient's interior world enter and exit from the scene. Drawing on the rich Italian psychoanalytic tradition, this original approach to the analytic field will be of interest to psychoanalysts, historians and literary experts.