An eminent scholar unearths the captivating history of the two-lobed heart symbol from scripture and tapestry to T-shirts and text messages, shedding light on how we have expressed love since antiquity The symmetrical, exuberant heart is everywhere: it gives shape to candy, pendants, the frothy milk on top of a cappuccino, and much else. How can we explain the ubiquity of what might be the most recognizable symbol in the world? In The Amorous Heart, Marilyn Yalom tracks the heart metaphor and heart iconography across two thousand years, through Christian theology, pagan love poetry, medieval painting, Shakespearean drama, Enlightenment science, and into the present. She argues that the symbol reveals a tension between love as romantic and sexual on the one hand, and as religious and spiritual on the other. Ultimately, the heart symbol is a guide to the astonishing variety of human affections, from the erotic to the chaste and from the unrequited to the conjugal.

In today's increasingly electronic world, we say our personality traits are "hard-wired" and we "replay" our memories. But we use a different metaphor when we speak of someone "reading" another's mind or a desire to "turn over a new leaf"—these phrases refer to the "book of the self," an idea that dates from the beginnings of Western culture. Eric Jager traces the history and psychology of the self-as-text concept from antiquity to the modern day. He focuses especially on the Middle Ages, when the metaphor of a "book of the heart" modeled on the manuscript codex attained its most vivid expressions in literature and art. For instance, medieval saints' legends tell of martyrs whose hearts recorded divine inscriptions; lyrics and romances feature lovers whose hearts are inscribed with their passion; paintings depict hearts as books; and medieval scribes even produced manuscript codices shaped like hearts. "The Book of the Heart provides a fresh perspective on the influence of the book as artifact on our language and culture. Reading this book broadens our appreciation of the relationship between things and ideas."—Henry Petroski, author of The Book on the Bookshelf

The bestselling author of Intern and Doctored tells the story of the thing that makes us tick For centuries, the human heart seemed beyond our understanding: an inscrutable shuddering mass that was somehow the driver of emotion and the seat of the soul. As the cardiologist and bestselling author Sandeep Jauhar shows in Heart: A History, it was only recently that we demolished age-old taboos and devised the transformative procedures that have changed the way we live. Deftly alternating between key historical episodes and his own work, Jauhar tells the colorful and little-known story of the doctors who risked their careers and the patients who risked their lives to know and heal our most vital organ. He introduces us to Daniel Hale Williams, the African American doctor who performed the world’s first open heart surgery in Gilded Age Chicago. We meet C. Walton Lillehei, who connected a patient’s circulatory system to a healthy donor’s, paving the way for the heart-lung machine. And we encounter Wilson Greatbatch, who saved millions by inventing the pacemaker—by accident. Jauhar deftly braids these tales of discovery, hubris, and sorrow with moving accounts of his family’s history of heart ailments and the patients he’s treated over many years. He also confronts the limits of medical technology, arguing that future progress will depend more on how we choose to live than on the devices we invent. Affecting, engaging, and beautifully written, Heart: A History takes the full measure of the only organ that can move itself.

The heart is an iconic symbol in the medieval and early modern European world. In addition to being a physical organ, it is a key conceptual device related to emotions, cognition, the self and identity, and the body. The heart is read as a metaphor for human desire and will, and situated in opposition to or alongside reason and cognition. In medieval and early modern Europe, the “feeling heart” – the heart as the site of emotion and emotional practices – informed a broad range of art, literature, music, heraldry, medical texts, and devotional and ritual practices. This multidisciplinary collection brings together art historians, literary scholars, historians, theologians, and musicologists to highlight the range of meanings attached to the symbol of the heart, the relationship between physical and metaphorical representations of the heart, and the uses of the heart in the production of identities and communities in medieval and early modern Europe.

With his interest in camp, collage, and dramatic and verse forms, O'Hara created characters that range from classical allusions (Daphnis and Chloe) to historical figures (Benjamin Franklin and a thinly disguised General Douglas MacArthur) to his own contemporaries (Jackson Pollack, Ted Berrigan, and others). Like collections of his poetry, Amorous Nightmares of Delay captures the irreverent voice and joyful lyricism of one of America's great authors.

In this provocative, pioneering, and wholly engrossing cultural history, noted scholar Marilyn Yalom explores twenty-five thousand years of ideas, images, and perceptions of the female breast--in religion, psychology, politics, society, and the arts. Through the centuries, the breast has been laden with hugely powerful and contradictory meanings. There is the "good breast" of reverence and life, the breast that nourishes infants and entire communities, as depicted in ancient idols, fifteenth-century Italian Madonnas, and representations of equality in the French Revolution. Then there is the "bad breast" of Ezekiel's wanton harlots, Shakespeare's Lady Macbeth, and the torpedo-breasted dominatrix, symbolizing enticement and aggression. Yalom examines these contradictions--and illuminates the implications behind them. A fascinating, astute, and richly allusive journey from Paleolithic goddesses to modern day feminists, A History of the Breast is full of insight and surprises. As Yalom says, "I intend to make you think about women's breasts as you never have before." In this, she succeeds brilliantly.

Dear Reader, When we asked the beloved award-winning comedian and actor Robert Klein to write a book, you can imagine our utter surprise when he told us that he wanted to write about sixth-century Chinese pottery. Thankfully, he hit a creative brick wall (since he doesn't really know anything about pottery from China or anywhere else). Then came similar failures to write books about sea turtles, circumnavigation of the globe, building jet engines at home, the sociology of chickens, or fungi of the skin. Luckily, Mr. Klein's paramount concern was the consumer. He knew that if we, his publishers, were going to boldly ask you to purchase his book (see above for price), he would have to write something so good, so worthwhile, so meaningful as to make you want to send additional money to your bookseller in gratitude for having allowed you to partake in this reading experience. So Mr. Klein set out to write about what he knows best: himself. This book is about the adventures of a child who becomes a young man: how he thinks and dreams and lusts and fears and laughs and handles adversity. From the beginning of his distinguished career as a comedian, Robert Klein established himself as a pioneer in observational humor and razor-sharp routines that are infectiously funny. Now -- for the first time -- Klein brings his trademark humor and honesty to the printed page. In this portrait of a comic as a young man, Klein takes us back to the people and streets of his Bronx neighborhood, the eccentric cast of characters in the Catskills hotels and bungalow colonies where he worked, the college dorms where he received more than an academic education, the 1964 World's Fair where he fell in love, New York City and Chicago in the 1960s as he developed his talent, and Los Angeles just as he was about to embark on a show business career. Throughout, Klein reveals the hilarity of growing up and explores the mysteries and his own foibles in sex and relationships. He recounts with wit and poignancy losing his virginity with a prostitute, bringing home a German girlfriend to his Jewish family, and the amorous adventures of the busboy he once was. With an ego more fragile than Chinese pottery, Robert Klein has written a funny and evocative coming-of-age memoir -- well worth the price (if we say so ourselves). Enjoy. All the best, The Publisher