Reading my book will give you the feeling that love is always going to be a part of your life. This work of art attracts readers of all ages, including teenagers, adults, and elders. It is the time now to show that we care for each other, we respect each other, we survive together, and we live for one another. So far, the earth is the only planet that we are living on. Let us bring love and joy into our lives as much as we can. If ou can find one person you cherish in life, you are in the path of following Gods will.

A wayward, wanton selection of stories grounded in displacement, desire, and the wish coursing through us to accede to the state of love. There is torment and illness, crude reality and distant fragrant places, peopled by characters that reside close to our bones, our psyches, our flesh. A Japanese soprano has lost her voice and seeks repose on a sailing boat in Corsica. A South African advertising executive learns the ropes at his Accra office. Destructive lovers interview a renowned musician in dusty Bamako. Lovers meet, fade, delude. We are weak and defiant beings, ever-learning, ever-lustful. Fine stories, rank with exotic air, bursting like old fruit. - Bruce Pascoe McNamara's work has a fierce, vital beat, her stories robust yet finely worked, her voice striking in its confidence and originality. She writes with sensuous precision and a craft that is equally precise. This is fiction that can stand up in any company. - Hilary Mantel

Professor Berry combines social history, anthropology and literary criticism to Shakespeare's romantic comedies.

In Wallace Stevens: A Poet’s Growth, George S. Lensing examines Stevens’ gradual emergence and development as a poet, tracing his life from his formative years in Pennsylvania to his careers as a lawyer for the Hartford Accident and Indemnity Company and as one of the major poets of the twentieth century. Lensing draws extensively upon previously unpublished material from the Stevens archive at the Huntington Library, which contains letters, early drafts of poems, and notebooks. Two notebooks,Schemata and From Pieces of Paper, are here reproduced in full. The study is divided into three sections. In the first, Lensing examines the years before the publication of Sevens’ first volume of poetry, paying special attention to the forces that hindered and enhanced his progress toward modernity. In the second, we see Stevens in the exercise of his craft. Lensing discusses the influence of the Romantics on the verse Stevens wrote as an undergraduate at Harvard; his interest in Oriental art, Cubism, and Fauvism; his anticipation of Imagism; and his imitation of certain French Symbolists. Sources of the epigraphs to Stevens’ poems are identified fully for the first time, suggesting the role of Stevens’ vast reading upon his poetry. Also considered is Stevens’ voluminous correspondence with people from all over the world, some of whom he never met personally. These letters helped rescue Stevens from the insularity of his business life and aided in the making of his poems. The final section treats the critical responses to Stevens’ poetry by such people as Harriet Monroe, editor and founder of Poetry, who was the first important reader and publisher of his work. Attention is also given to Stevens’ explications of his poems. Wallace Stevens: A Poet’s Growth is a comprehensive examination of Stevens’ live and work. This study provides abundant new material, which will be of value to scholars and to those readers who are drawn to Stevens’ poetry.