(Piano/Vocal/Guitar Songbook). 45 roots favorites in arrangements for piano, voice and guitar. Includes: Broken Halos (Chris Stapleton) * Copperhead Road (Steve Earle) * Hurricane (The Band of Heathens) * If I Had a Boat (Lyle Lovett) * If We Were Vampires (Jason Isbell and the 400 Unit) * Live and Die (The Avett Brothers) * Mykonos (Fleet Foxes) * Pancho & Lefty (Merle Haggard & Willie Nelson) * The Story (Brandi Carlile) * Wagon Wheel (Old Crow Medicine Show) * and many more.

(Strum Together). This new, easy-to-use format features melody, lyrics, and chord diagrams for five popular folk instruments: standard ukulele, baritone ukulele, guitar, mandolin, and banjo. Enjoy strumming and singing 68 traditional American folksongs with your friends: Blowin' in the Wind * City of New Orleans * Down to the River to Pray * The Erie Canal * Folsom Prison Blues * Gentle on My Mind * Hey, Good Lookin' * House of the Rising Sun * I Am a Man of Constant Sorrow * Keep on the Sunny Side * King of the Road * Leaving on a Jet Plane * The Night They Drove Old Dixie Down * The Red River Valley * Sixteen Tons * Take Me Home, Country Roads * Tennessee Waltz * This Land Is Your Land * Wade in the Water * You Are My Sunshine * and many more.

Finalist • The Marfield Prize [National Award for Arts Writing] “Not since the late Leonard Bernstein has classical music had a combination salesman-teacher as irresistible as Kapilow.” —Kansas City Star “If you want to understand American history, listen to its popular music,” writes renowned NPR host Rob Kapilow. “If you want to understand America’s popular music, listen to its history.” Through the songs of eight legendary American composers—Kern, Porter, Gershwin, Arlen, Berlin, Rodgers, Bernstein, and Sondheim—Kapilow listens for the history not just of musical theater, but of America itself. Combining close readings of Broadway hits like “Summertime” and “Stormy Weather” with a wide-angled historical point of view, Listening for America shows us how we too can listen along as America discovered its identity through the epochal transformations of the twentieth century.

The American Song Book, Volume I: The Tin Pan Alley Era is the first in a projected five-volume series of books that will reprint original sheet music, including covers, of songs that constitute the enduring standards of Irving Berlin, Jerome Kern, the Gershwins, and other lyricists and composers of what has been called the "Golden Age" of American popular music. These songs have done what popular songs are not supposed to do-stayed popular. They have been reinterpreted year after year, generation after generation, by jazz artists such as Charlie Parker and Art Tatum, Ella Fitzgerald and Louis Armstrong. In the 1950s, Frank Sinatra began recording albums of these standards and was soon followed by such singers as Tony Bennet, Doris Day, Willie Nelson, and Linda Ronstadt. In more recent years, these songs have been reinterpreted by Rod Stewart, Harry Connick, Jr., Carly Simon, Lady GaGa, K.D. Laing, Paul McCartney, and, most recently, Bob Dylan. As such, these songs constitute the closest thing America has to a repertory of enduring classical music. In addition to reprinting the sheet music for these classic songs, authors Philip Furia and Laurie Patterson place these songs in historical context with essays about the sheet-music publishing industry known as Tin Pan Alley, the emergence of American musical comedy on Broadway, and the "talkie" revolution that made possible the Hollywood musical. The authors also provide biographical sketches of songwriters, performers, and impresarios such as Florenz Ziegfeld. In addition, they analyze the lyrical and musical artistry of each song and relate anecdotes, sometimes amusing, sometimes poignant, about how the songs were created. The American Songbook is a book that can be read for enjoyment on its own or be propped on the piano to be played and sung.

The Americana Guitar Book introduces you to every essential technique that will enhance your musical palette on both acoustic and electric guitar... from Travis and Carter picking, to slide licks and raucous electric guitar work.

(Piano/Vocal/Guitar Songbook). Crooners, wailers, shouters, balladeers some of our greatest pop vocalists have poured their hearts and souls into the musical gems of the Great American Songbook. They sang in nightclubs and concert halls, on television and in films, and left us a legacy of recordings still in play today. Their interpretations entertained us, moved us to tears, and wove lyrics and music into the fabric of our lives, making us see ourselves in these quintessentially American songs. This folio features 100 of these classics by Louis Armstrong (Hello Dolly * What a Wonderful World), Tony Bennett (I Left My Heart in San Francisco), Rosemary Clooney (Count Your Blessings Instead of Sheep), Nat "King" Cole (Route 66), Bing Crosby (True Love), Doris Day (Bewitched), Ella Fitzgerald (How High the Moon), Judy Garland (Rock-a-Bye Your Baby with a Dixie Melody), Dean Martin (Everybody Loves Somebody), Frank Sinatra (Young at Heart), Barbra Streisand (People), Mel Torme (Heart and Soul), and many, many more.

(Guitar Solo). Each solo in this collection has been written for intermediate level guitarists, combining melody and harmony in one superb fingerpicking arrangement. Includes an easy introduction to basic fingerstyle guitar. Songs include: Blowin' in the Wind (Bob Dylan) * Brown Eyed Girl (Van Morrison) * Catch the Wind (Donovan) * Five Hundred Miles (Peter, Paul & Mary) * Hallelujah (Jeff Buckley) * The House of the Rising Sun (The Animals) * I Walk the Line (Johnny Cash) * Leaving on a Jet Plane (John Denver) * Let It Be (The Beatles) * Peaceful Easy Feeling (The Eagles) * Puff the Magic Dragon (Peter, Paul & Mary) * Take Me Home, Country Roads (John Denver) * This Land Is Your Land (Woody Guthrie) * Wagon Wheel (Old Crow Medicine Show) * You Are My Sunshine.