First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

Who are U.S. journalists? What are their backgrounds and educational experiences? Why did they choose journalism as an occupation? What do they think about their work? What are their professional and ethical values? What kinds of work do they consider their best? Do men differ from women on these questions? Do ethnic and racial minorities differ from the majority? Do journalists working for different print and broadcast news media differ? This book uses findings from the most comprehensive and representative study ever done of the demographic and educational backgrounds, working conditions, and professional and ethical values of 1,410 U.S. print and broadcast journalists working in the 1990s to answer these questions, including separate analyses for women and minority news people. It also compares many of these findings with those from the major studies of the early 1970s and 1980s. As such, it should be the standard reference on U.S. journalists for years to come. In addition, this study goes beyond the previous two in adding more open-ended questions to explain and enrich quantitative findings, in the belief that the numbers by themselves are not enough to provide explanations for the patterns that emerge. This book includes more of the journalists' own words to fill this gap, as well as an analysis of samples of their self-selected best work.

An authoritative and detailed illustration of the state of journalistic practice in the United States today, The American Journalist in the 21st Century sheds light on the demographic and educational backgrounds, working conditions, and professional and ethical values of print, broadcast, and Internet journalists at the beginning of the 21st century. Providing results from telephone surveys of nearly 1,500 U.S. journalists working in a variety of media outlets, this volume updates the findings published in the earlier report, The American Journalist in the 1990s, and reflects the continued evolution of journalistic practice and professionalism. The scope of material included here is extensive and inclusive, representing numerous facets of journalistic practice and professionalism, and featuring separate analyses for women, minority, and online journalists. Many findings are set in context and compared with previous major studies of U.S. journalists conducted in the 1970s, 80s, and 90s. Serving as a detailed snapshot of current journalistic practice, The American Journalist in the 21st Century offers an intriguing and enlightening profile of professional journalists today, and it will be of great interest and value to working journalists, journalism educators, media managers, journalism students, and others seeking insights into the current state of the journalism profession.

More than a decade has passed since the last comprehensive survey of U.S. journalists was carried out in 2002 by scholars at Indiana University--and the news and the journalists who produce it have undergone dramatic changes and challenges. The American Journalist in the Digital Age is based on interviews with a national probability sample of nearly 1,100 U.S. journalists in the fall of 2013 to document the tremendous changes that have occurred in U.S. journalism in the past decade, many of them due to the rise of new communication technologies and social media. This survey of journalists updates the findings from previous studies and asks new questions about the impact of new technologies and social media in the newsroom, and it includes more nontraditional online journalists than the previous studies.

Paul H. Weaver's News and the Culture of Lying uses hard evidence to expose the "culture of lying," a propensity of news organizations to obscure the true meanings of news events and distort the public's conception of reality. News and Culture of Lying examines the relationship between journalists and the sources of their stories, argues that the media create an artificial sense of permanent emergency, and describes what must be done to restore credibility.

Dorothy Thompson (1893-1961) was America’s first internationally famous female foreign correspondent. Born outside of Buffalo, New York, she graduated from Syracuse University in 1914 and honed her writing and interviewing skills in the women’s suffrage movement before heading for Europe as a freelance journalist. Reporting from Vienna, Budapest and Berlin during the rise of Nazism, she was the first western journalist to be expelled from Germany by Adolf Hitler after denigrating him in a profile. Her later columns in the Ladies’ Home Journal and radio broadcasts for CBS (published as Listen, Hans) made her, next to Eleanor Roosevelt, the most influential woman in the United States. Thompson was married three times: her second marriage was to the American novelist, Nobel Prize-winner, and alcoholic Sinclair Lewis; her third and happiest, to Czech artist Maxim Kopf. She also had several lesbian relationships. Avidly interested in everything from sustainable farming to the fine arts, she divided her later years between New York City and her farm in Barnard, Vermont. “A skillful exploration of the life and personality of the formidable foreign correspondent” — New York Times “[readers] will be pleased to meet a fascinating, driven and indomitable woman who richly deserves this fine biography” — Thomas Griffith, New York Times “Sensationally good ... Kurth’s vividly detailed and dramatic portrayal of Thompson’s life fully compensates for the memoirs she planned but never lived to write. Here was a one-of-a-kind incarnation of energy, honesty and commitment; a woman we must not forget.” — USA Today “Kurth guides us through the tumultuous complexities of the time-the rise of Nazism in Germany; isolationism in America; the Second World War; the establishment of Israel and other issues that Thompson took over as her personal battleground. His daunting task is to show us a mind at work, and he pulls it off.” — Washington Post “In a day of dime-a-dozen pundits jabbering on the talk shows, Thompson’s diligence and influence are worth recalling. Mr. Kurth’s compulsively readable account allows us to re-live an age and do just that.” — Wall Street Journal “Kurth has a surprising grasp of Thompson’s emotional makeup, strictly avoiding the kind of supercilious or paternalistic attitude that such a character invites in male authors. His biography is insightful without being sentimental, warm without being sycophantic.” — Toronto Star “An important asset of this big, solid book is author Kurth’s prolific use of Thompson’s own words. She left 150 file cases of published and unpublished writings — chunks of private thoughts and musings on her three husbands and her own sexuality one would have expected her to burn... Kurth has battled through this paper blizzard and emerged with a clear-as-ice-water picture of a turbulent, complex personality.” —Baltimore Sun “Peter Kurth, author of the haunting Anastasia: The Riddle of Anna Anderson, proves once again that he is the equal of Stefan Zweig as a biographer of women. His fairness, his control of his material and his eye for the revealing quotation are such that he makes us empathize with Miss Thompson even when we feel like strangling her.” — Washington Times