This book traces the tradition of American historical fiction from its origins in the early nineteenth century to the eve of World War II. It examines the historical novel's connections with Enlightenment and Romantic theories of history; with the rise of literary regionalism; with the ambitions of Romantic writers to revive the epic and romance; with changing conceptions of gender roles; and with the authors' troubled responses to the great revolutionary and imperialistic conflicts of the modern era. However, though inevitably much concerned with the theory of genre and with the specific contents of the genre of historical romance, Professor Dekker devotes most of his book to new readings of major texts by James Fenimore Cooper, Nathaniel Hawthorne, Herman Melville, Mark Twain, Allen Tate, Edith Wharton, Willa Cather, and William Faulkner, as well as to the Briton whose name was synonymous with the genre for most of the nineteenth century - Sir Walter Scott. 'The American Historical Romance is the richest, most fully meditated and most rewarding yet written by this author ... It is the most important book on the relations of British and American fiction to come out for many years. No devotee of the American novel will ignore it.' -- The Times Literary Supplement

Sometimes survival isn’t just about staying alive… Widowed and alone on the frontier, Elspeth Stewart will do whatever it takes to protect herself and her unborn child from the dangers of the wilderness and of men. Though her youthful beauty doesn’t show it, she is broken and scarred from the way men have treated her. So when a stranger wanders onto Bethie’s land, wounded and needing her aid, she takes no risks, tying him to the bed and hiding his weapons before ministering to his injuries. But Bethie’s defenses cannot keep Nicholas Kenleigh from breaking down her emotional walls. The scars on his body speak of a violent past, but his gentleness, warmth, and piercing eyes arouse longings in her that she never imagined she had. As Nicholas and Bethie reveal to each other both their hidden desires and their tortured secrets, they discover that riding the flames of their passion might be the key to burning away the nightmares of their pasts.

A comprehensive, chronological overview of American literature in three scholarly and authoritative volumes A Companion to American Literature traces the history and development of American literature from its early origins in Native American oral tradition to 21st century digital literature. This comprehensive three-volume set brings together contributions from a diverse international team of accomplished young scholars and established figures in the field. Contributors explore a broad range of topics in historical, cultural, political, geographic, and technological contexts, engaging the work of both well-known and non-canonical writers of every period. Volume One is an inclusive and geographically expansive examination of early American literature, applying a range of cultural and historical approaches and theoretical models to a dramatically expanded canon of texts. Volume Two covers American literature between 1820 and 1914, focusing on the development of print culture and the literary marketplace, the emergence of various literary movements, and the impact of social and historical events on writers and writings of the period. Spanning the 20th and early 21st centuries, Volume Three studies traditional areas of American literature as well as the literature from previously marginalized groups and contemporary writers often overlooked by scholars. This inclusive and comprehensive study of American literature: Examines the influences of race, ethnicity, gender, class, and disability on American literature Discusses the role of technology in book production and circulation, the rise of literacy, and changing reading practices and literary forms Explores a wide range of writings in multiple genres, including novels, short stories, dramas, and a variety of poetic forms, as well as autobiographies, essays, lectures, diaries, journals, letters, sermons, histories, and graphic narratives. Provides a thematic index that groups chapters by contexts and illustrates their links across different traditional chronological boundaries A Companion to American Literature is a valuable resource for students coming to the subject for the first time or preparing for field examinations, instructors in American literature courses, and scholars with more specialized interests in specific authors, genres, movements, or periods.

In this epic and haunting tale set in Victorian America, a woman must find her way through peril, uncertainty, and loss to find true love. When her beloved father passes away, Esther Silverton, heiress to one of the most powerful fortunes in the nation, believes losing her last family member was the biggest challenge ahead of her. But with her trusted family lawyer vanishing in the Wild West and her father's devious business partner bent on claiming the Silverton fortune for himself, Esther must disappear into the streets of Victorian New York, fearing for her life. Poor, starving, and posing as a man, Esther is desperate to find a way west in search of the only person who can help her claim her fortune. Chance crosses her path with the most attractive English nobleman who has ever stepped foot on American ground, the stunning George Astley, Duke of Aberdeen, who hires her as his American guide into the west. Fresh off the boat, and with his own family at the brink of ruin, George is set to make his way deep into the Wild West to save his investment in a controversial gold mine-at all costs. But the duke is at a loss. Why does he feel so attracted to this pretty-faced, cunning guide of his? Has he lost his mind? Or is there more to this boy whose intelligence, bravery, and selflessness seem to touch the deepest corners of his heart like nobody has ever done before... Oblivious to the fact that the street-smart guide he hired in New York is actually a wanted heiress on her own mission, the two of them set out to not only face the dangers of the lawless American frontier, but also feelings of attraction, sparks, and maybe even love... From the Author: Thank you for considering An Outlawed Heiress & Her Duke. If you love historical western romances, sexy dukes, feel-good romances, sizzling passion, steamy love scenes, and strong heroines, you'll love this adventurous Wild West tale of kindness and true love.

In 'Historical Romance of the American Negro', Charles Henry Fowler explores the complexities of love, identity, and freedom in the lives of African Americans throughout history. Set against the backdrop of significant events such as the Civil War and Reconstruction, Fowler weaves together a narrative that combines elements of history and romance to create a compelling and enlightening read. His prose is both elegant and evocative, capturing the emotions and struggles of the characters with depth and sensitivity. This book stands out in the literary canon for its exploration of race relations and the resilience of the human spirit. Fowler's meticulous research and attention to detail lend an authenticity to the story that is both captivating and thought-provoking. As an author, Fowler brings a unique perspective to the portrayal of African American experiences, shedding light on lesser-known aspects of history with grace and nuance. 'Historical Romance of the American Negro' is a must-read for anyone interested in exploring the rich tapestry of American literature and history.

This book brings together for the first time nine groundbreaking historical novels by women from the United States, Canada and Latin America, united by their focus on female adventurers. These novels introduce the neglected women of history, real and imagined, who accompanied their menfolk to the New World, and enabled its settlement or colonisation. Familiar novelists include Isabel Allende, Audrey Thomas and Jane Smiley, but this book also introduces less familiar writers who have produced richly textured and densely historical novels. In addition to putting women back into history, these writers engage with the literature of the past, including the American canon of male fiction which dominated literary history before the intervention of feminist scholars. The book begins with an introduction to the history of historical fiction and provides a theoretical, historical and geographical context for the novels themselves.

Current scholarship on Latin American historical fiction has failed to take feminism and postcolonialism into account. This study uses these important contemporary discourses as a starting point for a new definition of the Latin American historical novel that includes national identity, magical realism, historical intertextuality, and symbolism.