The ancient tales of long-dead civilizations to the wild success of J. R. R. Tolkien’s Lord of the Rings, fantasy has fired our imaginations for as long as there has been story. Whether sweeping sagas of fantastic adventures or cautionary tales told around the campfire, fantasy is deeply woven into the very fabric of humanity, wearing many faces and coming in many flavors. But what fantasy is distinctly American? The American Fantasy Tradition sets out to answer this very question. This comprehensive critical anthology of American fantasy literature applies the groundbreaking theorems of such esteemed American literary critics as Leslie Fiedler, Richard Chase, and Irving Howe to the genre of fantasy in an effort to delineate the true American tradition of fantasy from the more prominent Anglo-European canon, breaking it down into three distinctive strains: The American Tale: Folk, Tall, and Weird Stories that might be considered fables or legends, much like the epics of the Age of Heroes from the classical eras of Rome and Greece, or the tales of the fairy folk from the European tradition, or the fables of Aesop. Fantastic Americana Stories set directly within the American historic landscape, much as the Arthurian tradition is set within the confines of British history. Lands of Enchantment in Everyday Life Stories that involve what might be called the American spirit, focusing on worlds that exist in the shadows of our own, just beyond Rod Serling’s famous signpost for The Twilight Zone.

Includes chapters on L. Frank Baum and Ursula Le Guin, with material on Washington Irving, Edgar Allan Poe, Herman Melville, Nathaniel Hawthorne, Edgar Rice Burroughs, James Branch Cabell, H. P. Lovecraft, Ray Bradbury, Edward Eager, and James Thurber, among others.

The first really original book on the classical period in American writing that has appeared for a long time.

A collection of the best American science fiction and fantasy stories published during 2014.

In the early chapters, the author sorts out some of the confusion about the term fantasy, distinguishing the fantastic as a technique from fantasy as a popular formula and a literary genre. Looking back to the early reception of Tolkien's trend-setting epic fantasy, he points out how critical theory at the time was simply unable to account for either the strengths or the weaknesses of The Lord of the Rings. By contrast, critical methods developed for coping with postmodernist metafictions are shown to apply equally well to the genre of fantasy. Having worked primarily with older fantasies in his study of The Fantasy Tradition in American Literature, Attebery focuses here on important recent examples such as Gene Wolfe's Book of the New Sun, Suzette Haden Elgin's Ozark Trilogy, and John Crowley's Little, Big.

An anthology of American fantasy literature which describes the main themes, ideas, and characteristics of the fantasy genre.

Classical Traditions in Modern Fantasy presents fifteen all-new essays on how fantasy draws on ancient Greek and Roman mythology, philosophy, literature, history, art, and cult practice. Ranging from harpies to hobbits, from Cyclopes to Cthulhu, the comparative study of Classics and fantasy reveals deep similarities between ancient and modern ways of imagining the world.