The Ambassadors--the famous portrait of two diplomats visiting Henry VIII's court in London 1533--has long been celebrated by art historians. Traditionally the painting has been seen as representing the political and religious unrest of its day. Now, historian John North, author of Stonehenge: A New Interpretation of Prehistoric Man and the Cosmos, once again uses his investigative skills to reinterpret history. In this radical reinterpretation of the painting John North shows that the work has a very different and previously undetected, central theme. Far from being random, the objects are very deliberately placed. Part international riddle, part art history, and part French history, the book opens a remarkable window on the world of the Renaissance.

Veteran diplomatic correspondent Paul Richter goes behind the battles and the headlines to show how American ambassadors are the unconventional warriors in the Muslim world—running local government, directing drone strikes, building nations, and risking their lives on the front lines. The tale’s heroes are a small circle of top career diplomats who have been an unheralded but crucial line of national defense in the past two decades of wars in the greater Middle East. In The Ambassadors, Paul Richter shares the astonishing, true-life stories of four expeditionary diplomats who “do the hardest things in the hardest places.” The book describes how Ryan Crocker helped rebuild a shattered Afghan government after the fall of the Taliban and secretly negotiated with the shadowy Iranian mastermind General Qassim Suleimani to wage war in Afghanistan and choose new leaders for post-invasion Iraq. Robert Ford, assigned to be a one-man occupation government for an Iraqi province, struggled to restart a collapsed economy and to deal with spiraling sectarian violence—and was taken hostage by a militia. In Syria at the eruption of the civil war, he is chased by government thugs for defying the country’s ruler. J. Christopher Stevens is smuggled into Libya as US Envoy to the rebels during its bloody civil war, then returns as ambassador only to be killed during a terror attach in Benghazi. War-zone veteran Anne Patterson is sent to Pakistan, considered the world’s most dangerous country, to broker deals that prevent a government collapse and to help guide the secret war on jihadists. “An important and illuminating read” (The Washington Post) and the winner of the prestigious Douglas Dillon Book Award from the American Academy of Diplomacy, The Ambassadors is a candid examination of the career diplomatic corps, America’s first point of contact with the outside world, and a critical piece of modern-day history.

Paris, 1919. The world's leaders have gathered to rebuild from the ashes of the Great War. But for one woman, the City of Light harbors dark secrets and dangerous liaisons, for which many could pay dearly. Brought to the peace conference by her father, a German diplomat, Margot Rosenthal initially resents being trapped in the congested French capital, where she is still looked upon as the enemy. But as she contemplates returning to Berlin and a life with Stefan, the wounded fiancé she hardly knows anymore, she decides that being in Paris is not so bad after all. Bored and torn between duty and the desire to be free, Margot strikes up unlikely alliances: with Krysia, an accomplished musician with radical acquaintances and a secret to protect; and with Georg, the handsome, damaged naval officer who gives Margot a job—and also a reason to question everything she thought she knew about where her true loyalties should lie. Against the backdrop of one of the most significant events of the century, a delicate web of lies obscures the line between the casualties of war and of the heart, making trust a luxury that no one can afford.

From a real-life ambassador's wife and the acclaimed author of Exile Music comes a harrowing novel about the kidnapping of an American woman in the Middle East and the heartbreaking choices she and her husband each must make in the hope of being reunited. When bohemian artist Miranda meets British ambassador Finn in the ancient stone streets of an Islamic city, the course of her life alters in extraordinary ways. Their marriage gives her the luxury to paint whenever she wants, a staff to wait on her, and a young daughter she adores, but she loses the freedom to wander where she likes and to meet the Muslim women she is secretly teaching to paint. Her husband also makes Miranda a target: One sunny afternoon while hiking in the mountains, she is brutally kidnapped. As Finn struggles to save his family and his career, and Miranda grows close to a stranger’s child in captivity, the secrets he and Miranda have each sought to hide place them and those who trust them in peril. Not even freedom could restore the happiness that once was theirs.

War between Bayern and Tira is finally over. To cement the peace with their old sworn enemies, a group from each kingdom will cross to the other for a 'season of friendship'. At first all is well, but mysterious events in the Tiran capital arouse suspicions and anger bubbles just beneath the surface. Enna's friend Razo must find out who is masterminding these events before it's too late and they find themselves trapped in the heart of Tira as war breaks out.

The Ambassadors` Secret is a radical reinterpretation of one of the world`s most famous paintings. Holbein`s celebrated portrait of two French diplomats at the court of Henry VIII has usually been linked to the political and religious unrest of the day. John North shows that the painting has a very different, and previously undetected, central theme and many other meanings. Far from being random, the objects in The Ambassadors are deliberately, and very accurately, placed. In revealing exactly what they, and the painting, mean, The Ambassadors` Secret opens a remarkable window on the world of the Renaissance.

Holbein's famous life-size double portrait 'The Ambassadors' is one of the best known of his surviving works. Yet the subject matter has always presented intriguing problems. Who precisely were the two ambassadors of the title? Why did they choose to be painted together - with an array of globes, astronomical and musical instruments, books and other objects placed on shelves between them, a skull concealed in the foreground of the painting, and a crucifix partially hidden behind a curtain? The recent careful cleaning and restoration of 'The Ambassadors' has enabled an art historian, conservator, and scientist at the National Gallery in London to collaborate on a thorough study of the making and meaning of this painting.