The Legend of Penthesilea, Queen of the Amazons For eight years, the besieged city of Troy has withstood the relentless might of the Greek invaders. Now the dread Achilles, mightiest of the Greek warriors, seeks to conquer the fabled realm of the Amazons as well. But one woman stands between him and his ruthless ambition to conquer her homeland. Penthesilea, Warrior Queen of the Amazons, watched her mother die upon Achilles' sword. A fiery, red-haired tigress of tremendous passion and courage, Pentha vows to take revenge on the legendary Greek champion, even if it means leading an army in defense of imperiled Troy. Her lover, Damonides, does not share her eagerness for battle. Once a formidable warrior in his own right, he long ago put away the sword. Now he yearns only to live in peace with the beautiful and ardent Amazon Queen. But can he stand idly by while the woman he loves risks everything for the sake of her people? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Looking at travel writing by British women from the seventeenth century on, Karen R. Lawrence asks an intriguing question: What happens when, instead of waiting patiently for Odysseus, Penelope voyages and records her journey—when the woman who is expected to waitsets forth herself and traces an itinerary of her own? Lawrence ranges widely, discussing both fiction and nonfiction and traversing the genres of travel letters, realistic and sentimental novels, ethnography, fantasy, and postmodern narrative. In examining works as dissimilar as Margaret Cavendish's rendition of the Renaissance adventure narrative and Christine Brooke-Rose's postmodernist Between, she explores not only the significance of gender for travel writing, but also the value of travel itself for testing the limits of women's social freedoms and restraints. Lawrence shows how writings by Frances Burney, Mary Wollstonecraft, Sarah Lee, Mary Kingsley, Virginia Woolf, and Brigid Brophy reconceive the meanings of femininity in relation to such apparent oppositions as travel/home, other/self, and foreign/domestic. Despite the differences-historical, generic, political-among these writers, Lawrence maintains, they share common insights. Their accounts overturn the dichotomy between adventure and domesticity, demonstrating something illusory within both the stability of home and the freedom of travel.

Opera developed during a time when the position of women—their rights and freedoms, their virtues and vices, and even the most basic substance of their sexuality—was constantly debated. Many of these controversies manifested themselves in the representation of the historical and mythological women whose voices were heard on the Venetian operatic stage. Drawing upon a complex web of early modern sources and ancient texts, this engaging study is the first comprehensive treatment of women, gender, and sexuality in seventeenth-century opera. Wendy Heller explores the operatic manifestations of female chastity, power, transvestism, androgyny, and desire, showing how the emerging genre was shaped by and infused with the Republic's taste for the erotic and its ambivalent attitudes toward women and sexuality. Heller begins by examining contemporary Venetian writings about gender and sexuality that influenced the development of female vocality in opera. The Venetian reception and transformation of ancient texts—by Ovid, Virgil, Tacitus, and Diodorus Siculus—form the background for her penetrating analyses of the musical and dramatic representation of five extraordinary women as presented in operas by Claudio Monteverdi, Francesco Cavalli, and their successors in Venice: Dido, queen of Carthage (Cavalli); Octavia, wife of Nero (Monteverdi); the nymph Callisto (Cavalli); Queen Semiramis of Assyria (Pietro Andrea Ziani); and Messalina, wife of Claudius (Carlo Pallavicino).

A tribe of Amazon women have fought a devastating battle with an Indian tribe in the Amazon Basin. Prior to the battle the beautiful blonde leader became pregnant from an encounter with a missionary doctor. She gives birth to a girl who, some day, is destined to be a leader of the clan. An earthquake kills the entire village of Amazon women except for the young girl who goes on to grow and prosper while on a quest to locate her father. Many adventures and pitfalls occur while she travels the rain forest looking for the village where her father is a missionary doctor. Follow her adventures as she too becomes a doctor and searches for a cure to a devastating tropical disease.

Wonder Woman: Amazon Warrior takes the traditional digest biography series format and shakes it up for a new generation. Just in time for the new Batman V Superman movie--featuring Wonder Woman.

Before The Lords of the Underworld, there was Gena Showalter's Atlantis series. Discoverthe mythical world of immortals, magic and dark seduction in this novella, The Amazon'sCurse. Zane, a fierce vampire warrior, has been enslaved by the Amazons. Nola, a lovelyAmazon soldier, has been cursed with invisibility. Now, these two stubborn enemies mustovercome the pasts that haunt them and embrace a love that can set them free…. “A world of myth, mayhem and love under the sea!”—New York Times bestselling author J.R. Ward on TheNymph King Look for the rest of Gena Showalter's Atlantis series: Heart of the Dragon,Jewel of Atlantis, The Nymph King and The Vampire's Bride, available now. Originally published in 2009