The popular blogger and New York Times bestselling author of Yarn Harlot puts her humorous spin on everyday life, parenting, and, well, pants. The Amazing Thing About the Way It Goes takes on the amazing in the ordinary in this side-splitting series of short commentaries. Pearl-McPhee turns her trademark wit and perspective to everything from creative discipline to a way you would never think about fixing your email situation. This book looks at everyday problems—and honestly won't do much to solve them—but at least you’ll be laughing. Praise for Yarn Harlot “A sort of David Sedaris-like take on knitting—laugh-out-loud funny most of the time and poignantly reflective when it’s not cracking you up.” —Library Journal “Pearl-McPhee turns both typical and unique knitting experiences into very funny and articulate prose.” —Meg Swansen, Schoolhouse Press “I laughed until my stitches fell helplessly from my needles!”—Lucy Neatby, author of Cool Socks Warm Feet

It is reasonable to think that if God is God, and he wrote a book about what he has done, he would be able to prove it is his book beyond any reasonable doubt. This would involve making it clear that only God could write it the way it has been written. The purpose of these pages is to show he has done this, and to explain how it proves it is from God. This is about the prophecy of Isaiah in the Bible, and its 66 chapters, as they introduce the 66 books of God. What we have here is the most exciting and fascinating information available to man. All I have to do is convince you of that. I have set up the hypothesis for this study as follows: “The chapters of Isaiah's prophecy give a summary of each of the books of the Bible.” If this is so, then the purpose of Isaiah would be to bind the 66 books of the Bible together as the inspired writings of God. For the hypothesis to be true, each verse of each chapter of Isaiah must relate to the book in question. To explain this it is necessary to cite each verse and show the relevance to the book. The key that unlocks this message involves the first verse of the chapter with the last verse of the chapter, that points you to the book to which it refers. The subject of the book is in the middle verse or verses of the Isaiah chapter. I will give you 66 examples of this as we progress. There are several reasons for developing this hypothesis: 1. There are 66 chapters in Isaiah and 66 books in the Bible. 2. It has long been recognized there is a division of the book of Isaiah at chapter 40. This would make thirty nine chapters for the Old Testament books, and twenty six for the New Testament. 3. Every chapter (except two groups of four) deal with different subjects, which shows we are not dealing with a particular history or argument, so we are entitled to ask why the chapters do not connect. The two groups are interesting, they are chapters 36, 37, 38 and 39 that speak of Hezekiah, and chapters 52, 53, 54 and 55 that speak of Messiah. 4. Isaiah is a difficult book to understand, unlike any other in scripture. 5. The New Testament writers used Isaiah to prove what they wanted to say about Gentiles. There are or verses about one hundred and fifty direct quotations or allusions from Isaiah in the New Testament. So it is reasonable to suspect that Isaiah is the proof of all things. The rules that apply for examining this hypothesis are: 1. The issue in the chapter and the issue in the book must match, and this must be explained in such a way there is no doubt they are linked. 2. The first verse of the chapter in Isaiah should define the issue in the chapter and the issue in the book. And the last verse of the chapter, make a similar obvious connection. 3. The middle verse, or verses of the chapter, will give the subject matter of the book. 4. The size of the chapter is usually in proportion to the size of the book. This can vary with the size of the subject. If it is a small book with a large subject, it could be a large chapter. 3. There should be a significant list of connections between the chapter of Isaiah and the book to which it refers. 4. Each verse of the chapter must make sense in relation to the book. A connection must be a quotation or allusion or an argument on the same subject. Some will have difficulty with the parables of the Old Testament, because they may not have met them before. We need to keep in mind this information in the parables is not for everyone. Usually it is preserved for certain people at a special time and place. For instance it may be for convincing Jews of the twenty second century that Jesus is Messiah. That will involve showing how their own scripture, the Old Testament, spoke of the things outlined in The New Testament. The lord used parables to withhold information from those for whom it was not intended, and deliver it to those who were to know these things. So the idea there is mor

The Collected Works of R. Austin Freeman (Illustrated Edition) showcases the brilliance of R. Austin Freeman, a pioneer of the golden age of detective fiction. This comprehensive collection includes Freeman's iconic series featuring Dr. John Thorndyke, a medical jurist and detective who uses scientific methods to solve complex mysteries. Freeman's intricate plots, attention to detail, and meticulous research set him apart as a master of the genre, influencing later writers such as Agatha Christie. Readers will be captivated by the clever twists and intellectual challenges presented in these classic tales of deduction and crime solving. R. Austin Freeman, a trained physician and innovator in forensic science, drew upon his medical expertise to create the character of Dr. Thorndyke. His background in anatomy and pathology enabled him to craft realistic and plausible mysteries that are both entertaining and intellectually engaging. Freeman's dedication to scientific accuracy and logical reasoning shines through in his detective stories, offering readers a unique blend of entertainment and education. The Collected Works of R. Austin Freeman (Illustrated Edition) is highly recommended for fans of classic detective fiction and those interested in the history of the genre. Freeman's innovative approach to crime solving, combined with his distinctive narrative style, continues to intrigue and delight readers of all ages.

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.

Reed Haflinger and his aloof wife take an impromptu trip to Mexico's Riviera Maya, but it's not the reconnection Reed was hoping for. When she departs early for home, he stays at the resort, lost in what remains of a vacation he feels he deserves. But when a brief interaction with a beautiful female traveler offers a clue as to how to meet her again, Reed must decide whether to venture out of his comfort zone in search of her, or accept that he will always let life pass him by. In this mesmerizing debut novel, travel writer Ray Bartlett brings us a dark, complex love story as lush, beautiful, and unflinching as the landscape of Tulum itself, a place that you - just like Bartlett's unforgettable characters - will not want to leave.

Some issues, 1943-July 1948, include separately paged and numbered section called Radio-electronic engineering edition (called Radionics edition in 1943)