The Altar of Innocence is about a mother who is in unfilled artist and a daughter who struggles to untangle the web of her mother¿s depression, alcoholism, and suicide attempt. As the daughter grows into a woman, she experiences her own confrontation with depression and a crumbling marriage. Deeply dissatisfied with the explanation of depression as a chemical imbalance in the brain, she peers into her own dark night of the soul and undertakes a spiritual journey. In order to finally claim her voice, she must overcome the patriarchy of the mental health system, challenge her treatment options, and navigate an increasingly difficult relationship with her husband. The poems in The Altar of Innocence come from my heart and from the sincere desire to share my journey in the hopes that others may find courage and inspiration. ¿Ann Bracken creates a vibrant dialogue with her reader. Her emotional vocabulary is wholeheartedly offered to us like a gift to the world. Bracken¿s strength comes from an equilibrium between idea and performance¿interior and exterior lives, smartly drawn. With a strong voice, vitally engaged, she presents characters and behavior without judgment. Poetry is the vehicle that makes us laugh and cry at her ¿Altar of Innocence.¿ ¿Grace Cavalieri, poet and producer of the radio show ¿The Poet and the Poem from the Library of Congress¿ ¿The Altar of Innocence offers readers a rare and compassionate look at depression. By telling her mother¿s story and sharing her own, Ann Bracken takes us on an intimate journey through two generations of mental illness and ultimate healing. Readers will find hope in her journey.¿ ¿ Laura Shovan, writer and publisher of Little Patuxant Review

A collection of seven essays exploring the symbolism behind two of freemasonry's most prominent symbols. Included here are: The Apron, The Masonic Apron, The Rite of Investiture, The Apron, Symbolism in the Apron, The Altar of Freemasonry and The Altar.

A Study Guide for Euripides's "Iphigenia in Tauris," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.

The basis for the film starring Kieran Culkin. “Evoked with the rare, genuine sort of candor that made Holden Caulfield—and J.D. Salinger—famous.”—Vogue Set in Savannah, Georgia, in the early 1970s, this is a novel of the anarchic joy of youth and encounters with the concerns of early adulthood. Francis Doyle, Tim Sullivan, and their three closest friends are altar boys at Blessed Heart Catholic Church and eighth-grade classmates at the parish school. They are also inveterate pranksters, artistic, and unimpressed by adult authority. When Sodom vs. Gomorrah ’74, their collaborative comic book depicting Blessed Heart’s nuns and priests gleefully breaking the seventh commandment, falls into the hands of the principal, the boys, certain that their parents will be informed, conspire to create an audacious diversion. Woven into the details of the boys’ preparations for the stunt are touching, hilarious renderings of the school day routine and the initiatory rites of male adolescence, from the first serious kiss to the first serious hangover. “Fuhrman takes wicked pleasure in scraping teen innocence against the graveled, perverse underbelly of suburban childhood.”—Newsday “The freshness of Fuhrman’s novel comes from his ability to squeeze out of a time of transition universal evocations of rebellion against growing up . . . Fuhrman provides his story and characters with enough originality to keep the narrative clipping along and his reader totally absorbed.”—Chicago Tribune “Heartbreaking yet hilarious . . . chronicles a school year in the life of narrator Francis Doyle, an eighth-grader at the parish school of the Blessed Heart . . . can be compared to many of the classic coming-of-age novels.”—Publishers Weekly

From New York Times bestselling author Jane Feather comes the first of a wonderful new trilogy, The Blackwater Brides, set in the sensually im-proper Georgian period, in which three noble brothers discover they will be forced to find brides under highly unusual circumstances. Jasper Sullivan, Earl of Blackwater, needs a prostitute. Not in the usual way, however. His wealthy uncle’s will promises to divide his huge fortune among his nephews if each rescues a fallen woman . . . by marrying her! And since Jasper’s estates were already mortgaged to the hilt before he inherited them, when he catches a pretty young prostitute trying to pick his pocket, he immediately makes his proposal. Clarissa Astley is not at all what Jasper believes. The orphaned daughter of a prosperous merchant, she is searching the seedier districts of London for her young brother, abducted by their evil guardian, who wants the little boy’s inheritance. But she needs powerful help, and the darkly handsome Earl of Blackwater is certainly that. So she pretends to be exactly what he assumed— a risky charade for an innocent virgin. But when passion flares between Jasper and Clarissa, the deception becomes even more difficult to handle. . . .