The Allman Brothers Band was formed in 1969 by Duane and Gregg Allman, along with Berry Oakley, Dickey Betts, Butch Trucks, and “Jaimoe.” Their musical combination of the elements of rock, blues, jazz, and country was hugely successful and continues to stand the test of time. Tragically, both Duane Allman and Berry Oakley were killed in separate motorcycle accidents in 1971 and 1972 respectively, but the band endured with the remaining original members and additional members for forty-five years. Inducted into the Rock and Roll Hall of Fame in 1995, The Allman Brothers Band received gold and platinum sales awards for their recordings. Filled with more than two hundred captioned images, this new book chronicles Weston’s collection and other items of The Allman Brothers Band memorabilia from 1969–1976. Weston and Perkins discuss in detail the various categories and aspects of band collectibles from that period. The book not only highlights individual collectibles, but also explains where to find them and how to preserve them. Included are band instruments and equipment, t-shirts, apparel and merchandise, autographs, bookkeeping documents, passes, posters, tickets, programs, promotional items, vintage photographs, and more. Galadrielle Allman, daughter of the late Duane Allman, offers an introduction that is both intimate and informative. Fans of classic rock music and The Allman Brothers Band alike will find this book irresistible.

The origin story of a groundbreaking album The 1971 Allman Brothers Band album At Fillmore East was a musical manifesto years in the making. In Play All Night!, Bob Beatty dives deep into the motivations and musical background of band founder Duane Allman to tell the story of what made this album not just a smash hit, but one of the most important live rock albums in history.  Featuring insights from bootleg tapes, radio ads, early reviews, never-before-published photos, and the memories of band members, fans, and friends, Beatty chronicles how Allman rejected the traditional route of music business success—hit singles and record sales—and built a band that was at its best jamming live on stage, feeding off the crowd’s energy, and pushing each other to new heights of virtuosic improvisation. Every challenge, from recruiting a group of relatively unknown but established musicians like Jaimoe and Dickey Betts, touring the American South as an interracial band, and the failure of their first two studio albums, sharpened Allman’s determination to pursue the band’s truly unique sound. He made a bold choice—to record their next album live at Bill Graham’s famous concert hall in New York’s Lower East Side, a gamble that launched a new strand of American music to the top of the charts.  Four days after the album went gold, Duane Allman was killed in a motorcycle accident. He was 24. This book explores how At Fillmore East cemented Allman’s legacy as a strong-willed, self-taught visionary, giving fans of Southern rock and all readers interested in the role of rock music in American popular culture a new appreciation for this pathbreaking album.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Willie Perkins left the staid, conservative world of commercial bank auditing to jump headlong into the burgeoning beginnings of The Allman Brothers Band and follows their meteoric and sometimes tragic rise, fall, and revival. Perkins's interest in the business of music and his association with an interesting pair of friends led him to the opportunity to go to work with the Allmans at the earliest stage of their career. For the first time we learn from a true insider what it was like to live the nomadic life on the road with the Allmans from their earliest low buck club tours through the triumphant million dollar months of outdoor stadium dates in the mid-seventies. Perkins vividly describes living in the band's "Big House," and what it was like to room on the road with the legendary Duane Allman and what a truly amazing person he was. The author tells of all the band and crew members, and shares how they all dealt with the bumpy road to rock stardom. The fast life of touring, performing, and recording, with its huge rewards and triumphs is seen with literary clarity in these pages. Perkins's memory of the sorrow and grief suffered from the untimely deaths of Duane Allman and Berry Oakley is paralleled by the band's dogged determination not to give up. The reader is not spared the details of the destructiveness of drug and alcohol abuse, and will learn the true facts behind the drug trial of John "Scooter" Herring. Read how the band and its crew dealt with family life, girlfriends, and groupies. Also, you will learn about the making of the legendary "Live At Fillmore East" album, the band's generous charitable contributions, and their relationship with Jimmy Carter. No book on TheAllman Brothers band would be complete without an account of Gregg Allman's solo comeback of the eighties and the twentieth anniversary reunion tour of The Allman Brothers Band. "No Saints, No Saviors" is a story of triumphs and heartbreaks, but ultimately it is a story about how the music of The Allman Brothers Band, indeed, may well live forever.

Cut through the haze of rock reference with the updated second edition of this illustrated encyclopedia. There are over 1800 entries on the stars who have shaped rock history, whether they were destined to become icons or bygones, influential or infamous. Each entry provides essential facts and opinion on songwriters, musicians and producers and includes a sidebar of star-rated recommended albums. There are over 600 images to complement the text and a full album listing for each act at the back of the book.

During the heyday of the late '80s indie underground, high school sweethearts Bela Koe-Krompecher and Jenny Mae Leffel moved together from small-town Ohio to the big city of Columbus to pursue education and a dream of something more. When they arrived, the two met Jerry Wick, a prickly malcontent and lead singer of the punk rock band Gaunt, and the trio quickly forged a contentious friendship that would be challenged for the next 20 years by addiction, mental illness, homelessness, divergent whims and tragic paths. They bonded over their obsessive love of music, especially the scrappy, welcoming world of independent labels and bands, where heroes could be a neighbor, a bartender or even a know-it-all behind the counter of a record store. Through the label Koe-Krompecher and Wick launched, and the music Leffel made, these three friends gained fans nationwide and garnered unexpected critical acclaim from The New York Times, Entertainment Weekly, SPIN and more while sharing the stage with bands like Superchunk, Mudhoney and Guided by Voices. At its heart, Love, Death & Photosynthesis is a story of the love between friends and the power of music to pull people together--often in spite of themselves--in the universal search for connection.

A portrait of the legendary American rock-and-roll band draws on exclusive interviews to track their career from 1969 to the present and is complemented by previously unpublished photographs and memorabilia.