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Excerpt from Alexander and Dindimus, or the Letters of Alexander to Dindimus, King of the Brahmans, With the Replies of Dindimus: Being a Second Fragment of the Alliterative Romance of Alisaunder; Translated From the Latin, About A. D. 1340-50 The first half of this note, down to ryme, is printed in Warton's Hist. Of Eng. Poetry, ii. 103, ed. 1840. The whole note appears, with four errors, in Weber's Metrical Romances, i. Mi; and again, with the same four errors and six more, at p. Iv of Mr. Stevenson's edition. And this plainly shews that the story runs on without any break. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Alexander and Dindimus, or the Letters of Alexander to Dindimus, King of the Brahmans, With the Replies of Dindimus: Being a Second Fragment of the Alliterative Romance of Alisaunder It will be understood that the remarks I have now to make relate to fragment B only, unless the contrary be expressed. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.