A gloriously moving and entertaining, picaresque debut novel, about a young man’s sentimental education in late 19th-Century Europe; inspired by a real historical figure: ‘Captain’ Paul Boyton – the ‘Fearless Frogman’

When an American whaler arrives to a British coastal town, the peace of its inhabitants is disrupted. It's 1920s England, and the coastal town of Gravely is finally enjoying a fragile peace after World War I. John Lowell, a naturalist who writes articles on the flora and fauna of the shoreline, and his wife Harriet, lead a simple life, basking in their love for each other and enjoying the company of John's visiting old school friend, David. But when an American whaler arrives in town with his beautiful red-haired daughters, boasting of his plans to build a pier and pleasure-grounds a mile out to sea, unexpected tensions and temptations arise. As secrets multiply, Harriet, John, and David must each ask themselves: what price is to be paid for pleasure?

Wise and funny, touching and true, What We’re Teaching Our Sons is for anyone who has ever wondered how to be a grown up.

A masterpiece of nature writing from the author of The Running Sky One December, in midsummer South Africa, Tim Dee was watching swallows. They were at home there, but the same birds would soon begin journeying north to Europe, where their arrival marks the beginning of spring. Between the winter and the summer solstice in Europe, spring moves north at about the speed of swallow flight. That is also close to human walking pace. In the light of these happy coincidences, Greenery recounts how Tim Dee tries to travel with the season and its migratory birds, making remarkable journeys to keep in step with the very best days of the year, the time of buds and blossoms and leafing, the time of song and nests and eggs. After South Africa, we follow European migrants staging in Chad and Ethiopia, and on across the colossal and incomprehensible Sahara. We accompany storks venturing the Straits of Gibraltar, honey buzzards dodging Sicilian hunters, and tiny landbirds finding haven on the curious island of Heligoland. A diary of the spring spreading through Britain with a magic trinity of oak-tree-loving birds interleaves the continental greening. We read of other determined spring-seekers: D. H. Lawrence and Samuel Taylor Coleridge. We hear from a Sámi reindeer herder, a barn-dwelling swallow-devotee, an Egyptian taxi driver, a chronobiologist in arctic Norway. There are bears and boars and bog-bodies too. Greenery is a masterpiece of nature writing, deeply informed, expansive and often profoundly beautiful. Tim Dee's journey ends where the greenery of the European spring ends: on the shores of the Arctic Ocean in northern Scandinavia, where, yes, there are swallows in midsummer as there were at the Cape of Good Hope in December.

The nation's favourite annual guide to the short story, now in its eighth year.Best British Short Stories invites you to judge a book by its cover - or more accurately, by its title. This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor's brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume.This new anthology includes stories by Owen Booth, Kelly Creighton, Colette de Curzon, Mike Fox, M. John Harrison, Tania Hershman, Brian Howell, Jane McLaughlin, Alison MacLeod, Jo Mazelis, Wyl Menmuir, Adam O'Riordan, Iain Robinson, C. D. Rose, Adrian Slatcher, William Thirsk-Gaskill, Chloe Turner, Lisa Tuttle, Conrad Williams and Eley Williams.

A teenager struggles through physical loss to the start of acceptance in an absorbing, artful novel at once honest and insightful, wrenching and redemptive. (Age 12 and up) On a sunny day in June, at the beach with her mom and brother, fifteen-year-old Jane Arrowood went for a swim. And then everything -- absolutely everything -- changed. Now she’s counting down the days until she returns to school with her fake arm, where she knows kids will whisper, "That’s her -- that’s Shark Girl," as she passes. In the meantime there are only questions: Why did this happen? Why her? What about her art? What about her life? In this striking first novel, Kelly Bingham uses poems, letters, telephone conversations, and newspaper clippings to look unflinchingly at what it’s like to lose part of yourself - and to summon the courage it takes to find yourself again.

Fiction and essays inspired by Paris from more than 70 Anglophone writers -- A MoveableFeast for the twenty-first century. "When good Americans die, they go to Paris", wrote the Irish playwright Oscar Wilde in 1894. The French capital has always radiated an unmatched cultural, political and intellectual brilliance in the anglophone imagination, maintaining its status as the modern cosmopolitan city par excellence through the twentieth century to today. We'll Never Have Paris explores this enduring fascination with this myth of a bohemian and literary Paris (that of the Lost Generation, Joyce, Beckett and Shakespeare and Company) which also happens to be a largely anglophone construct -- one which the Eurostar and Brexit only seem to have exacerbated in recent years. Edited by Andrew Gallix, this collection brings together many of the most talented and adventurous writers from the UK, Ireland, USA, Australia and New Zealand to explore this theme through short stories, essays and poetry, in order to build up a captivating portrait of Paris as viewed by English speakers today -- A Moveable Feast for the twenty-first century. We'll Never Have Paris includes contributions from seventy-nine authors, including Tom McCarthy, Will Self, Brian Dillon, Joanna Walsh, Eley Williams, Max Porter, Sophie Mackintosh and Lauren Elkin.