This book, first published in 1983, with a second edition in 1992, investigates the emergence of the sociology of knowledge in Germany in the critical period from 1918 to 1933. These years witnessed the development of distinctive paradigms centred on the works of Max Scheler, Georg Lukács and Karl Mannheim. Each theorist sought to confront the base-superstructure models of the relationship between knowledge and society, which originated in Orthodox Marxism. David Frisbsy illustrates how these and other themes in the sociology of knowledge were contested through a detailed account of the central sociological debates in Weimar Germany. This reissue of The Alienated Mind will be of particular interest to students and academics concerned with the development of an important tradition in the sociology of knowledge and culture, social theory and German history.

First published in 1816 and revised in 1916, this edition of George Crabb’s English Synonyms contains the entirety of his most enduring work. The revised edition is supplemented by a large number of words, the applications of which had grown into the language in the preceding years or had taken on a deeper significance in light of the First World War. It also contains comprehensive cross-referencing, which brings closely related words together and facilitates the quick location of a desired term.

The Third City, first published in 1982, offers an innovative response to the troubled relationship between Western philosophy, as it has been conducted since the Renaissance, and the everyday lives of the communities in which we live. Bebek contends that the model of philosophical reflection is to be found in Plato’s dialogues, which, rather than simply describing utopia through a series of abstract ‘concepts’, were instead designed to impel the learner towards a recognition of the true nature of reality – as much a ‘self-recognition’ as an understanding of the world ‘out there’. Thus, in order to revive the spirit of true philosophy, it is necessary to avoid both the false extremes of idealism and materialism, and to allow ethics once more to merge with epistemology. This title presents an exposition of this ethically based philosophy, allowing the very human insights of Plato to illumine the diverse problems of today.

When Sociological Impressionism was first published in 1981, it was the first comprehensive study on Simmel’s social theory to appear in English since 1925. A pioneering work, it did much to bring about the rediscovery of Georg Simmel as one of the key sociologists of the twentieth century. David Frisby provides a provocative introduction to aspects of Simmel’s social theory, seriously challenging many interpretations of his work, most notably the view that Simmel produced a formal sociology. By drawing on many little-known essays and pieces by Simmel and his contemporaries, the book locates him within the social and intellectual milieu in which he was working. This is a reissue of the second edition, published in 1992, which includes a new afterword confronting critical responses to the first edition. This is an important work, which will be of interest to students of sociology and social philosophy in Germany in the late nineteenth and early twentieth century.

Leading British, American and European philosophers contribute to this collection of essays, first published in 1976, in political philosophy. They are essays which have to do in different ways with better societies than the ones we have, and with ways of getting them. They exemplify what can fairly be called real political philosophy. Its past makers have been Plato, Hobbes, Locke, Rousseau, Hegel, Mill and Marx, and it consists in advocacy of certain social ends and of certain means, rather than uncommitted inquiry or comment. The advocacy is of a kind, of course, which depends on analysis and argument. The book will be of interest not only to those who are primarily concerned with philosophy, but students of politics as well.

First published in 1977, this book was the first to map extensively the ideological typography of the Anglo-American tradition of literary theory. It interrogates, comprehensively and in detail, the assumptions and categorical development within critical ideas from I. A. Richards and T. S. Eliot, through John Crowe Ransom and the New Criticism, to Northrop Frye and Marshall NcLuhan. This analysis reveals the Anglo-American tradition of literary-cultural theory is most properly intelligible within the overall field of social consciousness as an ideology of progressive cultural rationalization. Against a background of ideological development since nineteenth-century Romanticism, John Fekete illuminates the boundaries of literary ideology in relation to the shapes and changes of modern culture and society.

First published in 1988, this books argues with received accounts to reclaim Brecht’s emphasis on his self-described ‘dialectical theatre’, re-examining firstly the concepts of Gestus and Verfremdung and their realisation in Brecht’s poetry in terms of his attempt to consciously apply the methods of dialectical materialism to art and cultural practice. The author also takes issue with the customary view of Brecht’s career and politics which sees him as compromising either with Communist party dogma or bourgeois aesthetics, to find developing parallels between Brecht’s political and artistic though and the critical dialectics of Marx, Lenin and Mao. This development is examined in later chapters in relation to the early and late plays, The Measures Taken and Days of the Commune as well as in relation to Brecht’s changed circumstances in the years of war-time exile and in post-war East Germany.