The album Amicorum -- A Case Study: Michael van Meer's Album -- Landmarks of London -- Picturing the Lord Mayor of London -- Royal Images: Arms, and Autographs -- Who Owned the King's Album? -- Players: Indoors, Outdoors, and On the Road -- The Blind Water-carrier -- Other Curiosities -- Francis Segar and the International Network of Englishmen -- Appendices: A Selection of Additional Album Signatures -- Libraries Consulted -- Albums Cited.

Twenty-eight essays in honour of John Onians by his colleagues and friends. The introduction outlines Onians' major contribution to art historical studies and although the papers have no central theme, they are all provocative' in their reassessments of traditional contexts and interpretations of art and culture'.

11. Forms of Internationality: The Album Amicorum and the Popularity of John Owen (1564-1622) -- Part IV: Theatrical Publicity -- 12. The Voice of Caesar's Wounds: The Politics of Martyrdom in Shakespeare's Julius Caesar -- 13. Shakespeare's Pains to Please -- 14. The Political Fortunes of Robin Hood on the Early Modern Stage -- Afterword: Richard Helgerson and Making Publics -- About the Contributors -- Index -- Back Cover

This volume brings together some of the most exciting new scholarship on these themes, and thus pays tribute to the ground-breaking work of Charles Zika. Seventeen interdisciplinary essays offer new insights into the materiality and belief systems of early modern religious cultures as found in artworks, books, fragmentary texts and even in Protestant ‘relics’. Some contributions reassess communal and individual responses to cases of possession, others focus on witchcraft and manifestations of the disordered natural world. Canonical figures and events, from Martin Luther to the Salem witch trials, are looked at afresh. Collectively, these essays demonstrate how cultural and interdisciplinary trends in religious history illuminate the experiences of early modern Europeans. Contributors: Susan Broomhall, Heather Dalton, Dagmar Eichberger, Peter Howard, E. J. Kent, Brian P. Levack, Dolly MacKinnon, Louise Marshall, Donna Merwick, Leigh T.I. Penman, Shelley Perlove, Lyndal Roper, Peter Sherlock, Larry Silver, Patricia Simons, Jennifer Spinks, Hans de Waardt and Alexandra Walsham.

How the nature illustrations of a Renaissance polymath reflect his turbulent age This pathbreaking and stunningly illustrated book recovers the intersections between natural history, politics, art, and philosophy in the late sixteenth-century Low Countries. Insect Artifice explores the moment when the seismic forces of the Dutch Revolt wreaked havoc on the region’s creative and intellectual community, compelling its members to seek solace in intimate exchanges of art and knowledge. At its center is a neglected treasure of the late Renaissance: the Four Elements manuscripts of Joris Hoefnagel (1542–1600), a learned Netherlandish merchant, miniaturist, and itinerant draftsman who turned to the study of nature in this era of political and spiritual upheaval. Presented here for the first time are more than eighty pages in color facsimile of Hoefnagel’s encyclopedic masterwork, which showcase both the splendor and eccentricity of its meticulously painted animals, insects, and botanical specimens. Marisa Anne Bass unfolds the circumstances that drove the creation of the Four Elements by delving into Hoefnagel’s writings and larger oeuvre, the works of his friends, and the rich world of classical learning and empirical inquiry in which he participated. Bass reveals how Hoefnagel and his colleagues engaged with natural philosophy as a means to reflect on their experiences of war and exile, and found refuge from the threats of iconoclasm and inquisition in the manuscript medium itself. This is a book about how destruction and violence can lead to cultural renewal, and about the transformation of Netherlandish identity on the eve of the Dutch Golden Age.