A Most Unusual Gathering Of Early And Modern American Literature Covering A Variety Of Themes.

When a glamorous literary agent falls prey to a violent stalker, she discovers that the publishing biz can really be murder, for fans of The Spellman Files and Maisie Dobbs “Suspenseful . . . Barbara Rogan cleverly explores . . . our capacity for self-deception and weaves it into an absorbing mystery that keeps its secret until the very end.” —NPR Jo Donovan always manages to come out on top. Originally from the backwoods of Appalachia, she forged a hard path to elegant lunches and parties among New York City’s literati. At thirty-five, she’s the widow of the renowned novelist (and notorious playboy) Hugo Donovan, the owner of one of the best literary agencies in town, and is one of the most sought-after agents in the business. But all this is about to fall apart, as a would-be client turns stalker, a hack shops around a proposal for an unauthorized tell-all biography of Hugo, and a handsome old flame shows up without warning. Both a seasoned author and a former literary agent herself, Barbara Rogan knows the publishing world from all angles. Fans of Lisa Lutz and Jaqueline Winspear will adore Jo Donovan and Rogan’s wickedly sharp tale that skewers the dangerous fictions we read—and the dangerous fictions we tell ourselves.

Marco Armiero is Senior Researcher at the Italian National Research Council and Marie Curie Fellow at the Institute of Environmental Sciences and Technologies, Universitat Aut(noma de Barcelona. He has published extensively on-Italian environmental history and edited Views from the South: Environmental Stories from the Mediterranean World. --

The Metropolitan Museum Journal, issued annually by The Metropolitan Museum of Art, publishes original research on works in the Museum’s collections and the areas of investigation they represent. Volume 48 includes essays on From Tarporley to Dolon: The Reattribution of the Early South Italian “New York Goose Vase,” The Coat of Arms in Fra Filippo Lippi’s Portrait of a Woman with a Man at a Casement, Drawings of the Pantheon in the Metropolitan Museum’s Goldschmidt Scrapbook, Sin and Redemption in the Hours of François I (1539-40) by the Master of François de Rohan, Houdon’s Bather in a Drawing by Pierre Antoine Mongin, Corrado Giaquinto’s Medea Rejuvenating Aeson and other Modelli for the Palacio Real of Madrid, and Chinnery and Houqua: Questions of Attribution.