A New York Times bestseller! “Lively and absorbing. . ." — The New York Times Book Review "Engrossing." —Wall Street Journal “Entertaining and well-researched . . . ” —Houston Chronicle Three noted Texan writers combine forces to tell the real story of the Alamo, dispelling the myths, exploring why they had their day for so long, and explaining why the ugly fight about its meaning is now coming to a head. Every nation needs its creation myth, and since Texas was a nation before it was a state, it's no surprise that its myths bite deep. There's no piece of history more important to Texans than the Battle of the Alamo, when Davy Crockett and a band of rebels went down in a blaze of glory fighting for independence from Mexico, losing the battle but setting Texas up to win the war. However, that version of events, as Forget the Alamo definitively shows, owes more to fantasy than reality. Just as the site of the Alamo was left in ruins for decades, its story was forgotten and twisted over time, with the contributions of Tejanos--Texans of Mexican origin, who fought alongside the Anglo rebels--scrubbed from the record, and the origin of the conflict over Mexico's push to abolish slavery papered over. Forget the Alamo provocatively explains the true story of the battle against the backdrop of Texas's struggle for independence, then shows how the sausage of myth got made in the Jim Crow South of the late nineteenth and early twentieth century. As uncomfortable as it may be to hear for some, celebrating the Alamo has long had an echo of celebrating whiteness. In the past forty-some years, waves of revisionists have come at this topic, and at times have made real progress toward a more nuanced and inclusive story that doesn't alienate anyone. But we are not living in one of those times; the fight over the Alamo's meaning has become more pitched than ever in the past few years, even violent, as Texas's future begins to look more and more different from its past. It's the perfect time for a wise and generous-spirited book that shines the bright light of the truth into a place that's gotten awfully dark.

A Texas history classic, available again . . . Phil Collins received a birthday present that would change his life: a receipt for a saddle signed by an Alamo defender. From that point forward, the drummer began building his impressive Alamo and Texas Revolution collection. “I didn’t know this stuff was out there, that you could own it,” the rock-n-roll legend said. “It had never occurred to me.” Before long, he had amassed nearly 500 items! These priceless artifacts are now housed at the Alamo’s brand new Ralston Family Collections Center behind the iconic Alamo Church and the venerable Gift Shop amid the tranquil setting of the Alamo gardens. This 24,000 square foot facility showcases not only Phil’s great collection immortalized is this his book, but are joined by his remarkable narrated presentation of the siege and battle of the Alamo built around the masterpiece scale replica of the compound first created by artist Mark Lemon for the State House Press book The Illustrated Alamo: A Photographic Journey. The Alamo and Beyond, now in a third printing in partnership with The Texas Center at Schreiner University, is you way of taking Phil’s collection home with you. When Phil Collins was a kid growing up in a London suburb, he would often watch an amazing show on his family television. There, in black and white, was Fess Parker as Davy Crockett, King of the Wild Frontier. As he matured, Collins not only acted out the exploits of his new hero, but he often refought the Battle of the Alamo with his toy soldiers. Even though music came to dominate his life, it was this love of history—and Davy Crockett and the Alamo in particular—that was always near by. On one musical tour, Collins encountered his first David Crockett autograph—for sale at a store called the Gallery of History. “I didn’t know this stuff was out there, that you could own it,” the rock-n-roll legend said. “It had never occurred to him. Later, he received a birthday present that would change his life: a receipt for a saddle signed by an Alamo defender. From that point forward, the drummer began building his impressive Alamo and Texas Revolution collection. Here, for the first time in history, are the artifacts, relics, and documents that compose the Phil Collins collection, available in a beautifully designed color book shot-through with stunning photography and crisply rendered illustrations. Collins’s prose takes the reader through the joys of being a collector as he lovingly describes what each piece in this impressive assemblage means to him. Photographer Ben Powell of Austin brought these items to vivid relief, and artist Gary Zaboly’s masterful pen-and-ink drawings breath life into the items. Essays by Texas historians Bruce Winders, Don Frazier, and Stephen Hardin provide the historical background to the collection and help make this into a work of art that also serves handily as a serious research tool.

A New York Times bestselling novel, modern historical classic, and winner of the TCU Texas Book Award, The Spur Award and the Wrangler Award for Outstanding Western Novel It’s 1836, and the Mexican province of Texas is in revolt. As General Santa Anna’s forces move closer to the small fort that will soon be legend, three people’s fates will become intrinsically tied to the coming battle: Edmund McGowan, a proud and gifted naturalist; the widowed innkeeper Mary Mott; and her sixteen-year-old son, Terrell, whose first shattering experience with love has led him into the line of fire. Filled with dramatic scenes, and abounding in fictional and historical personalities—among them James Bowie, David Crockett, William Travis, and Stephen Austin—The Gates of the Alamo is a faithful and compelling look at a riveting chapter in American history.

"Remember the Alamo!" is still a rallying cry more than 175 years after the siege in Texas, where a small band of men held off about two thousand soldiers of the Mexican Army for twelve days. The Alamo was a crucial turning point in the Texas Revolution, and led to the creation of the Republic of Texas. With 80 black-and-white illustrations throughout and a sixteen-page black-and-white photo insert, young readers will relive this famous moment in Texas history.

Although The Alamo fell in the early morning of March 6, 1836, the death of the Alamo defenders has come to symbolize courage and sacrifice for the cause of liberty. The memories of James Bowie, Davy Crockett, and William B. Travis are as powerful today as when the Texan Army routed Santa Anna to the cry "Remember the Alamo!" This book is more than a tribute to those who fell defending the mission. It is a thoroughly researched, vividly illustrated, objective description of the circumstances building up to and leading from that stand. By using contemporary writings, this history describes the political and military organizations of both sides, the weapons and equipment available to them, and the enduringly famous personalities involved, creating a vivid picture of this dramatic battle and the period in which it was fought.

"Remember the Alamo!" That rallying cry has been a part of Texas lore for generations. But what, exactly, should we remember? Who were the ragtag group of adventurers behind the famous slogan, and how did they end up barricaded in a fort against a Mexican army? Who survived, who died, and how? This sixth book in the bestselling Hazardous Tales series tracks the Lone Star State's bloody fight for independence from the Mexican government. It features the exploits of the notorious Jim Bowie, as well as Stephen Austin, Davy Crockett, and other settlers and soldiers who made the wild frontier of Texas their home - until the bitter end. Nathan Hale's Hazardous Tales are graphic novels that tell the thrilling, shocking, gruesome, and TRUE stories of American history. Read them all - if you dare! --

"For many years there had never been any doubt in the mind of Robert Worth as to the ultimate destiny of Texas, though he was by no means an adventurer, and had come into the beautiful land by a sequence of natural and business-like events. He was born in New York. In that city he studied his profession, and in eighteen hundred and three began its practice in an office near Contoit's Hotel, opposite the City Park. One day he was summoned there to attend a sick man. His patient proved to be Don Jaime Urrea, and the rich Mexican grandee conceived a warm friendship for the young physician..."_x000D_ _x000D_ _x000D_ _x000D_