Being in your 20s is like losing your parents at Disneyland, but for the rest of your life. Sure, its all fun and games because at least Mickey Mouse is there and cotton candy is flowing. Then you realize, Wait, what the heck am I supposed to do now? MOM, DAAAAAAD!?! ANYBODYYYY!?! Some people are lucky. They know exactly what they want out of life early on and are relentless in attaining it. Good for them they deserve it. Most of us, however, are forced to continuously alter our path, always striving to reinvent ourselves and find our passion somewhere along the way. Whichever category you fall in, at one point or another, we all find ourselves lost, trying to navigate our way through the storms of life. Whatever walk (or storm) youre on, theres no doubt in my mind that you seek more out of this life. I wrote this book for one reason - to serve as a roadmap for those searching to live a successful, peaceful, and purpose-filled life. Will we allow our past to alter our present? Or will we decide to find our Purpose, Escape our past, take Action, Change our autopilot, and become Empathetic to our surroundings? Yes, for those of you paying attention - those five steps I just listed off spell P.E.A.C.E. See, not as dumb as I look crouching in that field below.

The Book Projects Ernest Hemingway As An Artist With A Broader Vision Than He Is Generally Understood. This Vision Highlights The Profound Sympathy For Women And For Those Who Suffer In Indifferent Rather Hostile Society. The Author Has Tried To Attribute That Divine Love To Hemingway S Artistic Vision Often Denoted By The Greek Word Agape. This Make Hemingway Not Only A Great Modernist Artist, But Also A Sage Speaking For The Entire Humanity.That Hemingway Has Obsessively Dealt With Such Violent Themes, As War, Is True. It Is Nonetheless True That By Doing So He Has Exposed The Futility And Destructiveness Associated With It. The Hemingway S Hero Is A Defeated Man But Never Crestfallen. He Is Able To Retain His Dignity Even In The Face Of Crisis. His Tragedy Is The Result Of Love, Which For Him Is An Alternate God, And Ultimately Of Labor, Which He Puts In As A Matter Of Profound Faith. The Book Demonstrates This Effectively, And Should Be A Unique Contribution To The Hemingway Scholarship In India And Abroad.

"The race between two ambitious, complicated men in the early 1900s to create the most extravagant, complicated timepiece ever"--

June Jordan was born on July 9, 1936, in Harlem, New York, to Mildred and Granville Jordan, Jamaican natives. During her life, she became one of the most prolific, important, and influential African American writers of her time. Before her death from breast cancer in 2002, Jordan published more than 27 books, including Some of Us Did Not Die, Solider: A Poet's Childhood, Poetry for the People: Finding a Voice through Verse, Haruko Love Poems, and Naming Our Destiny. Her work Civil Wars, a collection of letters and essays, addressed such topics as violence, homosexuality, race, and black feminism. Working in many genres and touching on many themes and issues, Jordan was a powerful force in American literature. This biography reveals the woman, the writer, the poet, the activist, the leader, and the educator in all her complexity. Working in many genres and touching on many themes and issues, June Jordan was a powerful force in American literature. This biography reveals the woman, the writer, the speaker, the poet, the activist, the leader, and the educator in all her complexity. June Jordan was born on July 9, 1936, in Harlem, New York, to Mildred and Granville Jordan, Jamaican natives. During her life, she became one of the most prolific, important, and influential African American writers of her time. Before her death from breast cancer in 2002, Jordan published more than 27 books, including Some of Us Did Not Die, Solider: A Poet's Childhood, Poetry for the People: Finding a Voice through Verse, Haruko Love Poems, and Naming Our Destiny. Her work Civil Wars, a collection of letters and essays, addressed such topics as violence, homosexuality, race, and black feminism. Kinloch offers a life and letters of this prolific writer, delving into both her biography and her contributions as a writer and activist. This approach unveils the power of language in Jordan's poems, essays, speeches, books—and ultimately in her own life—as she challenged political systems of injustice, racism, and sexism. Kinloch examines questions surrounding the pain of writing, the anger of oppression, and the struggle of African American women to assert their voices. Attention is paid to the ways in which Jordan's life informed her writings her perspectives, and her contributions to the global landscape of class, race, and gender issues. The writer's major works are explored in detail, as Kinloch weaves discussions of her life into critical considerations of her writings. Ultimately, this portrait illustrates the ways in which Jordan's career represented her dedication to making words work; her ability to rally and revolutionize the spirit of people invested in decolonization, love, and freedom; and her responsiveness to the world in which she lived.

Agent Link: The Spy Erased from History examines the life of Willaim Wolfe Weisband. It tells the story of his KGB recruitment and working with codebreakers at the top-secret Army Security Agency. The book reveals his motivations for spying, the extent of America’s losses, how he was caught, and the consequences of his treachery.

A Chicago Tribune Noteworthy Book A GoodReads Reader's Choice In One Summer Bill Bryson, one of our greatest and most beloved nonfiction writers, transports readers on a journey back to one amazing season in American life. The summer of 1927 began with one of the signature events of the twentieth century: on May 21, 1927, Charles Lindbergh became the first man to cross the Atlantic by plane nonstop, and when he landed in Le Bourget airfield near Paris, he ignited an explosion of worldwide rapture and instantly became the most famous person on the planet. Meanwhile, the titanically talented Babe Ruth was beginning his assault on the home run record, which would culminate on September 30 with his sixtieth blast, one of the most resonant and durable records in sports history. In between those dates a Queens housewife named Ruth Snyder and her corset-salesman lover garroted her husband, leading to a murder trial that became a huge tabloid sensation. Alvin “Shipwreck” Kelly sat atop a flagpole in Newark, New Jersey, for twelve days—a new record. The American South was clobbered by unprecedented rain and by flooding of the Mississippi basin, a great human disaster, the relief efforts for which were guided by the uncannily able and insufferably pompous Herbert Hoover. Calvin Coolidge interrupted an already leisurely presidency for an even more relaxing three-month vacation in the Black Hills of South Dakota. The gangster Al Capone tightened his grip on the illegal booze business through a gaudy and murderous reign of terror and municipal corruption. The first true “talking picture,” Al Jolson’s The Jazz Singer, was filmed and forever changed the motion picture industry. The four most powerful central bankers on earth met in secret session on a Long Island estate and made a fateful decision that virtually guaranteed a future crash and depression. All this and much, much more transpired in that epochal summer of 1927, and Bill Bryson captures its outsized personalities, exciting events, and occasional just plain weirdness with his trademark vividness, eye for telling detail, and delicious humor. In that year America stepped out onto the world stage as the main event, and One Summer transforms it all into narrative nonfiction of the highest order.

While women have long been featured in leading roles in film and television, the intellectual depictions of female characters in these mediums are out of line with reality. Women continue to be marginalized for their choices, overshadowed by men, and judged by their bodies. In fact, the intelligence of women is rarely the focus of television or film narratives, and on the rare occasion when smart women are showcased, their portrayals are undermined by socially awkward behavior or their intimate relationships are doomed to perpetual failure. While Hollywood claims to offer a different, more evolved look at women, these movies and shows often just repackage old character types that still downplay the intelligence and savvy of women. In Smart Chicks on Screen: Representing Women’s Intellect in Film and Television, Laura Mattoon D’Amore brings together an impressive array of scholarship that interrogates the portrayal of females on television and in movies. Among the questions that the volume seeks to answer are: In what ways are women in film and television limited, or ostracized, by their intelligence? How do female roles reinforce standards of beauty, submissiveness, and silence over intellect, problem solving, and leadership? Are there women in film and television who are intelligent without also being objectified? The thirteen essays by international, interdisciplinary scholars offer a wide range of perspectives, examining the connections—and disconnections—between beauty and brains in film and television. Smart Chicks on Screen will be of interest to scholars not only of film and television but of women’s studies, reception studies, and cultural history, as well.