The Afterthought brings back into focus the psychedelic sixties in all of their purple-haze glory, as seen through the eyes of legendary west coast music promoter and entrepreneur Jerry Kruz. Using the historical posters as a timeline, Kruz's recollections are a celebration of the resiliency of Woodstock-era arts and culture and foundational musical acts like the Grateful Dead, Janis Joplin, Steve Miller, The Collectors (Chilliwack), Tom Northcott Trio, Country Joe & the Fish and many more. Complete with selected discographies and band biographies for many of the musical acts included in the book, The Afterthought is illustrated throughout with selections from the folk-inspired and psychedelia-fuelled artwork of legendary artists Bob Masse and Frank Lewis.

What happened to Paul Nelson? In the '60s, he pioneered rock & roll criticism with a first-person style of writing that would later be popularized by the likes of Tom Wolfe and Norman Mailer as “New Journalism.” As co-founding editor of The Little Sandy Review and managing editor of Sing Out!, he’d already established himself, to use his friend Bob Dylan’s words, as “a folk-music scholar”; but when Dylan went electric in 1965, Nelson went with him. During a five-year detour at Mercury Records in the early 1970s, Nelson signed the New York Dolls to their first recording contract, then settled back down to writing criticism at Rolling Stone as the last in a great tradition of record-review editors that included Jon Landau, Dave Marsh, and Greil Marcus. Famously championing the early careers of artists like Bruce Springsteen, Jackson Browne, Rod Stewart, Neil Young, and Warren Zevon, Nelson not only wrote about them but often befriended them. Never one to be pigeonholed, he was also one of punk rock’s first stateside mainstream proponents, embracing the Sex Pistols and the Ramones. But in 1982, he walked away from it all — Rolling Stone, his friends, and rock & roll. By the time he died in his New York City apartment in 2006 at the age of seventy — a week passing before anybody discovered his body — almost everything he’d written had been relegated to back issues of old music magazines. How could a man whose writing had been so highly regarded have fallen so quickly from our collective memory? With Paul Nelson’s posthumous blessing, Kevin Avery spent four years researching and writing Everything Is an Afterthought: The Life and Writing of Paul Nelson. This unique anthology-biography compiles Nelson’s best works (some of it previously unpublished) while also providing a vivid account of his private and public lives. Avery interviewed almost 100 of Paul Nelson’s friends, family, and colleagues, including several of the artists about whom he’d written.

A BOOK MANY THOUGHT IMPOSSIBLE. 10 POETS AND ONE THOUSAND PLUS POEMS.

"Just 'cause I didn't follow the rules doesn't make it my fault that the Space Shuttle almost crashed. Well, okay, maybe it was sort of my fault. But not the part when Pilot O'Brien was spacewalking and I accidentally knocked him halfway to Jupiter, or when I wound up in a space suit and nearly became the first human satellite to orbit the Earth; you can't blame that on me. "Well, okay, maybe that was sort of my fault, too." So begins another hilarious Wally McDoogle MISadventure as our boy blunder stows aboard the Space Shuttle and learns the importance of: OBEYING THE RULES!

Volume contains: 373 AD 254 (Matter of Carter v. Valentine) 374 AD 254 (Matter of Campbell v. Murdock) 375 AD 254 (Matter of Cerutti) 376 AD 254 (Matter of Donnelly v. Valentine) 377 AD 254 (Matter of Globe Indemnity Co. v. Frailey) 378 AD 254 (Matter of Immediato v. Kern) 379 AD 254 (Matter of Flynn v. Murdock) 380 AD 254 (Matter of Harris v. Harris) 381 AD 254 (Matter of Lent v. Moses) 382 AD 254 (Matter of State Tax Comm. of the State of N.Y. v. Rawlins)