"Explores the recent proliferation of literary and filmic representations of Weimar Berlin in German culture, probing the connections between historical and contemporary texts, their contexts, and their creators, often German Jews and women. More than a century after its founding, there can be little doubt that Weimar is back. The recent proliferation of references to and portrayals of the Weimar Republic-Germany's first democracy, born out of the aftermath of the First World War and characterized by economic and political crisis-is not surprising given our crisis-filled present. That said, the Weimar era has been a consistent focus of scholarly work in both the German-speaking and the Anglo-American academic worlds since the 1970s, and yet depictions of this period in German literature and visual culture were few and far between until the beginning of the 21st century. This book traces this renewed fascination with Weimar-specifically its capital, Berlin-in contemporary German-language culture, providing both wide-angle and close-up views. While discussions of the time period in mainstream media and historiography tend to focus on Weimar as a warning against the dangers of economic and political instability, the novels and visual works produced by contemporary German writers and filmmakers in the last 15 years revive and reshape the cultural legacy of Weimar Berlin. The Afterlives of Weimar Berlin explores the creative interplay between contemporary and historical texts, their contexts, and their creators, tracing a cultural legacy that has the work of German Jews and women as its foundation"--

"Weimar Centennial edition with a new preface by the author."--Title page.

In Yiddish Writers in Weimar Berlin, Marc Caplan explores the reciprocal encounter between Eastern European Jews and German culture in the days following World War I. By concentrating primarily on a small group of avant-garde Yiddish writers—Dovid Bergelson, Der Nister, and Moyshe Kulbak—working in Berlin during the Weimar Republic, Caplan examines how these writers became central to modernist aesthetics. By concentrating on the character of Yiddish literature produced in Weimar Germany, Caplan offers a new method of seeing how artistic creation is constructed and a new understanding of the political resonances that result from it. Yiddish Writers in Weimar Berlin reveals how Yiddish literature participated in the culture of Weimar-era modernism, how active Yiddish writers were in the literary scene, and how German-speaking Jews read descriptions of Yiddish-speaking Jews to uncover the emotional complexity of what they managed to create even in the midst of their confusion and ambivalence in Germany. Caplan's masterful narrative affords new insights into literary form, Jewish culture, and the philosophical and psychological motivations for aesthetic modernism.

This book investigates how decolonization transformed British society in the 1950s and 1960s, and examines the relationship between the postwar and the postimperial.

This seductive sourcebook of rare visual delights from pre-Nazi, Cabaret-period “Babylon on the Spree” has the distinction of being praised both by scholars and avatars of contemporary culture, inspiring hip club goers, filmmakers, gay historians, graphic designers, and musicians like the Dresden Dolls and Marilyn Manson. This expanded edition includes “Sex Magic and the Occult,” documenting German pagan cults and their often-bizarre erotic rituals, including instructions for entering into the “Sexual Fourth Dimension.” Mel Gordon is professor of theater at the University of California, Berkeley, and is also the author of Erik Jan Hanussen: Hitler’s Jewish Clairvoyant (Feral House).

“Not only a memoir, it’s also a fierce reply to those who criticized German-Jewish assimilation and the tardiness of many families in leaving Germany” (Publishers Weekly). In this poignant book, a renowned historian tells of his youth as an assimilated, anti-religious Jew in Nazi Germany from 1933 to 1939—“the story,” says Peter Gay, “of a poisoning and how I dealt with it.” With his customary eloquence and analytic acumen, Gay describes his family, the life they led, and the reasons they did not emigrate sooner, and he explores his own ambivalent feelings—then and now—toward Germany its people. Gay relates that the early years of the Nazi regime were relatively benign for his family, yet even before the events of 1938–39, culminating in Kristallnacht, they were convinced they must leave the country. Gay describes the bravery and ingenuity of his father in working out this difficult emigration process, the courage of the non-Jewish friends who helped his family during their last bitter months in Germany, and the family’s mounting panic as they witnessed the indifference of other countries to their plight and that of others like themselves. Gay’s account—marked by candor, modesty, and insight—adds an important and curiously neglected perspective to the history of German Jewry. “Not a single paragraph is superfluous. His inquiry rivets without let up, powered by its unremitting candor.” —Los Angeles Times Book Review “[An] eloquent memoir.” —The Wall Street Journal “A moving testament to the agony the author experienced.” —Chicago Tribune “[A] valuable chronicle of what life was like for those who lived through persecution and faced execution.” —Choice

The Seven Addictions and Five Professions of Anita Berber chronicles a remarkable career, including dozens of photographs and drawings that recreate Anita's "Repertoire of the Damned." Book jacket.