The enclosure of the commons, space once available for communal use, was not a singular event but an act of "slow violence" that transformed lands, labor, and basic concepts of public life leading into the nineteenth century. The Afterlife of Enclosure examines three canonical British writers—Charles Dickens, George Eliot, and Thomas Hardy—as narrators of this history, the long duration and diffuse effects of which required new literary forms to capture the lived experience of enclosure and its aftermath. This study boldly reconceives the realist novel, not as an outdated artifact, but as witness to the material and environmental dispossession of enclosure—and bearer of utopian energies. These writers reinvented a commons committed to the collective nature of the social world. Illuminating the common at the heart of the novel—from common characters to commonplace events—Carolyn Lesjak reveals an experimental figuration of the lost commons, once a defining feature of the British landscape and political imaginary. In the face of privatization, climate change, new enclosures, and the other forms of slow violence unfolding globally today, this book looks back to a literature of historical trauma and locates within it a radical path forward.

Reconceptualizing Victorian literary history, Carolyn Lesjak argues that throughout the Victorian era, fiction reflected a preoccupation with labor in relation to pleasure.

Joe Posnanski enters the colorful world of Harry Houdini and his legions of devoted fans to explore the illusionist’s impact on global culture—and why his legacy endures to this day. Nearly a century after Harry Houdini died on Halloween in 1926, he feels as modern and alive as ever. The name Houdini still leaps to mind whenever we witness a daring escape. The baby who frees herself from her crib? Houdini. The dog who vanishes and reappears in the neighbor’s garden? Houdini. Every generation produces new disciples of the magician, from household names in magic like David Copperfield and David Blaine to countless other followers whose lives have been transformed by the power of Houdini. In rural Pennsylvania, a thirteen-year-old girl finds the courage to leave a violent home after learning that Houdini ran away to join the circus; she eventually becomes the first female magician to saw a man in half on television. In Australia, an eight-year-old boy with a learning impediment feels worthless until he sees an old poster of Houdini advertising “Nothing on earth can hold Houdini prisoner,” and begins his path to becoming that nation’s most popular magician. In California, an actor and Vietnam War veteran finds purpose in his life by uncovering the secrets of his hero. But the unique phenomenon of Houdini was always more than his death-defying stunts or his ability to escape handcuffs and straitjackets. It is also about the power of imagination and self-invention. His incredible transformation from Ehrich Weiss, humble Hungarian immigrant and rabbi’s son, into the self-named Harry Houdini has won him a slice of immortality. No one has withstood the test of time quite like Houdini. Fueled by Posnanski’s personal obsession with the magician—and magic itself—The Life and Afterlife of Harry Houdini is a poignant odyssey of discovery, blending biography, memoir, and first-person reporting to trace Houdini’s metamorphosis into an iconic figure who has inspired millions.

From "a fiercely intelligent writer" (The New York Times), a wry, poignant story of the difficult love between a mother and a son In the winter of 2000, shortly after his mother's death from cancer and malnourishment, Donald Antrim, author of the absurdist, visionary masterworks Elect Mr. Robinson for a Better World, The Hundred Brothers, and The Verificationist, began writing about his family. In pieces that appeared in The New Yorker and were anthologized in Best American Essays, Antrim explored his intense and complicated relationships with his mother, Louanne, an artist and teacher who was, at her worst, a ferociously destabilized and destabilizing alcoholic; his gentle grandfather, who lived in the mountains of North Carolina and who always hoped to save his daughter from herself; and his father, who married Louanne twice. The Afterlife is not a temporally linear coming-of-age memoir; instead, Antrim follows a logic of unconscious life, of dreams and memories, of fantasies and psychoses, the way in which the world of the alcoholic becomes a sleepless, atemporal world. In it, he comes to terms with—and fails to comes to terms with—the nature of addiction and the broken states of loneliness, shame, and loss that remain beyond his power to fully repair. This is a tender and even blackly hilarious portrait of a family—faulty, cracked, enraging. It is also the story of the way the author works, in part through writing this book, to become a man more fully alive to himself and to others, a man capable of a life in which he may never learn, or ever hope to know, the nature of his origins.

Two of the most characteristic aspects of ancient Egyptian culture - kingship and a great attention to death - were present from a very early age. The first kings to rule all of Egypt came to power in approximately 3000 B.C., and the same kings were the first to have monumental tombs and funerary temples built. These early royal mortuary temples in particular are quite enigmatic, but the recent discovery of two previously unknown monuments at the site of Abydos is shedding new light on their development and use. Most surprisingly these temples are from the same reign, suggesting that members of the royal family in addition to the king might have received funerary cult in the early First Dynasty. This study documents the excavation of these two temples, their provision for the dedication of offerings, and the sacrificial burials that surrounded them. It sets these monuments within the framework of the rise of Egyptian kingship and cult, examining both continuities and innovations in royal mortuary practice during this formative period of Egyptian civilization.

Neolithic Causewayed enclosures are amongst the oldest, rarest and most enigmatic of the ancient monuments found in Europe. First recognised as a distinct type in the 1920s, sixty-nine certain or probable examples have now been identified in the British Isles. As a class, they are of outstanding importance, for while their precise functions remain unclear, they represent the first non-funerary monuments and the earliest instance of the enclosure of open space. This book presents an overview of the findings of a systematic national programme of research, carried out by the RCHME, now merged with English Heritage. Every certain, probable and suggested causewayed enclosure in England has been investigated through integrated aerial and field survey. Specialist reconnaissance flying has been undertaken, along with the thorough analysis of aerial photographs taken from the 1920s onwards. This has greatly increased the number of sites known, turning the spotlight onto many that have received little or no archaeological attention in the past. The aerial surveys now available offer a new basis for improved understanding. Analytical field investigations of the few causewayed enclosures that are well preserved as earthworks have also squeezed fresh information out of even those long familiar to archaeologists. Far from merely ‘dotting the i’s and crossing the t’s’ of past fieldworkers, these detailed surveys have led to the rejection of some long-held theories and the proposal of new interpretations. This book significantly advances the understanding of causewayed enclosures both as individual monuments and as a class. It is a major contribution to the understanding of the British Neolithic, and to ‘landscape archaeology’ more generally.