This book explores the understudied and often overlooked subject of African presence in India. It focuses on the so-called Sidis, Siddis or Habshis who occupy a unique place in Indian history. The Sidis comprise scattered communities of people of African descent who travelled and settled along the western coast of India, mainly in Gujarat, but also in Goa, Karnataka, Andhra Pradesh, Sri Lanka and in Sindh (Pakistan) as a result of the Indian Ocean trade from the thirteenth to nineteenth centuries. The work draws from extant scholarly research and documentary sources to provide a comprehensive study of people of African descent in India and sheds new light on their experiences. By employing an interdisciplinary approach across fields of history, art, anthropology, religion, literature and oral history, it provides an analysis of their negotiations with cultural resistance, survivals and collective memory. The author examines how the Sidi communities strived to construct a distinct identity in a new homeland in a polyglot Indian society, their present status, as well as their future prospects. The book will interest those working in the fields of history, sociology and social anthropology, cultural studies, international relations, and migration and diaspora studies.

Although much has been written about the African Diaspora in the Atlantic Ocean, the Diaspora in the Indian Ocean is virtually unrecognised. Concerned with Africans who lived south of the Sahara and were dispersed by free will or forcefully to the non-African lands in the Indian Ocean region, this book deals with a topic that has been overlooked for too long. Eight scholars researching in distinct geographical areas and with interdisciplinary expertise offer a comprehensive and informative account of the Diaspora in the Indian Ocean.

Patrick Manning follows the multiple routes that brought Africans and people of African descent into contact with one another and with Europe, Asia, and the Americas. In joining these stories, he shows how the waters of the Atlantic Ocean, the Mediterranean Sea, and the Indian Ocean fueled dynamic interactions among black communities and cultures and how these patterns resembled those of a number of connected diasporas concurrently taking shaping across the globe. Manning begins in 1400 and traces the connections that enabled Africans to mutually identify and hold together as a global community. He tracks discourses on race, changes in economic circumstance, the evolving character of family life, and the growth of popular culture. He underscores the profound influence that the African diaspora had on world history and demonstrates the inextricable link between black migration and the rise of modernity. Inclusive and far-reaching, The African Diaspora proves that the advent of modernity cannot be fully understood without taking the African peoples and the African continent into account.

Eight percent of global Indian Diaspora is located in Africa. It is spread across all regions of Africa-anglophone, Francophone,Lusophone, Arab Africa and Oceania. People of Indian Origin (PIO) went from different parts of India-Gujarat, Southern India, Bihar, UP and Punjab. They migrated in different capacities-as free passengers, traders, indentured workers, construction workers, professionals and businessmen. But bulk of them were indentured and construction workers who went during colonial period.They palyed an important role and made significant contributions in all walks of life in their new home.They were important consideration during Indian freedom struggle, especially in Indian National Congress. M.K. Gandhi was turned into Mahatma and became apostle of non-violence and peace by his involvement with PIO in South Africa. In post-decolonization phase post-decolonization phase PIOs in Africa had mixed experinece of assimilation and integration. While in Mauritius they remainded all through in power, in countries like Uganda they suffered humiliating expulsion.They still have challenges of integration in most part of Africa. The book is an attempt to capture their history, struggle, contribution, challenges and their place in Indian Diaspora policy.

The vibrant Swahili coast port city of Dar es Salaam—literally, the “Haven of Peace”—hosts a population reflecting a legacy of long relations with the Arabian Peninsula and a diaspora emanating in waves from the Indian subcontinent. By the 1960s, after decades of European imperial intrusions, Tanzanian nationalist forces had peacefully dismantled the last British colonial structures of racial segregation and put in place an official philosophy of nonracial nationalism. Yet today, more than five decades after independence, race is still a prominent and publicly contested subject in Dar es Salaam. What makes this issue so dizzyingly elusive—for government bureaucrats and ordinary people alike—is East Africa’s location on the Indian Ocean, a historic crossroads of diverse peoples possessing varied ideas about how to reconcile human difference, social belonging, and place of origin. Based on a range of archival, oral, and newspaper sources from Tanzania and India, this book explores the history of cross-cultural encounters that shaped regional ideas of diaspora and nationhood from the earliest days of colonial Tanganyika—when Indian settlement began to expand dramatically—to present-day Tanzania, a nation always under construction. The book focuses primarily on two prominent city spaces, schools and cinemas: the one a site of education, the other a site of leisure; one typically a programmatic entity of government, the other usually a bastion of commercial enterprise. Nonetheless, the forces shaping schools and cinemas as they developed into busy centers of urban social interaction were surprisingly similar: the state, community organizations, nationalist movements, economic change, and the transnational winds of Indian Ocean culture and capital. Whether in the form of institutional apparatuses like networks of Indian teacher importation and curricula adoption, or through the market predominance of the Indian film industry, schools and cinemas in East Africa historically were influenced by actions and ideas from around the Indian Ocean. Diaspora and Nation in the Indian Ocean argues that an Indian Ocean–wide perspective enables an examination of the transnational production of ideas about race against a backdrop of changing relationships and claims of belonging as new notions of nationhood and diaspora emerged. It bridges an academic divide, because historians often either focus on the Indian diaspora in isolation or write it out of the story of African nation building. Further, in contrast to the swell of publications on global Indian or South Asian diasporas that highlight longings for and contacts with the “homeland,” the book also demonstrates that much of the creative production of diasporic Indian identities formed in East Africa was a result of local (albeit cosmopolitan) encounters across cities like Dar es Salaam.

Working as merchants, skilled tradesmen, clerks, lawyers, and journalists, Indians formed the economic and administrative middle class in colonial Kenya. In general, they were wealthier than Africans, but were denied the political and economic privileges that Europeans enjoyed. Moreover, despite their relative prosperity, Indians were precariously positioned in Kenya. Africans usually viewed them as outsiders, and Europeans largely considered them subservient. Indians demanded recognition on their own terms. Indians in Kenya chronicles the competing, often contradictory, strategies by which the South Asian diaspora sought a political voice in Kenya from the beginning of colonial rule in the late 1890s to independence in the 1960s. Indians’ intellectual, economic, and political connections with South Asia shaped their understanding of their lives in Kenya. Sana Aiyar investigates how the many strands of Indians’ diasporic identity influenced Kenya’s political leadership, from claiming partnership with Europeans in their mission to colonize and “civilize” East Africa to successful collaborations with Africans to battle for racial equality, including during the Mau Mau Rebellion. She also explores how the hierarchical structures of colonial governance, the material inequalities between Indians and Africans, and the racialized political discourses that flourished in both colonial and postcolonial Kenya limited the success of alliances across racial and class lines. Aiyar demonstrates that only by examining the ties that bound Indians to worlds on both sides of the Indian Ocean can we understand how Kenya came to terms with its South Asian minority.

A fascinating, multi-disciplinary exploration of water, wells and women’s spaces in Gujarat. Centuries ago, in the arid landscape of Gujarat, where water is scarce and rains scanty, stepwells sustained life and enabled crops to flourish. Women played a major role in the construction and patronage of many of these stepwells, which were unique structures that linked three worlds: the subterranean, the earthly and the celestial. Women also frequently served as inspiration for their construction — these were often built to honour a virtuous wife or benevolent mother, a local goddess or a beloved mistress. As a gathering place for women, the stepwells also became a favourite subject in folklore. Every stepwell yields tales of love and betrayal, courage and sacrifice. Through a historical analysis and visual documentation of these distinctly female spaces, Purnima Bhatt sheds light on the relationship between women, water, architecture and religion. Examining the artistic and aesthetic aspects of these structures, the author describes the art of the stepwells as looking beyond the patriarchal gods of classical Hinduism and celebrating the feminine principle. She also explores the idea of these wells acting as indicators of women’s changing social and economic status and challenging the stereotypes of the passivity of women. Her focus on ‘the woman factor’ aims to give voice to countless women who are forgotten and neglected by history, thereby making the invisible, visible. Published by Zubaan.