A History of African American Autobiography

A History of African American Autobiography
Title A History of African American Autobiography PDF eBook
Author Joycelyn Moody
Publisher Cambridge University Press
Pages 724
Release 2021-07-22
Genre Literary Criticism
ISBN 1108875661

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This History explores innovations in African American autobiography since its inception, examining the literary and cultural history of Black self-representation amid life writing studies. By analyzing the different forms of autobiography, including pictorial and personal essays, editorials, oral histories, testimonials, diaries, personal and open letters, and even poetry performance media of autobiographies, this book extends the definition of African American autobiography, revealing how people of African descent have created and defined the Black self in diverse print cultures and literary genres since their arrival in the Americas. It illustrates ways African Americans use life writing and autobiography to address personal and collective Black experiences of identity, family, memory, fulfillment, racism and white supremacy. Individual chapters examine scrapbooks as a source of self-documentation, African American autobiography for children, readings of African American persona poems, mixed-race life writing after the Civil Rights Movement, and autobiographies by African American LGBTQ writers.

The African Diaspora & Autobiographics

The African Diaspora & Autobiographics
Title The African Diaspora & Autobiographics PDF eBook
Author Chinosole
Publisher Peter Lang Incorporated, International Academic Publishers
Pages 216
Release 2001
Genre Foreign Language Study
ISBN

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Beginning with an analysis of the abolitionist narratives of eighteenth- and nineteenth-century ex-slaves, Olaudah Equiano and Harriet Jacobs, Chinosole traces the political and aesthetic linkages between these early writings and autobiographical literature produced by writers in the twentieth century, namely Richard Wright, Peter Abrahams, George Lamming, Agostinho Neto, Audre Lorde, Assata Shakur, and Evelyn Williams.

African Rhythms

African Rhythms
Title African Rhythms PDF eBook
Author Randy Weston
Publisher Duke University Press
Pages 350
Release 2010-10-05
Genre Music
ISBN 0822393107

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African Rhythms is the autobiography of the important jazz pianist, composer and band leader Randy Weston. He tells of his childhood in Brooklyn, his six decades long musical career, his time living in Morocco, and his lifelong quest to learn about the musical and cultural traditions of Africa.

Reading African American Autobiography

Reading African American Autobiography
Title Reading African American Autobiography PDF eBook
Author Eric D. Lamore
Publisher University of Wisconsin Pres
Pages 294
Release 2017-01-10
Genre Biography & Autobiography
ISBN 0299309800

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From the 1760s to Barack Obama, this collection offers fresh looks at classic African American life narratives; highlights neglected African American lives, texts, and genres; and discusses the diverse outpouring of twenty-first-century memoirs.

African American Autobiography and the Quest for Freedom

African American Autobiography and the Quest for Freedom
Title African American Autobiography and the Quest for Freedom PDF eBook
Author Roland L. Williams Jr.
Publisher Bloomsbury Publishing USA
Pages 174
Release 2000-01-30
Genre Literary Criticism
ISBN 0313097151

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Slave narratives were one of the earliest forms of African American writing. These works, autobiographical in nature, later fostered other pieces of African American autobiography. Since the rise of Black Studies in the late 1960s, leading critics have constructed black lives and letters as antitheses of the ways and writings of mainstream American culture. According to such thinking, black writing stems from a set of experiences very different from the world of whites, and black autobiography must therefore differ radically from heroic white American tales. But in pointing to differences between black and white autobiographical works, these critics have overlooked the similarities. This volume argues that the African American autobiography is a continuation of the epic tradition, much as the prose narratives of voyage by white Americans in the nineteenth century likewise represent the evolution of the epic genre. The book makes clear that the writers of black autobiography have shared and shaped American culture, and that their works are very much a part of American literature. An introductory essay provides a theoretical framework for the chapters that follow. It discusses the origins of African American autobiography and the larger themes of the epic tradition that are common to the works of both black and white authors. The book then pairs representative African American autobiographies with similar works by white writers. Thus the volume matches Olaudah Equiano's slave narrative with The Autobiography of Benjamin Franklin, the Narrative of the Life of Frederick Douglass, An American Slave with Richard Henry Dana's Two Years Before the Mast, and Harriet Jacobs' Incidents in the Life of a Slave Girl with Fanny Fern's Ruth Hall. The study indicates that these various works all recognize the importance of learning as a means for attaining freedom. The final chapter provides a broad survey of the African American autobiography.

One Life

One Life
Title One Life PDF eBook
Author Ellen Holly
Publisher Kodansha
Pages 0
Release 1998-02
Genre Actors
ISBN 9781568361970

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In 1968, as Carla on "One Life to Live", Ellen Holly exploded onto the soap opera scene, playing a mysterious black woman who had tried to pass for white. Now, in a memoir as frank and honest as it is romantic and glittering, the acclaimed actress recounts her star-crossed life and paints an affecting portrait of a talented, ambitious woman who struggled with being black--and sometimes, not being black enough. of photos.

A Fatherless Child

A Fatherless Child
Title A Fatherless Child PDF eBook
Author Tara T. Green
Publisher University of Missouri Press
Pages 185
Release 2009-03-09
Genre Biography & Autobiography
ISBN 0826218210

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The impact of absent fathers on sons in the black community has been a subject for cultural critics and sociologists who often deal in anonymous data. Yet many of those sons have themselves addressed the issue in autobiographical works that form the core of African American literature. A Fatherless Child examines the impact of fatherlessness on racial and gender identity formation as seen in black men’s autobiographies and in other constructions of black fatherhood in fiction. Through these works, Tara T. Green investigates what comes of abandonment by a father and loss of a role model by probing a son’s understanding of his father’s struggles to define himself and the role of community in forming the son’s quest for self-definition in his father’s absence. Closely examining four works—Langston Hughes’s The Big Sea, Richard Wright’s Black Boy, Malcolm X’s The Autobiography of Malcolm X, and Barack Obama’s Dreams from My Father—Green portrays the intersecting experiences of generations of black men during the twentieth century both before and after the Civil Rights movement. These four men recall feeling the pressure and responsibility of caring for their mothers, resisting public displays of care, and desiring a loving, noncontentious relationship with their fathers. Feeling vulnerable to forces they may have identified as detrimental to their status as black men, they use autobiography as a tool for healing, a way to confront that vulnerability and to claim a lost power associated with their lost fathers. Through her analysis, Green emphasizes the role of community as a father-substitute in producing successful black men, the impact of fatherlessness on self-perceptions and relationships with women, and black men’s engagement with healing the pain of abandonment. She also looks at why these four men visited Africa to reclaim a cultural history and identity, showing how each developed a clearer understanding of himself as an American man of African descent. A Fatherless Child conveys important lessons relevant to current debates regarding the status of African American families in the twenty-first century. By showing us four black men of different eras, Green asks readers to consider how much any child can heal from fatherlessness to construct a positive self-image—and shows that, contrary to popular perceptions, fatherlessness need not lead to certain failure.