Philip Firmin, son of Dr. Brand Firmin and of Lord Ringwood's wealthy niece, has been left a fortune at the death of his mother. He discovers that his father is being blackmailed by Tufton Hunt, a clergyman who once performed a sham marriage ceremony between Brandon and Caroline Gann (as related in A Shabby Genteel Story). Hunt now claims that the marriage was in fact valid, and urges Caroline to assert her rights and disinherit Philip by proving him illegitimate. Caroline, who is now working as a nurse and in this capacity has brought Philip through a serious illness, refuses to do this. Dr Firmin loses Philip's money and his own through unwise speculation and flees to America, and Philip's fiancée Agnes Twysden renounces him in favour of a wealthier rival. Philip now meets General Baynes, one of the trustees of his lost fortune, and falls in love with the General's daughter Charlotte. He marries her, in the teeth of her mother's opposition, and struggles to support her by becoming a journalist. His troubles are ended when the lost will of his great-uncle, Lord Ringwood, is discovered, and he is found to be the heir to the old man's riches.

The importance of typology in the study of early modern literature has long been accepted, yet students of Victorian culture have paid little attention to it. First published in 1980, this study demonstrates how biblical typology, an apparently arcane interpretative mode, had profound effects on the secular culture of the Victorian age: its art, literature and thought. George Landow considers the way in which the average English believer learned to read their Bible in terms of the types and shadows of Christ, the various ways in which Victorian poetry and hymns employed certain imagery, and the use of typological symbolism in narrative poetry, prose fiction, dramatic monologue and non-fiction. In a concluding chapter, he investigates the particularly complex, and often ironic, combinations of typological image and typological structure.