At her death in 1817, Jane Austen left the world six of the most beloved novels written in English—but her shortsighted family destroyed the bulk of her letters; and if she kept any diaries, they did not survive her. Now acclaimed biographer Claire Tomalin, author of A Life of My Own, has filled the gaps in the record, creating a remarkably fresh and convincing portrait of the woman and the writer. While most Austen biographers have accepted the assertion of Jane's brother Henry that "My dear Sister's life was not a life of events," Tomalin shows that, on the contrary, Austen's brief life was fraught with upheaval. Tomalin provides detailed and absorbing accounts of Austen's ill-fated love for a young Irishman, her frequent travels and extended visits to London, her close friendship with a worldly cousin whose French husband met his death on the guillotine, her brothers' naval service in the Napoleonic wars and in the colonies, and thus shatters the myth of Jane Austen as a sheltered and homebound spinster whose knowledge of the world was limited to the view from a Hampshire village.

Three of Austen's smaller works, worthy of reading for both pleasure and study: Lady Susan, in which a widow seeks an advantageous second marriage; and the unfinished novels The Watsons and Sandition.

After the death of Sir Frederick Vernon, Lady Vernon and her daughter, Frederica, confront the surviving heir of her husband's estate, Charles Vernon, about his treatment of his family. They are faced with Charles's indifference, his wife Catherine's distrustful animosity, and a flood of rumors that threaten to undo them all. Will Lady Vernon and Frederica find love and happiness--and financial security--or will their hopes be dashed with their lost fortune?

With an Introduction, explanatory notes, and annotated bibliography by Nicholas Seager. This collection brings together Jane Austen's earliest experiments in the art of fiction and novels that she left incomplete at the time of her premature death in 1817. Her fragmentary juvenilia show Austen developing her own sense of narrative form whilst parodying popular kinds of fiction of her day. Lady Susan is a wickedly funny epistolary novel about a captivating but unscrupulous widow seeking to snare husbands for her daughter and herself. The Watsons explores themes of family relationships, the marriage market, and attitudes to rank, which became the hallmarks of her major novels. In Sanditon, Austen exercises her acute powers of social observation in the setting of a newly fashionable seaside resort. These novels are here joined by shorter fictions that survive in Austen's manuscripts, including critically acclaimed works like Catharine, Love and Freindship [sic], and The History of England.

When Cornelia Litchfield Case, the widow of the recently assassinated president, learns that his successor, a widower, expects her to continue to fulfill the responsibilities of the first lady, Cornelia disguises herself so she can have some time on her own, meets a man with something to hide, and helps him take two orphan sisters across the country.

In the spring of 2010, with her world scaled down to an 18-foot sea kayak and the 1,200-mile ribbon of water called the Inside Passage, Susan Conrad launched a journey that took her north to Alaska. On the way, she forged friendships, lived her dream, and discovered the depths of her own strength and courage.