TENTACLES! TERROR! TANTRUMS! After a mysterious stranger appears at The Crafty Trout, Jack Scratch and his friends find themselves entangled in an adventure of monstrous proportions. Narrowly escaping a boatload of murderous moggies, crashing cannonballs and a treacherous seabird, Jack and crew set a course for the most fearsome stretch of sea known to catkind, in search of the legendary... KRAKEN! AGES: 8 plus AUTHOR: Craig Phillips is a professional illustrator, working for publishers all around the world, from his studio by the shores of beautiful Lake Taupo, in New Zealand. He has created many book covers for popular children's and young adult books, as well as rock posters for bands such as Queens of the Stone Age, Red Hot Chili Peppers, DJ Shadow and the Foo Fighters. Also by Craig Phillips 'Giants, Trolls, Witches, Beasts', a graphic anthology of world tales.

"After a mysterious stranger appears at the Crafty Trout, Jack Scratch and his friends find themselves entangled in an adventure of monstrous proportions. Narrowly escaping a boatload of murderous moggies, crashing cannon-balls and a treacherous seabird, Jack and crew set course for the most fearsome stretch of sea known to catkind, in search of the legendary Kraken!"--Back cover.

PIRATES! CURSES! CUTLASSES! Meet Jack Scratch. Pint sized hero. Swashbuckler. Adventurer... and singer of pirate ditties! Together with Cap'n Catnip - The World's Greatest Mariner - and his Uncle Silver, Jack is about to embark on a quest to find the fabled treasure of the Hiss-paniola! And he'll encounter a whole lot of trouble along the way.

In an isolated society, one girl makes a discovery that will change everything — and learns that a single stone, once set in motion, can bring down a mountain. Jena — strong, respected, reliable — is the leader of the line, a job every girl in the village dreams of. Watched over by the Mothers as one of the chosen seven, Jena's years spent denying herself food and wrapping her limbs have paid off. She is small enough to squeeze through the tunnels of the mountain and gather the harvest, risking her life with each mission. No work is more important. This has always been the way of things, even if it isn’t easy. But as her suspicions mount and Jena begins to question the life she’s always known, the cracks in her world become impossible to ignore. Thought-provoking and quietly complex, Meg McKinlay’s novel unfolds into a harshly beautiful tale of belief, survival, and resilience stronger than stone.

A CBC BOOKS BEST NONFICTION OF 2020 AN ENTROPY MAGAZINE BEST NONFICTION 2020/21 A NEW YORK PUBLIC LIBRARY BOOK OF THE DAY (07/23/2022) Fairy tales shape how we see the world, so what happens when you identify more with the Beast than Beauty? If every disabled character is mocked and mistreated, how does the Beast ever imagine a happily-ever-after? Amanda Leduc looks at fairy tales from the Brothers Grimm to Disney, showing us how they influence our expectations and behaviour and linking the quest for disability rights to new kinds of stories that celebrate difference. "Historically we have associated the disabled body image and disabled life with an unhappy ending” – Sue Carter, Toronto Star "Leduc persuasively illustrates the power of stories to affect reality in this painstakingly researched and provocative study that invites us to consider our favorite folktales from another angle." – Sara Shreve, Library Journal "She [Leduc] argues that template is how society continues to treat the disabled: rather than making the world accessible for everyone, the disabled are often asked to adapt to inaccessible environments." – Ryan Porter, Quill & Quire "Read this smart, tenacious book." – The Washington Post "A brilliant young critic named Amanda Leduc explores this pernicious power of language in her new book, Disfigured … Leduc follows the bread crumbs back into her original experience with fairy tales – and then explores their residual effects … Read this smart, tenacious book." – The Washington Post "Leduc investigates the intersection between disability and her beloved fairy tales, questioning the constructs of these stories and where her place is, as a disabled woman, among those narratives." – The Globe and Mail "It gave me goosebumps as I read, to see so many of my unexpressed, half-formed thoughts in print. My highlighter got a good workout." – BookRiot "Disfigured is not just an eye-opener when it comes to the Disney princess crew and the Marvel universe – this thin volume provides the tools to change how readers engage with other kinds of popular media, from horror films to fashion magazines to outdated sitcom jokes." – Quill & Quire “It’s an essential read for anyone who loves fairy tales.” – Buzzfeed Books "Leduc makes one thing clear and beautifully so – fairy tales are fundamentally fantastic, but that doesn’t mean that they are beyond reproach in their depiction of real issues and identities." – Shrapnel Magazine "As Leduc takes us through these fairy tales and the space they occupy in the narratives that we construct, she slowly unfolds a call-to-action: the claiming of space for disability in storytelling." – The Globe and Mail "A provocative beginning to a thoughtful and wide-ranging book, one which explores some of the most primal stories readers have encountered and prompts them to ponder the subtext situated there all along." – LitHub "a poignant and informative account of how the stories we tell shape our collective understanding of one another.” – BookMarks "What happens when we allow disabled writers to tell stories of disability within fairytales and in magical and supernatural settings? It is a reimagining of the fairytale canon we need. Leduc dares to dream of a world that most stories envision is unattainable." – Bitch Media

The ants are heading out on a very important expedition. What will they need to take with them? It's a wild journey! And in the end, it's the littlest ant who leads the others to discover the most important thing of all. A book about a very special book.

“If you’ve run out of Saint-Exupéry and miss the eloquent power of his work, then you are ready to read David Roberts.” —Laurence Gonzales, author of Deep Survival: Who Lives, Who Dies and Why David Roberts has spent his career documenting voyages to the most extreme landscapes on earth. In Limits of the Known, he reflects on humanity’s—and his own—relationship to exploration and extreme risk. Part memoir and part history, this book tries to make sense of why so many have committed their lives to the desperate pursuit of adventure. What compelled Eric Shipton to return, five times, to the ridges of Mt. Everest, plotting the mountain’s most treacherous territory years before Hillary and Tenzing’s famous ascent? What drove Bill Stone to dive 3,000 feet underground into North America’s deepest cave? And what is the future of adventure in a world we have mapped and trodden from end to end? In the wake of his diagnosis with throat cancer, Roberts seeks answers with new urgency and “penetrating self-analysis” (Booklist).