Adisa is a typical teacher in a the typical all black town, but once the sun goes down and the bad guys stir, he adorns the costume of a masked vigilante known as Black Man. Fighting his way through corporate bad guys, teenage puberty, hordes of super powered feminist and even a super villian or two, Black Man balances the dual task of teaching and crimefighting in this epic novel. With more bad guys emerging than usual and his father suddenly appearing back into his life, Adisa must find the dark secret that threatens not only his well being but his very lineage. With the help of his wizened mentor Red and his super strength, speed and resilient locks, Black battles to save his city and unlock the secrets to his own identity.

A young man grows up in Washington D.C. seeking adventure and burning with desire to achieve great things. He finds the keys to making his dreams come true are with the Central Intelligence Agency. With his wife and life partner Rose he strikes out on his journey that is remarkable, dangerous as well as fulfilling. This is his story. He tells it in his own words; through the prism of his unique life experiences, the Black Man in the CIA. He worked for the CIA, one of the 17 Departments and Agencies of the National Intelligence Community, during the Cold War years. Leutrell M. Osborne Sr., (Mike), tells his story to document the former Spy Manager's history while providing unique insights for others to understand his rise to become a spy manager that supervised CIA agents and assets in over 30 countries. In addition to that he also became the only one of his profession who also gained six years of experience in Information Assurance (IA). Book Design, Edited and Cover by Gary Revel

An inspirational picture book rich in sports metaphor, Dear Black Boy is a letter of encouragement to boys of color.

New York's urban neighborhoods are full of young would-be emcees who aspire to "keep it real" and restaurants like Sylvia's famous soul food eatery that offer a taste of "authentic" black culture. In these and other venues, authenticity is considered the best way to distinguish the real from the phony, the genuine from the fake. But in Real Black, John L. Jackson Jr. proposes a new model for thinking about these issues--racial sincerity. Jackson argues that authenticity caricatures identity as something imposed on people, imprisoning them within stereotypes--turning them into racial objects and inanimate things, instead of living, breathing human beings. Contending that such assumptions deny people agency--not to mention humanity--in their search for identity, Jackson counterposes sincerity, an internal and more productive analytical model for thinking about race. Moving in and around Harlem and Brooklyn, Jackson offers a kaleidoscope of subjects and stories that directly and indirectly address how race is negotiated in today's world--including tales of name-changing hip-hop emcees, book-vending numerologists, urban conspiracy theorists, corrupt police officers, mixed-race neo-Nazis, and high-school gospel choirs forbidden to catch the Holy Ghost. Enlisting "Anthroman," his cape-crusading critical alter ego, Jackson records and retells these interconnected sagas in virtuosic detail and, in the process, shows us how race is defined and debated, imposed and confounded every single day.

Reprint of the 1991 Free Press edition, with Ely's (history, College of William and Mary) new eight-page preface. c. Book News Inc.

Four more thrilling tales of planets in peril and Jedi in jeopardy! The Clone Wars grind through the galaxy, shaking every system to its core and testing loyalties on both sides of the conflict. The last days of the Jedi are at hand, but if their Order is to fall, they're going down swinging! Presenting another round of lightning-paced, action-packed, all-ages Star Wars goodness, all told in the same stripped-down stylization as Cartoon Network's micro-series. • The Clone Wars Adventures series are a top seller, and very kid-friendly, perfect for younger readers.

This book is about a Black man's experience of reading Mark Twain's classic Adventures of Huckleberry Finn for the first time while in graduate school. The story captures the author's emotional struggle with Twain's use of the racial epithet more than two hundred times in the text. Author James Henry Harris reports being relieved to come to the end of the semester of "encountering Twain's use of [the forbidden word] every week. . . . I was teetering on the brink of falling apart. . . . For the first time the class seemed to understand my painful struggle, and my plight as a Black man in class was a metaphor, a symbol of the past, present, and postmodern condition of American society." This is a courageous memoir that wrestles with the historic stain of racism and the ongoing impact of racist language in postmodern society. The book is about Harris's flashbacks, conversations, and dilemmas spawned by use of the epithet in a classroom setting where the author was the only Black person. His diary-like reflections reveal his skill as a keen reader of culture and literature. In these pages, Harris challenges his instructor and classmates and inspires readers to redress the long history of American racism and white supremacy bound up with the N-word. He reflects on how current Black artists and others use the word in a different way with the intention of empowering or claiming the term. But Harris is not convinced that even this usage does not further feed the word's racist roots. Healing racial division begins with understanding the deep impact our words can have to tear down or to heal. This book invites the reader into this important conversation.