Describes the lives and fates of several midwestern mound-building Native American tribes.

Indian mounds of the middle Ohio Valley : a guide to mounds and earthworks of the Adena, Hopewell, Cole, and Fort Ancient people.

Shamans of the Lost World bridges the gap between recent work in the cognitive sciences and some of humankind's oldest religious expressions. In this detailed look at the prehistoric shamanism of the Ohio Hopewell, Romain uses cognitive science, archaeology, and ethnology to propose that the shamanic worldview results from psychological mechanisms that have a basis in our cognitive evolutionary development. The discussions in this volume of the most current theories concerning how early peoples came to believe in spirits and gods, as well as how those theories help account for what we find in the archaeological record of the Hopewell, are of interest to archaeologists and cognitive scientists alike.

The great earthen mounds of southern Ohio have attracted archaelogical attention since the first half of the nineteenth century. Until now, little has been known of the social organization of the Native Americans who constructed these spectacular ceremonial monuments. In the early 1960s, Olaf Prufer argued that the Ohio Hopewell societies who built the mounds that characterize the Middle Woodland Period (200 B.C. to A.D. 400) lived in a small, scattered hamlets. Prufer's thesis was evaluated at the symposium "Testing the Prufer Model of Ohio Hopewell Settlement Pattern" at the annual meeting of the Society for American Archaeology in Pittsburgh, April 10, 1992. Several of those essays and others, including two by Professor Prufer, are included in Ohio Hopewell Community Organization. Within the last decade, more than 100 instances of Middle Woodland domestic sites have been documented. The authors examine plant and animal remains, ceramic and stone fragments, and traces of structures and facilities recovered through survey and excavation. The essays illustrate many of the controversies revolving around scientific study of the Hopewellian lifeway. In an Afterword, James B. Griffin shows that the problem of Hopewellian settlement pattern has deep intellectual roots, and its solution will be significant not only for the Ohio Valley but for world prehistory as well. While the volume holds obvious interest for professional archaeologists, it will also appeal to amateur archaeologists and visitors to prehistoric sites and museums.

Provides an introduction to the ancient Indian mound builders of the Mississippi and Ohio Valleys.

Early Art of the Southeastern Indians is a visual journey through time, highlighting some of the most skillfully created art in native North America. The remarkable objects described and pictured here, many in full color, reveal the hands of master artists who developed lapidary and weaving traditions, established centers for production of shell and copper objects, and created the first ceramics in North America. Presenting artifacts originating in the Archaic through the Mississippian periods--from thousands of years ago through A.D. 1600--Susan C. Power introduces us to an extraordinary assortment of ceremonial and functional objects, including pipes, vessels, figurines, and much more. Drawn from every corner of the Southeast--from Louisiana to the Ohio River valley, from Florida to Oklahoma--the pieces chronicle the emergence of new media and the mastery of new techniques as they offer clues to their creators’ widening awareness of their physical and spiritual worlds. The most complex works, writes Power, were linked to male (and sometimes female) leaders. Wearing bold ensembles consisting of symbolic colors, sacred media, and richly complex designs, the leaders controlled large ceremonial centers that were noteworthy in regional art history, such as Etowah, Georgia; Spiro, Oklahoma; Cahokia, Illinois; and Moundville, Alabama. Many objects were used locally; others circulated to distant locales. Power comments on the widening of artists’ subjects, starting with animals and insects, moving to humans, then culminating in supernatural combinations of both, and she discusses how a piece’s artistic “language” could function as a visual shorthand in local style and expression, yet embody an iconography of regional proportions. The remarkable achievements of these southeastern artists delight the senses and engage the mind while giving a brief glimpse into the rich, symbolic world of feathered serpents and winged beings.

Nearly 2000 years ago, people living in the river valleys of southern Ohio built earthen monuments on a scale that is unmatched in the archaeological record for small-scale societies. The period from c. 200 BC to c. AD 500 (Early to Middle Woodland) witnessed the construction of mounds, earthen walls, ditches, borrow pits and other earthen and stone features covering dozen of hectares at many sites and hundreds of hectares at some. The development of the vast Hopewell Culture geometric earthwork complexes such as those at Mound City, Chilicothe; Hopewell; and the Newark earthworks was accompanied by the establishment of wide-ranging cultural contacts reflected in the movement of exotic and strikingly beautiful artefacts such as elaborate tobacco pipes, obsidian and chert arrowheads, copper axes and regalia, animal figurines and delicately carved sheets of mica. These phenomena, coupled with complex burial rituals, indicate the emergence of a political economy based on a powerful ideology of individual power and prestige, and the creation of a vast cultural landscape within which the monument complexes were central to a ritual cycle encompassing a substantial geographical area. The labour needed to build these vast cultural landscapes exceeds population estimates for the region, and suggests that people from near (and possibly far) travelled to the Scioto and other river valleys to help with construction of these monumental earthen complexes. Here, Mark Lynott draws on more than a decade of research and extensive new datasets to re-examine the spectacular and massive scale Ohio Hopewell landscapes and to explore the society that created them.