Set in the world of contemporary art, Guy Kennaway's new novel delivers his trademark absurdities and laugh out loud moments. As the globe's most successful super-dealer, Herman Gertsch spent his charmed life jetting between his galleries in Zurich, London and New York, fawned over by artists, curators, politicians and the uber-rich. As Herman's empire grew, nothing seemed to get in his way, until he made the calamitous decision to open a gallery in a rural English backwater. Here, Herman encountered John 'Brother' Burn, a penniless hippy known as the slipperiest man in south Somerset, and therefore the western hemisphere. In the riotous comedy of errors that follows, Kennaway pours mistaken identity, Amazonian tribesmen, Swiss food, DMT, Arab Royalty, million dollar paintings and worthless tat onto a spin painting of a story that dazzles with surprises and leaves you feeling reassuringly warm about art and life.

Readers who fell in love with The Eighth Lively Art will delight in the stories and profiles that the painter and paleontologist Wesley Wehr has collected in this follow-up to his earlier memoir of Pacific Northwest artistic and intellectual life in the 1950s and 1960s. Above all, these are Wehr's accounts, distilled by passionate recollection, of what some remarkable artists and thinkers brought out in him and in each other--stories of creative people and how they inspired, influenced, challenged, and occasionally infuriated one another.

Fun, escapist, laugh out loud comedy about the art world. Mr Bean does the Biennale.

The international literary icon opens his eclectic closet: Here are photographs of Murakami’s extensive and personal T-shirt collection, accompanied by essays that reveal a side of the writer rarely seen by the public. Many of Haruki Murakami's fans know about his massive vinyl record collection (10,000 albums!) and his obsession with running, but few have heard about a more intimate passion: his T-shirt collecting. In Murakami T, the famously reclusive novelist shows us his T-shirts—from concert shirts to never-worn whiskey-themed Ts, and from beloved bookstore swag to the shirt that inspired the iconic short story "Tony Takitani." These photographs are paired with short, frank essays that include Murakami's musings on the joy of drinking Guinness in local pubs across Ireland, the pleasure of eating a burger upon arrival in the United States, and Hawaiian surf culture in the 1980s. Together, these photographs and reflections reveal much about Murakami's multifaceted and wonderfully eccentric persona.

"Ever since the unsolved murder of her father, law student Masha Karavay has nursed an obsession with homicide cases. When she nabs an internship with Moscow's Central Directorate Headquarters, seasoned detective Andrey Yakovlev gives her a file of bizarre, seemingly unrelated slayings that should keep her busy and out of his way. But when Masha discerns a connection between the crimes and the symbolic world of medieval Moscow, she has Andrey's full attention. The victims weren't just abandoned... they were displayed--from Red Square to Kutafya Tower to the Bersenevskaya waterfront. What Masha and Andrey are dealing with is no ordinary serial killer, but rather a psycho with an unfathomable purpose, guided by sacred texts to punish his victims in the most unspeakable--and public--ways."--

Ghosts aren’t meant to stick around forever... Shelly and her grandmother catch ghosts. In their hair. Just like all the women in their family, they can see souls who haven’t transitioned yet; it’s their job to help the ghosts along their journey. When Shelly’s mom dies suddenly, Shelly’s relationship to ghosts—and death—changes. Instead of helping spirits move on, Shelly starts hoarding them. But no matter how many ghost cats, dogs, or people she hides in her room, Shelly can’t ignore the one ghost that’s missing. Why hasn’t her mom’s ghost come home yet? Rooted in a Cree worldview and inspired by stories about the author’s great-grandmother’s life, The Ghost Collector delves into questions of grief and loss, and introduces an exciting new voice in tween fiction that will appeal to fans of Kate DiCamillo’s Louisiana’s Way Home and Patrick Ness’s A Monster Calls.

The new novel from the author of Guantanamo Boy. In Cairo, fifteen-year-old Aaron makes a living out of gathering garbage - as a member of the despised Zabbaleen, this is his fate. But Aaron has dreams. Every day he dreams of Rachel, who looks after the ponies who pull the carts piled high with garbage to and from the slum they call home. He dreams that they will make a life together, far from the smells, cruelty and squalor of their daily existence. Aaron's skill at sorting glass is the only thing that keeps him alive. His mother is dead, and his stepfather and stepbrother Elijah subject him to an endless regime of bullying and abuse. He is stuck with them - where else would he go? Shareen, the local beauty, is at once a source of excitement and torment to him. And always there is Rachel - serene, and seemingly untouchable. When Aaron steals some goods from a shop, bringing shame to his family, he is forced to work for the medical wasters - the lowest of the low, who risk their lives sorting through the piles of rubbish from the hospitals.Just as it seems he can sink no further, Aaron makes a choice that will change his life. And when Rachel looks at him in a new light, there may be hope for him, after all. '...has all the elements of a great story', writes the Sun Herald. Reviewed in the Saturday Age.