This edited volume provides a comparative exploration of corresponding concepts of the abyss in various languages and cultures. Fourteen chapters investigate ancient cultures such as Hebrew, Ancient Greek, Sanskrit and Old Norse, but also more contemporary American, African and Asian languages, such as Hawaiian, Umbundu, Chinese and Khasi, as well as European languages, such as German, Estonian, English, French, Polish and Russian. The book combines ethnolinguistics with history of ideas, literature, folklore, religion and translation, based on the conviction that language and our linguistic concepts give evidence of and shape our ideas about the world and about ourselves.

An essay by philosopher Slavoj Zizek, with an English translation of Schelling's beautiful and evocative Ages of the World, second draft

This volume provides a comparative investigation into concepts of the abyss in fourteen ancient and contemporary languages and cultures worldwide. It combines ethnolinguistics with philosophy, literature, folklore, religion and translation to demonstrate the culture shaping significance of this fundamental concept.

“… the ideal book for students of cultural theory and one that is sensitively attuned to the political challenges of our times. Whether explaining dialectical materialism or the lyrics of Oasis and The Arctic Monkeys, Kate McGowan is an enlightening and entertaining guide.” Professor Stephen Regan, Durham University From a man with electric underpants, to the indelible mark of 9/11 in a global cultural imaginary, Kate McGowan addresses the questions of cultural meaning and value which confront us all today. The book explores the often complex paradigms of critical thinking and discusses the possibilities of engaging and critiquing the cultural values that relate to our present. Dealing directly with the issues entailed in cultural analysis, the book avoids simply looking at the eminent authors or movements in critical and cultural theory, and instead focuses on why studying culture matters to us today: What are the ‘proper’ objects of cultural study? What makes something ‘art’? What can critical and cultural theory contribute to contemporary debates about ethics? What possibilities are opened up by theories of ‘otherness’ in thinking about the stranger or outsider in today’s society? How does a culture contest its own values – in relation to race, gender, class, sexuality and a variety of faiths and abilities? Key Issues in Critical and Cultural Theory is key reading for students studying humanities, and for those with an interest in culture, aesthetics, ethics and philosophy who want to understand how these affect the world.

This second edition of Cultural Theory provides a concise introduction to cultural theory, placing major figures, traditional concepts, and contemporary themes within a sharp conceptual framework. Provides a student-friendly introduction to what can often be a complex field of study Updates the first edition in response to reader feedback and to the changing nature of the field Includes additional coverage of theorists from the classical period to include Nietzsche and DuBois Introduces entirely new chapters on race and gender theory, and the body Considers themes that have become more important in theoretical activity in recent years such as computers and virtual reality, cosmopolitanism, and performance theory Draws on theories and theorists from continental Europe as well as the English-speaking world

This is the first comprehensive description of Pierre Bourdieu′s theory of culture and habitus. Within the wider intellectual context of Bourdieu′s work, this book provides a systematic reading of his assessment of the role of `cultural capital′ in the production and consumption of symbolic goods. Bridget Fowler outlines the key critical debates that inform Bourdieu′s work. She introduces his recent treatment of the rules of art, explains the importance of his concept of capital - economic and social, symbolic and cultural - and defines such key terms as habitus, practice and strategy, legitimate culture, popular art and distinction. The book focuses particularly on Bourdieu′s account of the nature of capitalist modernity, on the emergence of bohemia and, with the growth of the market, the invention of the artist as the main historical response to the changed place of art.

New Perspectives in Italian Cultural Studies. Volume 1: Definitions, Theory, and Accented Practices is a collection of essays that identifies a number of different approaches in cultural studies and in Italian cultural studies in particular. It highlights that history of cultural studies and new developments in the field as well focuses on practicing cultural studies with essays devoted to Italian hip hop culture, postcolonial Italy and queer diaspora, Occidentalism in Japan, Italian racism and colonialism.