THE VENGEFUL GROOM Betrothed to the son of her father’s Spanish friend, Mistress Deborah Stirling is taken captive by a roguish privateer. Nicholas, Marquis de Vere, has vowed vengeance on her future husband, and plans to use Deborah to lure the murderous Spaniard from his hiding place. Revenge was never so sweet—or so tempting…. At first furious, Deborah soon finds herself unable to resist her handsome captor’s charms. Swept away by their passion, she can’t help but fall in love. But what if it’s a lie? Could it be part of Nicholas’s revenge to seduce her, then be rid of her?

When Amy finally escapes from her suffocating chaperone, she runs into a man who believes she's his beloved Desiree. The next thing Amy knows, she's at his estate after a drugged sleep--and is falling for the enigmatic stranger. Original.

This book analyzes kidnapping in various forms and from various perspectives. First it argues that kidnapping, including the threat of kidnapping, reflects a breakdown in the mechanisms of social control in society. This volume also discusses the ways governments and para-military and terrorist groups employ kidnappings as part of their foreign and domestic policy. This analysis evaluates why and under what conditions governments, para-military and terrorist groups decide to abduct individuals and groups. It emphasizes how individuals, groups, and governments employ abductions to achieve their psychological, social, religious, and political objectives. This analysis also examines the ways in which cultural traditions in different societies emerge to foster behaviors such as bride abductions. Moreover, this book addresses the extent to which social change modifies these cultural patterns. Suitable for students and researchers, mental health practitioners, and law enforcement, this volume is a unique analysis of our contemporary understanding of kidnapping and violence, and the social, psychological, political, and cultural motivations for such an act.

All Sandy Davis wants is to forget about romance. Romance is for other people, not for her. She’s been rejected too many times and doesn’t want anything else to do with it. To escape, she writes an epic fantasy, picturing herself as the queen who rises against the threat of King Blackheart who is determined to conquer her kingdom. Just as she’s going to write the ending where she kills him, he arranges it so that he takes her into the story. But he doesn’t abduct her so she’ll be his prisoner. His plan is to make her his wife and prove that he’s not the villain she’s made him out to be.

SHANGHAIED FROM THE CHURCH? Slung over the broad shoulders of her ex-fiancé as he kidnapped her from the church was not the way Lorelei Mason had envisioned her wedding day to her new fiancé. Jack Storm had left her at the altar once; now he had the nerve to want her back! Jack had made the biggest mistake of his life when he was a no-show for his wedding. Now he hoped Lorelei would fall in love with him again. And only then would he take her back to the church—to marry him! RIGHT BRIDE, WRONG GROOM: Marrying Mr. Almost-Right is all wrong, especially when the perfect man is ready to sweep you into his arms!

First published in 1998. The Encyclopedia of Comparative Iconography compares the uses of iconographic themes from mythology, the Bible and other sacred texts, literature, and popular culture in works of art through various periods, cultures, and genres. Art historians now tend to study narrative themes depicted in works of art in relation to such subjects as gender and sexuality, politics and power, ownership and possession, ceremony and ritual, legitimacy and authority. The Encyclopedia of Comparative Iconography reflects these new approaches by ordering the themes of various iconographic sources in particular biblical, mythological, and literary texts according to these new emphases.Each handsomely illustrated entry discusses the major relevant iconographic narratives and the historical background of each theme. A list of selected works of art that accompanies each essay guides the reader to examples in art that depict the theme under discussion. Each essay includes a list of suggested reading that provides further sources of information about the themes. A general bibliography of reference books is listed separately and can be used in association with all the essays. With 119 entries written by 42 experts, the Encyclopedia of Comparative Iconography is an important reference work for art historians, students of art history, artists, and the general reader.