"The short dirk in the hands of Muriel Spark has always been a deadly weapon," said The New York Times, and "never more so than in The Abbess of Crewe." An elegant little fable about intrigue, corruption, and electronic surveillance, The Abbess of Crewe is set in an English Benedictine convent. Steely and silky Abbess Alexandra (whose aristocratic tastes run to pâté, fine wine, English poetry, and carpets of "amorous green") has bugged the convent, and rigged her election. But the cat gets out of the bag, and--plunged into scandal--the serene Abbess faces a Vatican inquiry.

"Long ago in 1945 all the nice people in England were poor, allowing for exceptions," begins The Girls of Slender Means, Dame Muriel Spark's tragic and rapier-witted portrait of a London ladies' hostel just emerging from the shadow of World War II. Like the May of Teck Club itself—"three times window shattered since 1940 but never directly hit"—its lady inhabitants do their best to act as if the world were back to normal: practicing elocution, and jostling over suitors and a single Schiaparelli gown. The novel's harrowing ending reveals that the girls' giddy literary and amorous peregrinations are hiding some tragically painful war wounds. Chosen by Anthony Burgess as one of the Best Modern Novels in the Sunday Times of London, The Girls of Slender Means is a taut and eerily perfect novel by an author The New York Times has called "one of this century's finest creators of comic-metaphysical entertainment."

Where does art start or reality end? Happily loitering about London, c. 1949, with the intent of gathering material for her writing, Fleur Talbot finds a job “on the grubby edge of the literary world” at the very peculiar Autobiographical Association. Mad egomaniacs writing their memoirs in advance — or poor fools ensnared by a blackmailer? When the association’s pompous director steals Fleur’s manuscript, fiction begins to appropriate life.

DIVDIVFor Barbara Vaughn, a checkpoint between Jordan and the newly formed Israel is the threshold to painful self-discovery/divDIV /divDIV/divDIVBarbara Vaughn is a scholarly woman whose fascination with religion stems partly from a conversion to Catholicism, and partly from her own half-Jewish background. When her boyfriend joins an archaeological excursion to search for additional Dead Sea Scrolls, Vaughn takes the opportunity to explore the Holy Land. But this is 1960, and with the nation of Israel still in its infancy, the British Empire in retreat from the region, and the Eichmann trials in full swing, Vaughn uncovers much deeper mysteries than those found at tourist sites. /divDIV /divDIVBoth an espionage thriller and a journey of faith, The Mandelbaum Gate won the James Tait Black Memorial Prize upon its publication, and is one of Spark’s most compelling novels./divDIV /divDIVThis ebook features an illustrated biography of Muriel Spark including rare photos and never-before-seen documents from the author’s archive at the National Library of Scotland./divDIV /divDIV/div/div

A slender satirical gem from the “master of malice and mayhem” (The New York Times) The Ballad of Peckham Rye is a wickedly farcical tale of an English factory town turned upside-down by a Scot who may or may not be in league with the Devil. Dougal Douglas is hired to do “human research” into the lives of the workers, Douglas stirs up mutiny and murder.

Available at last are all the poems by one of the twentieth century's greatest British writers, Dame Muriel Spark: "a true literary artist, acerbic and exhilarating" (London Evening Standard).

From a fraudulent psychiatrist grappling with two equally fraudulent clients in Aiding and Abetting, to the dirty dealings of The Abbess of Crewe's band of corrupt nuns, to the three plane crash survivors of Robinson eking out an existence on an Atlantic island after its resident mystic disappears, these three satires probe the recesses of human fallibility with formidable precision. Spanning five decades, the glittering, sharp and sinister works of Spark's Satire confirm their author as one of our most incisive and wickedly funny satirists.